Rebecca Stott

Christmas, 1859. Just one month after the publication of On the Origin of Species, Darwin received a letter that deeply unsettled him. He had expected criticism. Letters were arriving every day like swarms, some expressing praise, most outrage and accusations of heresy. But the letter from the Reverend Powell was different. It accused Darwin of failing to acknowledge his predecessors, of having taken credit for a theory that had already been discovered by others, Baden Powell himself and Darwin's own grandfather among them. For all the excuses that leapt to mind - publication had been rushed; he hadn't been well - Darwin knew he had made a grave error in omitting to mention his intellectual forebears. Yet when he tried to trace these natural philosophers, he found that history had already forgotten them...In Darwin's Ghosts, historian and novelist Rebecca Stott rediscovers Aristotle walking the shores of Lesbos with his pupils and Leonardo da Vinci searching for fossils in the mine shafts of the Tuscan hills; Diderot, in Paris, under the surveillance of the secret police, exploring the origins of species, and the brilliant naturalists of the Jardin de Plantes first recognising proof of evolutionary change in the natural history collections stolen during the Napoleonic wars. Darwin's Ghosts is a masterful retelling of the collective daring of a few like-minded men who had the imagination to speculate on nature's ways and the courage to publish at a time when to do so, for political as well as religious reasons, was to risk everything. More than a tale of mummified birds, inland lagoons, Bedouin nomads, secret police files, microscopes and curiosity cabinets, Darwin's Ghosts is the story of an idea that would change the modern world.

A father-daughter story that tells of the author’s experience growing up in a separatist fundamentalist Christian cult, from the author of the national bestseller Ghostwalk Rebecca Stott grew up in in Brighton, England, as a fourth-generation member of the Exclusive Brethren, a cult that believed the world is ruled by Satan. In this closed community, books that didn’t conform to the sect’s rules were banned, women were subservient to men and were made to dress modestly and cover their heads, and those who disobeyed the rules were punished and shamed. Yet Rebecca’s father, Roger Stott, a high-ranking Brethren minister, was a man of contradictions: he preached that the Brethren should shun the outside world, yet he kept a radio in the trunk of his car and hid copies of Yeats and Shakespeare behind the Brethren ministries. Years later, when the Stotts broke with the Brethren after a scandal involving the cult’s leader, Roger became an actor, filmmaker, and compulsive gambler who left the family penniless and ended up in jail. A curious child, Rebecca spent her insular childhood asking questions about the world and trying to glean the answers from forbidden library books. Only when she was an adult and her father was dying of cancer did she begin to understand all that had occurred during those harrowing years. It was then that Roger Stott handed her the memoir he had begun writing about the period leading up to what he referred to as the traumatic “Nazi decade,” the years in the 1960s in which he and other Brethren leaders enforced coercive codes of behavior that led to the breaking apart of families, the shunning of members, even suicides. Now he was trying to examine that time, and his complicity in it, and he asked Rebecca to write about it, to expose all that was kept hidden. In the Days of Rain is Rebecca Stott’s attempt to make sense of her childhood in the Exclusive Brethren, to understand her father’s role in the cult and in the breaking apart of her family, and to come to be at peace with her relationship with a larger-than-life figure whose faults were matched by a passion for life, a thirst for knowledge, and a love of literature and beauty. A father-daughter story as well as a memoir of growing up in a closed-off community and then finding a way out of it, this is an inspiring and beautiful account of the bonds of family and the power of self-invention. Praise for In the Days of Rain “A marvelous, strange, terrifying book, somehow finding words both for the intensity of a childhood locked in a tyrannical secret world, and for the lifelong aftershocks of being liberated from it.”—Francis Spufford, author of Golden Hill “Writers are forged in strange fires, but none stranger than Rebecca Stott’s. By rights, her memoir of her father and her early childhood inside a closed fundamentalist sect obsessed by the Rapture ought to be a horror story. But while the historian in her is merciless in exposing the cruelties and corruption involved, Rebecca the child also lights up the book, existing in a world of vivid play, dreams, even nightmares, so passionate and imaginative that it helps explain how she survived, and—even more miraculous—found the compassion and understanding to do justice to the story of her father and the painful family life he created.”—Sarah Dunant, author of The Birth of Venus