Di Janine

Janine and Bruno first fell in love as young reporters in the besieged city of Sarajevo. Years later - after endless phone calls, much of what the French call malentendu, secret trysts in foreign cities, numerous break-ups, three miscarriages, countless stories of rebel armies and a dozen wars that had passed between them - they arrive in Paris one rainy January to begin a new life together. The remnants of their separate lives, now left behind, are tentatively unpacked into their shared apartment on the Right Bank: Bruno's heavy blanket from Ethiopia, a set of long feathered arrows from Brazil, an ash tray stolen from a hotel in Algeria, and Janine's flak-jacket and canvas boots, still full of sand from the Western Desert in Iraq. But having met in another lifetime - in another world - ordinary, civilian life doesn't come easily. War has become part of them: it had brought them together, and, though both are damaged by it, neither can quite leave it behind. And the difficult journey that follows, through their mix of joy and terror at becoming parents, Bruno's battle with post-traumatic stress and addiction, and Janine's determination to make France her home, leads to an understanding of the truth that people who deeply love each other cannot always live together. A searing, profoundly moving love letter, beautifully written, Ghosts by Daylight is a powerfully raw portrait of marriage and motherhood in the aftermath of war.

Eve Arnold (1912 - 2012) was born to a poor immigrant family in Philadelphia and became a photographer by chance. In 1950 Arnold was a 38-year-old Long Island housewife when she enrolled in a six-week photography course that led to her groundbreaking photo essay on black fashion models in Harlem. She went on to become the first woman to join Magnum Photos and, eventually, one of the most accomplished photojournalists of her time. Filled with reproductions of Arnold's acclaimed photographs, shot in both colour and black-and-white, as well as previously unseen archival images, this biography relates Arnold's bold images to the fascinating story of their making. Renowned for her intimate portraits of figures such as Marilyn Monroe, Malcolm X and Queen Elizabeth, Arnold was equally comfortable documenting the lives of the poor and dispossessed. "I don't see anybody as either ordinary or extraordinary. I see them simply as people in front of my lens." To her images of migrant workers, disabled veterans and protesters for civil rights in the US and against apartheid in South Africa, she brought an unflinching eye and a strong sense of social justice. This highly engrossing narrative tells a compelling story of an intrepid artist whose life's purpose was to report on the lives of others.

Winner of the Hay Festival Award for Prose In May of 2012, Janine di Giovanni travelled to Syria, marking the beginning of a long relationship with the country, as she began reporting from both sides of the conflict, witnessing its descent into one of the most brutal, internecine conflicts in recent history. Drawn to the stories of ordinary people caught up in the fighting, Syria came to consume her every moment, her every emotion. Speaking to those directly involved in the war, di Giovanni relays the personal stories of rebel fighters thrown in jail at the least provocation; of children and families forced to watch loved ones taken and killed by regime forces with dubious justifications; and the stories of the elite, holding pool parties in Damascus hotels, trying to deny the human consequences of the nearby shelling. Delivered with passion, fearlessness and sensitivity, The Morning They Came for Us is an unflinching account of a nation on the brink of disintegration, charting an apocalyptic but at times tender story of life in a jihadist war - and an unforgettable testament to human resilience in the face of devastating, unimaginable horrors.

Winner of the Hay Festival Award for Prose Winner of the 2016 IWMF Courage in Journalism Award Shortlisted for the New York Public Library's Helen Bernstein Excellence in Journalism Award Shortlisted for the 2017 Moore Prize for Non-Fiction Literature In May of 2012, Janine di Giovanni travelled to Syria, marking the beginning of a long relationship with the country, as she began reporting from both sides of the conflict, witnessing its descent into one of the most brutal, internecine conflicts in recent history. Drawn to the stories of ordinary people caught up in the fighting, Syria came to consume her every moment, her every emotion. Speaking to those directly involved in the war, di Giovanni relays the personal stories of rebel fighters thrown in jail at the least provocation; of children and families forced to watch loved ones taken and killed by regime forces with dubious justifications; and the stories of the elite, holding pool parties in Damascus hotels, trying to deny the human consequences of the nearby shelling.Delivered with passion, fearlessness and sensitivity, The Morning They Came for Us is an unflinching account of a nation on the brink of disintegration, charting an apocalyptic but at times tender story of life in a jihadist war - and an unforgettable testament to human resilience in the face of devastating, unimaginable horrors.

Janine di Giovanni több mint két évtizeden át dolgozott a Közel-Keleten. A szíriai forradalmat kitörése óta figyelemmel kíséri, 2012 és 2016 között többször is járt az országban. Könyvében elmeséli azoknak az ellenzéki aktivistáknak a történetét, akiket a legkisebb provokációért börtönbe vetettek, és beszámol a damaszkuszi elit szállodákban rendezett fényes fogadásairól, míg a közelben bombák hullanak. A reggel, amikor eljöttek értünk hiteles tudósítás arról, hogyan kerül az összeomlás szélére egy önmagát toleránsnak tartó multikulturális társadalom, és hogyan fordul szomszéd szomszéd ellen. Szenvedéllyel, félelem nélkül és érzékletesen megírt mű egy széteső ország hétköznapjairól és a legborzalmasabb körülmények között is megmutatkozó emberi ellenállásról. A kötet a Nemzetközi Női Média Alapítvány újságírói bátorság díjának győztese.