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'Masterfully understated prose' New York Times Book Review'A Japanese literary master' Publishers Weekly, starred reviewA master forger lives in obscurity and disappointment, oppressed by the shadow of the artist whose work he copies. A young man embarks on an investigation into his family's past, prompted by a newspaper clipping and a vague memory of a beautiful young woman. And another young narrator is consumed with curiosity about his grandfather's mistress - and why she cherishes an old pair of gloves, given to her by a visiting Englishman.Unglamorous, unadorned lives such as this form the focus of Yasushi Inoue's tenderly observed, elegantly distilled short stories - two of which are appearing in English for the first time. With a haunting emotional intensity, they offer glimpses of love lost and lives wasted. Asking how we place value, what counts as real, and where the struggle for acceptance will lead us, each story is a perfectly balanced exploration of regret.These three luminous, compassionate tales showcase the mastery and exquisite talent of one of Japan's most beloved writers.Part of the Pushkin Press Classics series: timeless storytelling by icons of literature, hand-picked from around the globe.Translated by Michael Emmerich.Born in 1907, Yasushi Inoue worked as a journalist and literary editor for many years, only beginning his prolific career as an author in 1949 with Bullfight. He went on to publish 50 novels and 150 short stories, both historical and contemporary, his work making him one of Japan's major literary figures. In 1976 Inoue was presented with the Order of Culture, the highest honour granted for artistic merit in Japan. He died in 1991. Bullfight and Inoue's novella The Hunting Gun are also available from Pushkin Press.Michael Emmerich is a translator, editor and an professor in the department of Asian Languages and Cultures at UCLA. His many translations include work by Yasunari Kawabata, Genichiro Takahashi and Banana Yoshimoto.

Calcutta, September 1969 Varsha Gupta wants fish for her lunch. Her family can't understand it; the three-year-old has never tasted fish in her life. The Guptas are strict vegetarians and don't allow it inside their Calcutta mansion. But Varsha claims she can remember another life, a mud house by a river where she caught and cooked fish with a different mother. Perplexed, the Guptas turn to Dr. Shoma Bose, a psychiatrist who has been investigating what are known as 'cases of the reincarnation type' for years. But her understanding of the world is changed forever by Varsha's revelations. Half a century later, Varsha's therapeutic case file catches the attention of a group of environmental activists, and Shoma's nephew Dinu is drawn inexorably into their plans. And as Dinu finds himself caught up in the search for Varsha, buried memories of his own past begin to surface. Travelling between late-sixties Calcutta and present-day Brooklyn, Ghost-Eye is an urgent and expansive novel about family, fate and our fragile planet.

Mickey Haller - The Lincoln Lawyer - leaves criminal court behind for his first civil lawsuit. But to him, this is still a murder trial. An AI company's chatbot encouraged a sixteen-year-old boy to kill his ex-girlfriend. Can Haller prove the company knew the dangers of its own creation? To do so, he turns to Jack McEvoy - a journalist who knows how powerful the coming wave will be - and together they soon uncover a whistleblower in hiding. As the tech titans try to buy or bully their way out, the scale of their courtroom battle before them becomes clear. Because billions are at stake - along with countless lives - in an all or nothing case, which could change everything... From the author of the books behind the #1 Netflix show The Lincoln Lawyer, and #1 Amazon Prime series Bosch and Ballard.

Daisy Emmett has been enemies with famous romance author Caleb Miller since they were in college together, and time hasn't lessened their mutual loathing. So, when she agrees to maneuver him through a PR disaster of his own making, she knows it's not going to be easy. She just doesn't realise how not easy until they somehow end up trapped in the same truck, on an endless road trip from one book tour stop to another, bantering and butting heads along the way. Then, even more horrifying: people appear to be mistaking her for the woman he dedicates all his books to. The love of his life, his adored beloved-the one who doesn't actually exist. Now they're trapped into pretending she does and that Daisy is her, each fake kiss and phony embrace ratcheting up the tension to the point where enemies suddenly seems a lot closer to lovers than either of them would like. Or so they're telling themselves. But sometimes it's hard to be sure, when seething turns into something so much more ...

They can't keep skating around their feelings... When disgraced Hollywood star Luca Vasvault is partnered with drama-averse professional skater Matilda Stevens on Stars on Ice, the pair get off to a less-than-smooth start. Matilda’s dazzling smile and generous spirit immediately set Luca on edge (surely no one can be that nice?) while Luca’s standoffish and brooding behaviour is making Matilda’s job unnecessarily difficult. Despite their tension behind the scenes, though, there’s no denying their chemistry on the ice. And since Matilda and Luca both need to win for their own reasons, they strike a deal: they’ll work together, playing up their “showmance”, to win the public’s love and better their chances of winning the competition. After all, they’re both performers for a living. How hard can it be to pretend their feelings are real?

Roy Grace never dreamed a murder investigation would take him deep into Buckingham Palace . . . Her Majesty, Queen Camilla, is aboard the Royal Train heading to a charity event in Sussex when disaster strikes - the train is derailed. A tragic accident or a planned attack? When, minutes later, a trusted aide is shot dead by a sniper, the police have their answer. Despite all the evidence, Roy Grace is not convinced The Queen was the intended target. But he finds himself alone in his suspicions. Fighting against the scepticism of his colleagues and the Palace itself, Grace pursues his own investigation. But when there is a second murder, the stakes rise even higher, and Grace is at risk of being embroiled in a very public catastrophe - and in mortal danger. Failure at this level is not an option. But time is running out before a killer in the Palace will strike again . . . Roy Grace is back with his most difficult case yet in this gripping instalment from number one bestselling author Peter James.

A TWISTY, SAPPHIC THRILLER - PERFECT FOR FANS OF KILLING EVE AND BELLA MACKIE"I rooted for the protagonist even as she murdered her way through Hollywood" Tasha Coryell"Electrifying and delightfully sinister" Kelly Mullen 🔥 She’s not a killer, she’s an opportunist 🔥 When struggling actress Dimple Kapoor pushes her Hollywood rival to her death, it’s not the first time she’s killed. Or the second... But this third time was an accident. It just so happens to be a very convenient accident that's created the perfect opportunity to land her dream role and propel herself to stardom. It’s too bad someone else at the party witnessed the crime. With everything she’s ever wanted within reach, Dimple will do anything to keep it all in her grasp – including killing again. Unfortunately, someone is on to her. Saffi Iyer is one of the best private investigators in the business – and she’s determined to solve the mystery behind the trail of bodies Dimple is leaving behind. But when the two women meet, sparks fly. Has Dimple finally met her match?🔥 "Isha Raya's debut thriller, set against the glamor and desperation of Hollywood, is totally unhinged in the best of ways. Readers who love cat-and-mouse games, women behaving badly, and a little toxicity in their romance will tear through this!" - Sienna Sharpe, author of Beach Bodies 🔥 "Raya deftly renders the sinister glitz of Hollywood. . . . An entertaining first outing - Publishers Weekly[A] clever, absorbing debut thriller. . . . With a well-thought-out plot, building tension, and beautifully fleshed-out characters, Raya's first crime novel will please readers looking for a witty thriller starring Sapphic women of colour" Booklist 🔥 "Raya debuts with the story of a cat-and-mouse battle between two determined women who won’t let their growing feelings for each other get in the way of their ambitions—or so they think…an intense and assured debut that will have readers by turns loving and loathing the protagonists" - Library Journal, starred review 🔥 “From the very opening pages, Isha Raya announces herself as a bold new voice in thriller fiction; Triple Threat is dark, slick, and instantly addictive, the kind of book that may just give you papercuts with how fast you’re turning the pages." - H.J. Garbett, author of My Wife, The Serial Killer and Over Her Dead Body🔥 "A sexy game of cat and mouse: Triple Threat is a fun takedown of the deadly hypocrisies of fame" - Charlotte Vassell, author of the DI Caius Beauchamp series.

Maybe having a few enemies on the school run means you're doing something right… Florence knows all about failure. After a dismal end to her 2000s girlband career, she's moping around West London, single, broke and unfulfilled. The only things she's proud of are her increasingly elaborate nail art choices - and her ten-year-old son, Dylan. But when Alfie Risby, Dylan's bitter class rival and the child heir to a frozen foods empire, mysteriously vanishes on a school trip, Dylan becomes a prime suspect. Florence has to get her act together, find the missing boy and clear her son's name or risk losing him forever. The only problem? She doesn't have any detective skills, she's not exactly popular at the school gates and she's just found Alfie's backpack hidden under Dylan's bed… All the Other Mothers Hate Me is an irresistibly witty novel about fitting in, starting over and the lengths we'll go to for the people we love.

Shortlisted for the Orange Prize for Fiction, a novel inspired by the shocking true story of the Scottsboro boys. Even after all these years, the injustice still stuns. Innocent boys sentenced to die, not for a crime they did not commit, but for a crime that never occurred. Lives splintered as casually as wood being hacked for kindling. Alabama, 1931. A freight train is stopped in Scottsboro, nine black youths are brutally arrested and, within minutes, the cry of rape goes up from two white girls. In the shocking aftermath, one sticks to her story whilst the other keeps changing her mind, and an impassioned young journalist must try to save nine boys from the electric chair, one girl from a lie, and herself from the clutches of the past . . . Stirring racism, sexism and the politics of a divided America into an explosive brew, Scottsboro gives voice to the victims - black and white - of this infamous case. Shortlisted for the Orange Prize for Fiction in 2009, Ellen Feldman’s classic charts a fight for justice during the burgeoning civil-rights movement. Now part of the Picador Collection, a series showcasing the very best of modern literature.

A road trip across America with her teenage daughter was meant to be much-needed bonding time for Simone before Lucy leaves home for university. But on the first night of their stay, in a cabin deep in the Texan desert, Simone wakes to find Lucy missing and a mobile phone in her place. The phone rings and the voice on the other end issues instructions: Don't tell the police. Come to this location. Be prepared to do a deal… There is nothing Simone wouldn't do to save her daughter. Hide the truth. Commit a terrible crime. Become a wanted woman. But this is no ordinary kidnap and ransom. Getting Lucy back is just the beginning.

In 1958 soon-to-be Northern Irish Prime Minister Terrence O’Neill proposed draining Lough Neagh, (the largest lake in the UK), in order to create a seventh county for the North. O’Neill was widely mocked for his ludicrous idea. In Few and Far Between, Belfast-based writer, Jan Carson’s fourth novel, she imagines an alternative history in which O’Neill’s drainage scheme proceeds, exposing an archipelago of tiny islands in the middle of Lough Neagh, (which really exist). The Neagh Archipelago provides sanctuary for dozens of individuals intimidated out of their homes during the “Troubles,” and at first becomes a kind of haven for people who want to love a different life, who don’t fit in on the mainland. One timeline tells of the growth of this community and the flamboyant social anthropologist, Robert John Connelly, who arrives in the 1970s to document the residents’ lives and becomes something of a guru figure who never leaves.The second timeline begins in 2017, when the new government proposes to release the dams, and flood the archipelago once more. Most of the families have now abandoned the islands and only a few remain, including Marion and Robert, the now-adult children of RJ Connelly. The island has also become home to ‘sleepers’ and ‘almost deads’, those caught in a hinterland between life and death. Before the dams are destroyed and the floods descend, a second anthropologist is sent to the islands. But there are secrets buried on these islands that no one remaining wants her to discover.

A powerful spirit awaits the right human to free her—and she’s ready for some PVP!For as long as he can remember, Gakuro Yajima’s been able to see spirits—beings that are drawn to human sadness and anger. A fateful encounter with a quirky pop culture–loving spirit named Nue marks the start of Gakuro’s spirit-exorcist adventure!Enter Shitotsu, Gakuro’s long-lost stepsister! Upon the sudden appearance of the spirit that killed their father, Shitotsu flies into a rage, but the battle turns nasty after she is gravely injured and Gakuro is left to try to protect her.

A freezing Easter Monday in 1917. The Somerset Light Infantry is launched into the Battle of Arras. Three young friends fight for their lives and the chance to return home. Robert is twenty-three years old, a farmer’s boy from Somerset, who joins up against his father’s wishes. Robert forms fast friendships with Stanley, who lied about his age to go to war, and Ernest, whose own slippery account betrays a life on the streets. Their friendship is forged through gas attacks, trench warfare, freezing in trenches, hunting rats, and chasing down kidnapped regimental dogs. Their life is one of mud and mayhem but also love and laughs. This is the story of Robert’s journey to Arras and back, his dreams and memories drawing him home. His story is that of the working-class Tommy, the story of thousands of young men who were caught in the collision between old rural values and the relentlessness of a new kind of war. It is a story that connects the past with the present through land, love and blood.

It feels as though we have each been walking along our own path in the same forest. And now, we have found our way to a clearing and suddenly we see that we share not only the clearing but the forest too. You think it begins when you meet, but in fact, our stories were already entwined. 'Our century's answer to Proust' New York Times 'Astonishing' London Review of Books 'Unforgettable' Hernan Díaz'A speculative masterwork' The CutThe fourth volume of the poetic, page-turning and International Booker shortlisted masterpiece about a woman's fall through the cracks of time. Tara Selter has found a new home. In a sprawling villa on the outskirts of Bremen, Tara Selter is starting to settle into a new kind of eighteenth of November. Her days with Henry, Ralf and Olga revolve around the daily routines of practical chores: gathering provisions, splitting firewood. But one morning, there are five new arrivals at their wrought-iron gate. As more people continue to arrive, their home fills with movement, voices fill the air; a flurry of people asking questions, sharing their eighteenths of November. Slowly, they settle into a new routine and Tara begins to breathe a little easier. Could they create a new world inside the eighteenth of November?

Metro 2035 by Dmitry Glukhovsky is the final thrilling book in the Metro trilogy, a series that inspired the global bestselling computer games Metro 2033, Metro: Last Light, Metro: Exodus, and the highly-anticipated Metro 2039A BRIGHTER PAST. A DARKER FUTURE. The year is 2035. It's been twenty years since World War Three wiped out humankind. The only survivors were those who made it through the gates of the Metro, the subway system of Moscow city. It's there, hundreds of feet below the ground, that they try to outlive the end of the days. But the Metro's citizens, torn apart by religions and ideologies, are fighting for the now scarce commodities: air, water and space. Artyom is no stranger to the Metro. Driven by a desire to lead his people out from the depths and into the light, he relentlessly searches for signs of life on the surface. And he will stop at nothing be the saviour that humanity needs . . . Readers love the Metro series . . . 'The final installment in the Metro series not only lives up to its name, but also takes it to a different level' ' Goodreads reviewer, ? ?'A stellar trilogy . . . these books are some of the best that I have ever read, period' Goodreads reviewer, ? ?'The Metro trilogy is dark, messy, unforgiving dystopian science fiction and I really enjoyed all of it' Goodreads reviewer, ? ?'What a finish for a great trilogy . . . On my virtual bookshelf the Metro trilogy is next to dystopian classics such as 1984 and Brave New World' Goodreads reviewer, ? ?

Eliza's playwright husband Richard Sheridan has accepted the career opportunity of a lifetime: running a prestigious theatre in Dublin. Eliza plays the role of the supportive wife - uprooting their daughter Mara, relocating from England to Dublin, running the household and managing Richard's paperwork - but inside, she's burning with resentment. When she's sent a suggestive photo of Richard with another woman, it's the last straw. She turns to mysterious marriage therapist Ellen Early for help. But Eliza has no idea just how far Ms. Early is willing to go to get results ...

'Terrifying, gripping, all true. I couldn't put it down' Stephen King'Excellent... told with rare sensitivity. Hill is an extremely skilled writer, and his conscientious, measured reporting is a gift... The propulsive feel of a novel.' New York Times'Troubling, uplifting, heartbreaking... a masterwork.' Ron Suskind, Pulitzer Prize-winning author of Life, AnimatedOn a cool autumn night in 1999, twenty-six-year-old Sarah Green crept out of her house and ran for her life. She was escaping not just the Aggressive Christianity Missions Training Corps, a paramilitary religious cult operating out of the New Mexico desert, but also the cruelty of the cult's leader-her mother, Deborah. In The Oracle's Daughter, Harrison Hill traces the fascinating beginnings and violent end of ACMTC, from its early days as an outgrowth of the hippie movement, through the conspiracy-theorist 1990s and into the present day. It follows Deborah, the group's founder and self-proclaimed oracle; Maura, one of its first members; and Sarah, Deborah's daughter, among the cult's primary victims. With a propulsive, deeply researched narrative, The Oracle's Daughter illuminates the strange world of religious cults-and how more vulnerable we are to extremism than we might like to think.

When the disgraced Lord Byron is associated with the deaths of women in Venice, he turns detective to unveil the killer and clear his name. A dazzling, riveting historical mystery by the author of the Sunday Times bestseller, The Fascination.   ‘Brooding and brilliant’ A.J. West   ‘What could so easily have been a risible premise for a novel becomes, in Fox’s expert hands, the starting point for an atmospheric thriller’ Sunday Times   ‘As mesmerising and charismatic as Byron himself can ever have been … a magnificent gothic tale of scandal, secrets and murder’ Janice Hallett   ‘Evokes all the grimy charisma of eighteenth-century Venice … a mystery as sinuous as the city's alleys and canals. I was enthralled’ Elizabeth Fremantle   ‘A dark treat … splendidly gothic and impressively researched’ Andrew Taylor  ‘Essie Fox breathes new life into the “mad, bad and dangerous to know” Lord Byron as the notorious poet turns detective … Rich with decadent imagery and dark, gothic atmosphere, Dangerous intricately blends historical fact and fiction’ Culturefly   –––––––  Fiction can be fatal…   Living in exile in Venice, the disgraced Lord Byron revels in the freedoms of the city.  SCANDAL   But when he is associated with the deaths of local women, found with wounds to their throats, and then a novel called The Vampyre is published under his name, rumours begin to spread that Byron may be the murderer…  MURDER   As events escalate and tensions rise – and his own life is endangered, as well as those he holds most dear – Byron is forced to play detective, to discover who is really behind these heinous crimes. Meanwhile, the scandals of his own infamous past come back to haunt him…  MYSTERY   Rich in gothic atmosphere and drawing on real events and characters from Byron's life, Dangerous is a riveting, dazzling historical thriller, as decadent, dark and seductive as the poet himself…   _________   ‘A plot as labyrinthine as the Venice backstreets, told in dazzling prose; suspenseful, seductive stuff’ Erin Kelly   ‘Brilliant, daring writing … a darkly delicious Venetian tale of murder and mystery’ Anna Mazzola   ‘Essie Fox expertly weaves fact and fiction in this gloriously gothic thriller … Venice becomes the atmospheric backdrop to Byron's daring attempt to catch a killer’ Anita Frank   ‘Sumptuous, entertaining and glorious’ C.S. Green   ‘Fox is the queen of darkly glittering gothic fiction … a tale so compelling I devoured it in one sitting’ Louisa Treger   ‘Many writers have tried and failed to capture the Byronic quintessence, but the brilliant Essie Fox has succeeded admirably. She proves that the poet and rake remains fascinating because he is, indeed, mad, bad and Dangerous’ Alex Larman   ‘A heady and intoxicating brew … scandalously scintillating’ Kate Griffin   ‘A gorgeously clever thriller’ Amanda Craig   ‘A ravishing tale of murder, lust and thwarted ambition … a sumptuous, decadent delight’ Emma Carroll   ‘A deliciously gothic and beautifully written historical thriller starring the ultimate bad boy hero, Lord Byron’ Frances Quinn   ‘An incredibly evocative and atmospheric book that captures the Byronic soul in all its beauty and madness’ Victoria Dowd   ‘Deliciously dark and everything I hoped it would be’ Paul Burston   ‘An engaging historical mystery tale in which the dissolute poet turns sleuth to clear his own name’ Julie Anderson, Time & Leisure Magazine   ‘A dark, disturbing treat, impeccably researched and compellingly told’ Bridget Walsh   ‘What a ride! Gripping and atmospheric’ Caroline Lea   ‘A delicious dish of decadence … fastidiously researched, richly imagined, full of wonderful descriptions of Venice’ Michael Stewart

In the Skin of a Lion is Michael Ondaatje’s sparkling predecessor to his Booker Prize-winning The English Patient. ‘A magical book. Michael Ondaatje defies the normal distinction between poet and novelist. His writing is consistently tuned to a visionary pitch’ – Graham SwiftIt is the 1920s, and Patrick Lewis has arrived in the bustling city of Toronto, leaving behind his Canadian wilderness home. He immerses himself in the lives of the people who surround him, learning, from their stories, the history of the city itself. And he has his own adventures: searching for a missing millionaire, tunnelling beneath Lake Ontario, falling in love. Here, we encounter, for the first time, Hana the orphaned girl and Caravaggio the thief, among a large cast of characters who are all lovingly and intimately portrayed. It is an exquisite and musical novel, a romance that challenges the boundary between history and myth. ‘Ondaatje writes in curves, in time-lapses, a sort of verbal cinema whose narrative is unfaltering’ – The Times‘A triumph . . . a powerful and revelatory accomplishment’ – The Times Literary SupplementNow part of the Picador Collection, a series showcasing the very best of modern literature.