Michael Bockemühl

Rembrandtov maliarsky rukopis prešiel počas štyridsiatich štyroch rokov tvorivého obdobia mimoriadnymi zmenami. Z takmer neohrabaných začiatkov vyrástol bohatý register neporovnateľnej maliarskej virtuozity a obrazová forma, ktorej tajomstvo zostáva dodnes nevyriešené. Rembrandtove dielo hovorí o umelcovom večnom hľadaní.

Tato kniha poskytuje zázemí nutné k tomu, aby se Turnerovy obrazy otevřely oku. Ukazuje, že Turner nejen ilustroval přírodu, ale že jeho malby oslovují přímo lidské oko - stejně jako sama příroda, pomocí světla a barvy.

The mystery of the revealed form: A mirror of the artistic and intellectual developments of the 17th century Rembrandt Harmensz van Rijn (1606-1669) was one of the most complex and multi-faceted artists of the 17th century. From his initial period in Leiden to his early and late phases in Amsterdam, the stages of Rembrandt's career mirror the artistic and intellectual developments of the century. After breaking off his studies in Leiden, the young Rembrandt trained as a painter for two years and eventually established his own painting workshop. Characteristic of the Leiden period are his biblical histories, such as "The Raising of Lazarus," but the roots of Rembrandt's portraiture, nourished by his intensive studies of physiognomy, also are to be found in these same years. Later, in Amsterdam, the perfection of Rembrandt's likenesses initially won him the favor of numerous patrons--but the artist soon surpassed their expectations. Transcending traditional modes of presentation, Rembrandt composed his portraits in the same manner in which he had earlier constructed his scenes. The results are visible, for example, in the famous group portrait "The Anatomy Lesson of Dr. Nicolaes Tulp" from 1632. In the last phase of Rembrandt's work--when, plagued by financial problems, he had withdrawn into seclusion--it is no longer possible to distinguish between event paintings and portraits.About the Series: Each book in TASCHEN's Basic Art Series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 colour illustrations with explanatory captions.

As a blind person might see the world if the gift of sight were suddenly returned - this is how we might describe the effect of William Turner's paintings on the observer. John Ruskin, Turner's uncompromising 19th-century defender, alluded to this idea when he spoke of an "innocence of the eye" which perceived the world's colours and forms before it could recognize their significance. But to develop such a style, William Turner (1775-1851) first had to overcome the legacy of late rococo academic teachings. He was simultaneously a romantic and a realist - and yet he transcended both styles. His landscapes, far in advance of their time, have been called forerunners of Impressionism, yet they also possess traits that influenced Expressionism, and many of his late compositions are undeniably surrealistic. Turner's art cannot be bound by such classifications, and remains an oddity to art history even today. His work arises from a unique relation to the nature that it depicts: through his brilliant sketches, he found a rigorously open kind of painting in which nature sets free the use of colour. And through the workings of the natural elements - especially atmospheric light - Turner confronted nature at the point where nature itself is an image. This book opens up Turner's paintings for the eye, demonstrating that he was not simply illustrating nature, but that his pictures speak directly to the eye as nature does itself-through a world of light and colour.

Rembrandtův malířský rukopis prošel za čtyřicet čtyři léta tvůrčího období mimořádně dalekosáhlými proměnami. Z téměř neohrabaných či divokých začátků vyrostl bohatý rejstřík nesrovnatelné malířské virtuozity.