Nuala Ellwood

COMPELLING AND INTRIGUING, RIGHT FROM THE VERY FIRST PAGE' Sharon Bolton ARE YOU BRAVE ENOUGH TO GO BACK? Kate Rafter is a successful war reporter. She's the strong one. The one who escaped Herne Bay and the memories it holds. Her sister Sally didn't. Instead, she drinks. But when their mother dies, Kate is forced to return to the old family home. And on her first night she is woken by a terrifying scream. What secret has Kate stumbled upon? And is she strong enough to uncover the truth ...and make it out alive? 'A gripping rollercoaster ride of a thriller' Christobel Kent, author of The Loving Husband 'Twists and turns until the last page' Tammy Cohen 'A stunning book. Compelling, unsettling and powerful this is a book that will stay with me for a long time.' C. L. Taylor 'Nuala Ellwood has created a tale that is gripping, engrossing and surprising at every turn. I loved it' Rowan Coleman 'An accomplished and page-turning thriller. It twists and turns in so many directions it's impossible to guess where it's going next' Nicholas Searle, author of The Good Liar 'A beautifully written, spine-tingling thriller that had me on the edge of my seat' Sanjida Kay, author of Bone by Bone 'Loved I Let You Go and Behind Closed Doors? My Sister's Bones is guaranteed to be this year's most twisty and twisted read - you'll never see what's coming!' Ava Marsh, author of Untouchable 'Ellwood's protagonist Kate is a female hero in the best sense, flawed but brave' Helen Callaghan, author of Dear Amy 'My Sister's Bones is a tense, atmospheric, deliciously dark story' Amanda Jennings, author of In Her Wake 'A twisty psychological thriller. I raced through it in one sitting!' Lucy Atkins, author of The Other Child 'This book is amazing - harrowing and compelling' Luana Lewis

"Rivals The Girl on the Train as a compulsive read (and beats it for style). -- Observer (UK) In the vein of Fiona Barton's The Widow and Renée Knight's Disclaimer, a psychological thriller about a war reporter who returns to her childhood home after her mother's death but becomes convinced that all is not well in the house next door—but is what she’s seeing real or a symptom of the trauma she suffered in Syria? The One Person You Should Trust Is Lying to You… Kate has spent fifteen years bringing global injustice home: as a decorated war reporter, she’s always in a place of conflict, writing about ordinary people in unimaginable situations. When her mother dies, Kate returns home from Syria for the funeral. But an incident with a young Syrian boy haunts her dreams, and when Kate sees a boy in the garden of the house next door—a house inhabited by an Iraqi refugee who claims her husband is away and she has no children—Kate becomes convinced that something is very wrong. As she struggles to separate her memories of Syria from the quiet town in which she grew up—and also to reconcile her memories of a traumatic childhood with her sister’s insistence that all was not as Kate remembers—she begins to wonder what is actually true…and what is just in her mind. In this gripping, timely debut, Nuala Ellwood brings us an unforgettable damaged character, a haunting , humanizing look at the Syrian conflict, and a deeply harrowing psychological thriller that readers won’t be able to put down.

Sixty seconds after she wakes from a coma, Maggie's world is torn apart. The police tell her that her daughter Elspeth is dead. That she drowned when the car Maggie had been driving plunged into the river. Maggie remembers nothing. When Maggie begs to see her husband Sean, the police tell her that he has disappeared. He was last seen on the day of her daughter's funeral. What really happened that day at the river? Where is Maggie's husband? And why can't she shake the suspicion that somewhere, somehow... her daughter is still alive? An emotional page-turner with amazing characters from the Top Ten bestselling author of My Sister's Bones, this thriller is perfect for fans of Clare Mackintosh's I Let You Go and Lisa Jewell's Watching You.

Šedesát vteřin poté, co se Maggie probere z komatu, si nepřeje nic jiného, než aby do něj znovu upadla. Aby nemusela žít s vědomím toho, co jí právě oznámila policie: že její dcera Elspeth je mrtvá.Podle policie ji nechala zamčenou v autě, které pak sjelo do řeky a Elspeth se utopila, uvězněná na zadním sedadle. Maggie si vůbec nic nepamatuje. Když však požádá o setkání se svým manželem Seanem, dostane se jí informace, že zmizel. Prý byl naposledy spatřen v den dceřina pohřbu.Co se skutečně tehdy u řeky stalo? Kam se Sean poděl? A proč se Maggie stále nemůže zbavit tušení, že Elspeth je naživu?