- Počet strán: 192
- Väzba: tvrdá
- EAN: 9783832794484
- Jazyk: anglický
- ISBN: 3832794484
- Dátum vydania: 1. marca 2011
- Vydavateľstvo : teNeues
Mornig After
David Drebin
A talented photographer without equal, David Drebin is above all a storyteller. His brooding and glamorous works tell tales of lust and voyeurism--as well as seduction and escape. Not afraid to be daring, Drebin also tantalizes us with subtle allusio
ns. His sweeping cinematic images feature the majestic backdrops of such world cities as Berlin, Paris and Rio de Janeiro. These photographs pulse with a charged sensuality, using color and light to maximum effect. Dangerous seductresses play a centr
al role in Drebin's work. Bursts of saturated Technicolor explode against stone and gray cement. In this, he hints at Hitchcock at his finest. We're left with a tinge of regret amid the sensual excess.
ns. His sweeping cinematic images feature the majestic backdrops of such world cities as Berlin, Paris and Rio de Janeiro. These photographs pulse with a charged sensuality, using color and light to maximum effect. Dangerous seductresses play a centr
al role in Drebin's work. Bursts of saturated Technicolor explode against stone and gray cement. In this, he hints at Hitchcock at his finest. We're left with a tinge of regret amid the sensual excess.
- Počet strán: 192
- Väzba: tvrdá
- EAN: 9783832794484
- Jazyk: anglický
- ISBN: 3832794484
- Dátum vydania: 1. marca 2011
- Vydavateľstvo : teNeues
A talented photographer without equal, David Drebin is above all a storyteller. His brooding and glamorous works tell tales of lust and voyeurism--as well as seduction and escape. Not afraid to be daring, Drebin also tantalizes us with subtle allusio
ns. His sweeping cinematic images feature the majestic backdrops of such world cities as Berlin, Paris and Rio de Janeiro. These photographs pulse with a charged sensuality, using color and light to maximum effect. Dangerous seductresses play a centr
al role in Drebin's work. Bursts of saturated Technicolor explode against stone and gray cement. In this, he hints at Hitchcock at his finest. We're left with a tinge of regret amid the sensual excess.
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