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2026 CHILDREN'S BOOK COUNCIL HOT OFF THE PRESS PICKA high-contrast board book full of farm animals designed for babies’ developing eyes by artist Janna SteagallBaby sees cows. Baby sees pigs. Baby sees chickens. Created for the youngest readers and their developing eyes, this high-contrast board book introduces all your favorite farm animals, including horses, dogs, and more! With simple text and trendy images and patterns by Janna Steagall, Baby Sees Farm Animals is a tummy-time companion that’s sweeter than cherry pie.

Tucked away in the vaults of Somerset House lies one of Britain’s most revealing and eccentric historical treasures: a vast archive of Last Wills and Testaments. These documents, often the final words of the dead, hold more than just legal instructions; they’re windows into the character of those gone before, into their conflicts and lives. From vengeful codicils and heartfelt farewells, to wills etched on eggshells or hidden in hollow bedposts, this book uncovers a trove of bizarre and entertaining bequests. Here are men and women who used their final words to settle scores, impose odd conditions, or deliver one last laugh — sometimes at the expense of expectant heirs. For family historians, these wills offer more than just names and dates. They reveal values, relationships, secrets, and social customs that breathe life into ancestral records. Whether you're tracing your ancestors or simply enjoy tales of posthumous mischief, this journey into the strange world of testamentary history proves that death doesn’t always mean silence.

A speculative reimagining of Fitzgerald's classic tale of glamour, desire and desperation set in 2075 New York, Local Heavens examines the guardrails of morality . . . and the price of desire. Perfect for fans of Emily St John Mandel, Natasha Pulley's The Mars House and Chain-Gang All-Stars. 'NOT JUST A CYBERPUNK REINVENTION OF THE GREAT GATSBY, BUT A SINGULAR REVELATION IN ITS OWN RIGHT OLIVIE BLAKEA corporate hacker. An elusive billionaire. A society trying to survive the American Nightmare. New York City, 2075. Filipino American Nick Carraway has just moved to the heart of the fractured New Americas, where he's struck by the city's contradictions - shining corporate towers casting bleak shadows over the slums of a crumbling middle class. When Nick meets alluring new-money Jay Gatsby, he falls for Gatsby's frank charm and confident aura. But in a city where the wealthy flaunt tech-enhanced bodies to cheat death, surfaces aren't all they seem - and as a corporate-sanctioned cyberspace hacker, Nick knows that no secret can stay buried for ever. He's the reason they don't. And his latest assignment? Investigate Gatsby himself. As Nick becomes entangled in the dark affairs of the elite - and the devastating fallout of their actions on the city's most vulnerable - he must reckon with the limits of compassion and accountability across class and status. What takes precedence: love, or truth? Heart, or soul?'GORGEOUS, DECADENT ... LOCAL HEAVENS PIERCES TO THE CORE OF AN AMERICAN CLASSIC' CHLOE GONG

Veselý a totálne uletený darček. 365 ilustrovaných vtipov - jeden na každý deň v roku. S touto knižkou od Helen Exley si zaručene užijete kopu zábavy.

Když jsem našla rodinu, čekala jsem štěstí – místo toho přišly otázky, tajemství a dusivé povinnosti. Hawk při mně stojí, učím se mít bratra a oporu nacházím u Masona, Westa a Becka. S Camem tápeme. Právě když začínám věřit v lepší život, vrací se můj největší strach. On zná pravdu. Ví, kde mě najde. A minulost může všechno zničit.

Why did a long time reluctant US President Wilson finally enter World War I on the side of the Allies in April 1917?In retaliation of the British naval blockade of Germany since August 1914, the German Admirals determined at the beginning of 1915 to create a counter-blockade of the British Isles with their submarines. The U-boat commanders got – without knowledge of the government - a secret order to sink Allied passenger liners. The British Admiralty discovered the hunt for passenger liners by deciphering W/T messages to the U-boats. The sinking of the Lusitania on May, 6th, 1915, was no coincidence – the Royal Navy knew about the intentions of the U-boats and, after doing everything to protect the passenger liners in the beginning, they simply left the Lusitania alone in in the first week of May, to create frictions between America and the German Empire. A diplomatic quarrel between US President Wilson and Germany about U-boat warfare commenced. In spring of 1916 the German Navy acted again against the instructions of the Kaiser and ordered secretly the sinking of allied and neutral vessels in the British Channel, thereby opening an unrestricted U-boat war. When the channel ferry Sussex was attacked, Wilson threatened to break off of diplomatic relations with Germany. Under massive diplomatic pressure the German government had to give in. Further on, their U-boats only conducted a “soft”, restricted warfare, following the internationally agreed maritime rules and tolerated by Wilson. In Germany a heated debate set in after the Sussex case. The Navy promised the quick defeat of England by unrestricted U-boat war, and the Army joined this campaign end of 1916. The intention of the “war party” was to rule out any possibility of a negotiated peace and to set the German Empire on a – risky - course for definitive victory. But the government doubted the Navy’s capability for all-out U-boat warfare and argued that the only definitive result would be an America siding the Allies, leading to ultimate defeat. In the last months of 1916 it sent out peace feelers to Wilson, warning him, that in the case of a failure of his peace mediation they would get under unbearable pressure of the “military opposition” to begin unrestricted U-boat war again. At this time Britain was – like Germany – economically with its back against the wall: it suffered terribly by the sinking of its merchant ships, the moral of its Admiralty in Anti-Submarine-Warfare had completely broken down. Collapse was threatening. But the British government got wind of the conflicts inside Germany by the deciphering of the diplomatic cables between Wilson and the Germans. The new Prime Minster, David Lloyd George, chose a risky strategy – by rebuffing all American peace efforts he wanted to encourage the radical party in Germany to enforce total U-boat war. Finally this British strategy payed out: German Navy and Army pressed the Kaiser to declare unrestricted U-boat war from 1st of February 1917 on, and Wilson broke off diplomatic relations. But he still bristled to enter the war on Allied side – as long as American ships would be treated correctly by the Germans, he wouldn’t come in, not even after the publication of the Zimmermann-telegram. The tipping point came in the middle of March, when U-boats torpedoed American vessels without warning. This forced the American Declaration of War against the German Empire on April 6, 1917.

An illuminating memoir of life working on the frontline of mental health. We Don't Use Words Like Crazy is a 'professional confessional' from Elliot Sweeney, a mental health nurse who works on the frontline of mental health services. His touching and often humorous memoir lifts the lid on the realities of the profession, in an attempt to highlight the need for compassion for some of the most vulnerable people in the world, and the very committed people that work with them on a professional basis. Elliot's heartfelt and powerful book is for anyone who wants to know what it's really like to work in contemporary mental health services in the UK, and why people like Elliot stick at it. Described as 'funny, frank and beautifully observed', Elliot's memoir explores all aspects of mental health care, including hospital, youth care, dementia, community care, and the more extreme experience of working with risk, highlighting a service that underpins our society and that reflects the full spectrum of humanity.

Fortune finds those who leap ... A gifted art forger, Truyan Saigas has the unique ability to paint the future. But when her father is lost at sea, not even magic can heal her family, or save her two younger sisters from the consequences of her mother's gambling debts. Then Elang, a mysterious dragon lord, offers her a deal: in exchange for a fresh start for her family, Tru must enter a marriage contract and join him in his desolate undersea palace. But once there, Tru finds herself drawn to Elang, especially as she begins to unravel the secrets behind his curse. To keep up her end of the deal, Tru must embark on her most dangerous forgery yet. To infiltrate the tyrannical Dragon King's inner circle and paint a future so treasonous, it could upend both the mortal and immortal realms.

Leontia Flynn is one of the key poets of her generation. This first selection of her work reveals how her poetry, so often pained, funny, and heartfelt, also describes a life lived in the first quarter of the twenty-first century with unmistakable freshness and vivid clarity. Flynn brings dark humour and tenderness to her characteristic subjects: childhood inheritance, the North of Ireland and its history, physical fragility, mothers and single motherhood, love and loss. Bringing together work from her five previous collections, this Selected Poems, in its variety of forms, registers the trajectory of a life: the awful and exhilarating experiment of existing in a turbulent world.

A tender, lyrical celebration of peace in all its forms, this keepsake children’s book introduces the concept of peace in a new and accessible way: through art Pairing 35 famous artworks with charming, read-aloud text, My Art Book of Peace illustrates the complex idea of peace through familiar scenarios, such as finding peace in the company of friends and making peace through kind gestures. The book’s heartwarming words and colorful design invite children to connect their everyday experiences to those they see in the artworks – allowing them to truly engage with the book’s theme, while building an appreciation of art. My Art Book of Peace features a diverse array of vibrant paintings, drawings, and sculptures by famous artists ranging from Hilma af Klint and Franz Marc to Joy Labinjo and Noah Davis. With each expertly curated image accompanied by the work’s title and artist’s name, this book is sure to become the foundation of a child’s art book collection. Featuring sturdy pages and an eye-catching, stylish cover with holographic foil, t his luxurious-feeling board book is a beautiful gift for babies, toddlers, and young children, as well as new and expecting parents. It is a stunning addition to Phaidon’s bestselling My Art Books series of beautiful board books, which explore big feelings through famous artworks and were selected as one of Oprah’s Favorite Things in 2023. Ages 2-4

'As much a social satire as it is a crime caper . . . nothing short of marvellous' i NEWS'Addictive, provocative, and utterly fresh' RIZ AHMED'Succession meets Seven in this fine, multi-layered thriller' MAIL ON SUNDAY'A propulsive thriller with an enjoyable side order of social satire' GUARDIAN'Full of unhinged characters, this is a gripping tale of power, drama and toxic relationships' WOMAN'S OWN'What lingers longest in the memory is the silky fluency of the writing and Ahmad’s feel for boundless wealth' THE TIMES'The epitome of a page-turner . . . a gripping tale of murder, mystery and family dynamics, set against the glittering backdrop of NYC' PA MEDIAGood-natured but naive, Mumbai party boy Ali Azeem is drifting through life. Then he meets the Khan sisters: pretty, marriage-material Maryam and sexy, unpredictable, off-the-rails Farhan. They are the daughters of Abbas Khan, the formidable immigrant patriarch of a glittering property empire, who has succeeded in making New York City his playground. Ali finds himself drawn deeper and deeper into the Khan family’s seductive world of private jets and towering skyscrapers. He begins to uncover rumours of affairs, accusations of corruption – and a troubling connection to the serial killer who once stalked the streets of Manhattan. As he closes in on the truth and learns the cost of the Khans' unattainable wealth and power, Ali must decide: is it a price worth payin? caper, social satire, and propulsive thriller rolled into one, A Killer in the Family is a wild ride through the streets of Mumbai and New York City. Told in an electric, unforgettable voice, it probes the dark underbelly of the American Dream – leading its reader through a dizzying maze of lies, corruption and murder.

Ještě včera bylo Hvězdné království Mantichora malým a bezvýznamným ostrůvkem vesmíru. Tichý a nenápadný hvězdný národ, který se teprve nedávno zotavil z ničivé rány Morových let. Možná bohatší než někteří, ale s malým potenciálem pro obchod a nemělo velkou potřebu námořnictva... a ještě menší zájem o jeho zaplacení. Mantichora se však nyní stala terčem. Hvězdné království si není jisté, kdo na něj útočí, proč, nebo co si jeho záhadný nepřítel může přát, ale královna Alžběta I. ví, že to musí zjistit. A ví, že ať už si někteří z jejích poddaných myslí cokoli, Mantichora námořnictvo potřebuje. A potřebuje spojence, přátele, jako je dynamická Republika Haven a Andermanská říše. Potřebuje jejich obchod... a učit se od jejich zkušenějších a mocnějších námořnictev. Úkolem důstojníků, jako je Travis Long a jeho žena Lisa, je tyto zkušenosti získat. Úkolem naprosto nezkušených diplomatů, jako je Travisův bratr Gavin, hrabě Winterfall, je tyto aliance budovat. Byli vysláni do mocné Andermanské říše, aby to udělali, neboť Imperiální námořnictvo je jednou z nejmocnějších a nejzkušenějších flotil v galaxii. Andermani však mají své vlastní problémy. Smrt jejich Císaře je spouštěčem povstání a nyní je toto mocné a zkušené námořnictvo uvězněno v občanské válce. Mantichorští návštěvníci se ocitnou přímo v cestě bouře a než Travis, Lisa a Gavin stihnou cokoli jiného, musí nejprve přežít.

Když si policie neví rady, musí nastoupit svérázná dospívající vyšetřovatelka Yorkshire, 1979. Premiérkou je Margaret Thatcherová, džíny do zvonu jsou právě in a dvanáctiletá Miv je přesvědčená, že její otec chce přestěhovat celou rodinu na jih. Kvůli vraždám. Ovšem opustit Yorkshire a nejlepší kamarádku Sharon pro ni prostě nepřipadá v úvahu, bez ohledu na nebezpečí, jež číhá v okolí, nebo na podivnosti doma, které začaly v den, kdy Mivina matka přestala mluvit. Miv spřádá plán — kdyby se jí podařilo vyřešit případ sériového vraha, možná by přece jen mohli zůstat a nikam se nestěhovat… Miv a Sharon se tedy rozhodnou sepsat seznam: seznam všech podezřelých lidí a věcí v jejich ulici. Lidí, které znají. Lidí, které neznají. Věcí, které vybočují z každodennosti. Jejich pátrání však brzy odhalí tajemství v jejich sousedství, v jejich rodinách, a dokonce mezi kamarádkami navzájem. Co když skutečná záhada, kterou musí Miv vyřešit, leží až nebezpečně blízko jí samé?

Nationalities are often strongest on the border, where people define themselves in opposition to their neighbours. Flags fly, dialects become stronger, and the distance between 'us' and 'them' grows. But borderlands are also the spaces in between, where centuries of history and culture merge and collide to create complex and shifting identities. Along the Borders chronicles Richard Collett's multi-year journey, by bus, boat, train, plane, car and on foot, through hundreds of miles of borderlands. But this is not just a book about the United Kingdom's borders and boundaries: it's about the people that live there. Collett speaks to a vivid cast of characters, from nationalists to town criers, from pub landlords to battle reenactors, and charity workers helping refugees on a search for national and personal identity in an increasingly fragmented United Kingdom. By looking to the borderlands, we can discover the essence of what Britain is and what it isn't. What it has been and what it can be.

In the mid-fourteenth century, a lethal plague struck the medieval world, causing unimaginable suffering and destruction. This terrifying pandemic - the Black Death - was unquestionably one of history's defining episodes, yet a critical feature of its progress has often been ignored: the disease was not confined to Europe, but rather affected almost all of the known world, including the Near and Middle East, Byzantium, north Africa and Asia. Tracing the pandemic's course across the medieval globe, The Black Death contrasts the experiences of different peoples, including Christians, Muslims and Jews, charting this catastrophe's transformative effects on diverse aspects of medieval life. And crucially, Asbridge demonstrates that the plague was often at its most destructive in the Islamic world, where it ultimately played a role in the collapse of the mighty Mamluk Empire. The Black Death also brings the human drama of this calamitous era to life, evoking the terror and the turmoil that beset cities such as London, Cairo and Florence. Asbridge reconstructs the lives of the men, women and children who faced the Black Death - from ruling monarchs to peasant farmers - laying bare both the abject horror they endured and the courageous resolve they often demonstrated while striving to survive. Uncovering a story that speaks to our own age, The Black Death highlights humankind's capacity for compassion and resilience amidst a global crisis to explain how the medieval world confronted, and ultimately overcame, this shattering pandemic.

The period 133-44BC, bookended by the murders of Tiberius Gracchus and Julius Caesar, was one of profound political change in the Roman world. Aspects of the Late Roman Republic, 133-44BC: Dipping into Cicero’s ‘Romulan Cesspool’ collects a series of 58 essays on various events and people of that era that can frequently be overlooked in larger works. The chapters appear in a variety of approaches and lengths. Some look at humorous happenings, others investigate interesting personages and events – examples include a look at Cato the Younger possibly interviewing a pharaoh whilst sitting on the lavatory, an inventor and house ‘flipper’ called Sergius Orata, the revolt of Lepidus, and the fixing of an election. While aiming to be interesting and entertaining, the entries can also serve as jumping-off points for more in-depth study. To facilitate this, each chapter lists the secondary sources used in its creation, which doubles as ‘Further Reading’. So, if you want more on the Gracchi, Marius, Sulla, Rome’s wars (internal and external), political trials, revolts or another subject addressed within, help is provided. There are also three subcollections interspersed throughout the compilation – the Catonic Interludes, which look at aspects of the career of Cato the Younger; Caesarian Setbacks, which look at battlefield defeats inflicted on Caesar and his lieutenants, while Avenging the Triumvirs looks at the fates of the men involved in the murders of Crassus, Pompey and Caesar. Looking at the Contents, you would be forgiven for thinking that ‘The Murder of…’ and ‘The Trial of…’ were also subcategories given how often chapters could be summed up in that manner…But then this Ancient Rome after all…

The #1 NEW YORK TIMES BESTSELLER and OPRAH''S BOOK CLUB PICK''A must-read memoir that you''ll want to share with all the women in your life'' MICHELLE OBAMA''A work of art'' OPRAHTo understand the icons Beyoncé, Solange and Kelly, you have to understand where they came from... A deeply personal and revelatory memoir by Ms Tina Knowles - as you''ve never seen her before.Tina Knowles, the mother of icons Beyoncé Knowles-Carter, Solange Knowles and bonus daughter Kelly Rowland, is known the world over as a Matriarch with a capital M: the woman who raised and inspired some of the great artists of our time. But this story is about so much more than that.For the first time ever, Tina Knowles shares her remarkable story in Matriarch. A life of grief and tragedy, love and heartbreak, the nurturing of her superstar daughters - and the perseverance and audacity it takes for a girl from Galveston, Texas to change the world.This intimate and revealing memoir is a multigenerational family saga and a celebration of the wisdom that women, mothers and daughters pass on to each other across generations.A glorious chronicle of a life like none other and a testament to the world-changing power of Black motherhood.

‘Like being wrapped up in a big gay blanket.’ V. E. SchwabThe world is ending in thirty days. A wandering black hole is approaching Earth, and soon, everything will be gone. For husbands Don and Rodney, forty years of marriage suddenly feels like no time at all. One last road trip. One final chance to say goodbye.From the Sunday Times bestselling author of The House in the Cerulean Sea comes a story about what we owe the people we love when time runs out. Don and Rodney are in a race against the clock, driving from Maine to Washington State to settle unfinished business before the sky breaks. Is it enough to burn bright, even if nothing remains of the ashe? long the way, they encounter a world choosing how to spend its final moments—from impromptu weddings and bright bonfires to those simply sharing a final meal. Under a kaleidoscope sky and a cracked moon, Don and Rodney must look back on a lifetime of highs and lows and ask the ultimate question: was our best good enoug? bittersweet, life-affirming masterpiece about love, legacy, and the beauty of a life well-lived.

Cretan Chronicle: An Archaeological Childhood is about love and stoicism.As a young child, Mary is uprooted from her home in Crete among an archaeological community and resettles in England. Revisiting Crete each year, Mary begins to assist her father, Sinclair Hood, in his fieldwork. The ruined Palace of Minos transforms from her playground into her workplace. Sinclair struggles to publish excavation reports, preferring to revel in media acclaim. Burying family stories, he wrestles with pacifism and his Anglo-Catholic faith. Mary sets out to study architecture, and mixes pleasure and jealousy in a tangled love triangle with an artist-poet. She must learn to forsake lust, stop working for Sinclair, and figure her way out of her own Labyrinth.Steeped in the myths of Zeus and his daughter Athena, and born in Greece, but not Greek, Mary interweaves themes of identity, trauma and redemption with stories of fickle deities and the regenerative power of nature. She unearths her archaeological family’s secrets with riveting intricacy to give a unique perspective on her father’s unusual upbringing by a capricious wealthy mother, as well as his loves and career.Appealing to readers interested in mid-20th century archaeological lives, Cretan Chronicle sparkles with clarity and humour—strengthened and nurtured by the bright Mediterranean sun.