Kníhkupectvo PANTA RHEI na skvalitnenie služieb používa cookies podľa pravidiel, ktoré sú Vám k dispozícii v Obchodných podmienkach. Ďalším používaním stránky s uvedenými pravidlami súhlasíte.

Osobný odber už na 36 miestach po slovensku
Antony Gormley, Mark Holborn: Antony Gormley on Sculpture
Počet strán: 240
Väzba: tvrdá
EAN: 9780500093955
Jazyk: anglický
ISBN: 0500093954
Dátum vydania: 5. októbra 2015
Vydavateľstvo:  Thames & Hudson
Rozmery: 2,7 cm x 17,2 cm x 21,6 cm

Antony Gormley on Sculpture

Dostupnosť:
Vypredané
Naša cena: 28,45 
Bežná cena: 29,95 €
Zľava 5%

Titul je vypredaný a nemáme ani informáciu o dotlači. Pre informáciu o dotlači sledujte prosím našu stránku.

Zobraziť dostupnosť v kamenných predajniach

Pri nákupe nad 35 € máte poštovné zadarmo.

O knihe: Antony Gormley occupies an unusual position as a highly populist sculptor - known chiefly for his Angel of the North (1998), a national landmark in the UK - who is also widely regarded as one of the most intellectually challenging artists working internationally. He is grounded in archaeology and anthropology, and looks to Asian and Buddhist traditions as much as to Western sculptural history, which he believes reached a punctuation point with Rodin. This is the first book to focus on Gormley's thoughts on sculpture, positioning his career and artistic philosophy in relation to its history. The book is structured thematically over four chapters: the first explores Gormley's thoughts on the body, time and space in relation to major works including European Field (1993) and 'Still Standing' (2011), Gormley's rehang of the classical rooms at the Hermitage Museum in St Petersburg. The second chapter, 'Sculptors', was first delivered as a series of five lectures for the BBC; in each, Gormley discusses a sculpture he considers to be of huge creative importance: Epstein's The Rock Drill (1913-15), Brancusi's The Endless Column (1935-38), Giacometti's La Place (1948-49), Joseph Beuys's Plight (1985) and Richard Serra's The Matter of Time (2005). In the third chapter, Gormley outlines the influence of Buddhist and Jain sculpture on his work and ideas, and the fourth showcases the artist's most recent sculptures.

Odporúčame tieto knihy

Pridaj svoj názor
Anonym
Anonym
Pridaj svoje hodnotenie