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  • Počet strán: 554
  • Väzba: tvrdá
  • EAN: 9783836531054
  • Jazyk: anglický
  • ISBN: 3836531054
  • Dátum vydania: 22. novembra 2011
  • Vydavateľstvo : Taschen

Wolfgang Tillmans

Minoru Shimizu

Accept no substitutes: Wolfgang Tillmans could well be the coolest photographer on the planet. Always imitated, never bettered, he's the lens-meister of the zeitgeist, the photo-journo who went artside, a man in constant demand, moving effortlessly from magazine to fashion shoot to gallery retrospective. He creates identities, he's the brand name of hip. From Ray Gun to i-D, his images feel iconic before they're out of the fluid. I'll be your mirror, he whispers, and the Gen X-kids find themselves reflected in his always open pictures.

From the portraits that made him famous, through the still lives and landscapes (undermining the genres with every shot), Tillmans's work is high color, dirty realist heaven. Finding the still point in the information overload, the sexuality in the machine, and the image in the image saturation, Tillmans gives us the brief epiphanies we might just remember as our own.
  • Počet strán: 554
  • Väzba: tvrdá
  • EAN: 9783836531054
  • Jazyk: anglický
  • ISBN: 3836531054
  • Dátum vydania: 22. novembra 2011
  • Vydavateľstvo : Taschen

Accept no substitutes: Wolfgang Tillmans could well be the coolest photographer on the planet. Always imitated, never bettered, he's the lens-meister of the zeitgeist, the photo-journo who went artside, a man in constant demand, moving effortlessly from magazine to fashion shoot to gallery retrospective. He creates identities, he's the brand name of hip. From Ray Gun to i-D, his images feel iconic before they're out of the fluid. I'll be your mirror, he whispers, and the Gen X-kids find themselves reflected in his always open pictures.

From the portraits that made him famous, through the still lives and landscapes (undermining the genres with every shot), Tillmans's work is high color, dirty realist heaven. Finding the still point in the information overload, the sexuality in the machine, and the image in the image saturation, Tillmans gives us the brief epiphanies we might just remember as our own.
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