Iain Banks strana 3 z 3

Imagine a world that is one of infinite parallel worlds, that hangs suspended between triumph and catastrophe, the dismantling of the Wall and the fall of the Twin Towers, in the shadow of suicide terrorism and global financial collapse. Presiding over this world is the Concern, an all-powerful organisation whose operatives possess extraordinary powers. There is Temudjin Oh, an unkillable assassin who journeys between the high passes of Nepal, a version of Victorian London and a wintry Venice; Adrian Cubbish, restlessly greedy City trader; and the Philosopher, a state-sponsored torturer who moves between the time zones with sinister ease. Transition is a high-definition, hyper-real apocalyptic fable for terrible times.

The Culture - a human/machine symbiotic society - has thrown up many great Game Players, and one of the greatest is Gurgeh. Jernau Morat Gurgeh. The Player of Games. Master of every board, computer and strategy. Bored with success, Gurgeh travels to the Empire of Azad, cruel and incredibly wealthy, to try their fabulous game ...a game so complex, so like life itself, that the winner becomes emperor. Mocked, blackmailed, almost murdered, Gurgeh accepts the game, and with it the challenge of his life - and very possibly his death.

The man known as Cheradenine Zakalwe was one of Special Circumstances' foremost agents, changing the destiny of planets to suit the Culture through intrigue, dirty tricks or military action. The woman known as Diziet Sma had plucked him from obscurity and pushed him towards his present eminence, but despite all their dealings she did not know him as well as she thought. The drone known as Skaffen-Amtiskaw knew both of these people. It had once saved the woman's life by massacring her attackers in a particularly bloody manner. It believed the man to be a burnt-out case. But not even its machine intelligence could see the horrors in his past.

The first ever collection of Iain Banks's short fiction, this volume includes the acclaimed novella, The State of the Art. This is a striking addition to the growing body of Culture lore, and adds definition and scale to the previous works by using the Earth of 1977 as contrast. The other stories in the collection range from science fiction to horror, dark-coated fantasy to morality tale. All bear the indefinable stamp of Iain Banks's staggering talent.

Sharrow was once the leader of a personality-attuned combat team in one of the sporadic little commercial wars in the civilisation based around the planet Golter. Now she is hunted by the Huhsz, a religious cult which believes that she is the last obstacle before the faith's apotheosis, and her only hope of escape is to find the last of the apocalyptically powerful Lazy Guns before the Huhsz find her. Her journey through the exotic Golterian system is a destructive and savage odyssey into her past, and that of her family and of the system itself.

It was one of the less glorious incidents of a long-ago war. It led to the destruction of two suns and the billions of lives they supported. Now, eight hundred years later, the light from the first of those ancient mistakes has reached the Culture Orbital, Masaq'. The light from the second may not. 'Confirms Banks as the standard by which the rest of SF is judged' GUARDIAN 'In terms of sheer storytelling prowess and verve, Look to Windward is a work of genius' SFX 'A great book' NEW SCIENTIST.

In the winter palace, the King's new physician has more enemies than she at first realises. But then she also has more remedies to hand than those who wish her ill can know about. In another palace across the mountains, in the service of the regicidal Protector General, the chief bodyguard, too, has his enemies. But his enemies strike more swiftly, and his means of combating them are more traditional. Spiralling round a central core of secrecy, deceit, love and betrayal, INVERSIONS is a spectacular work of science fiction, brilliantly told and wildly imaginative, from an author who has set genre fiction alight.

Two and a half millennia ago, the artifact appeared in a remote corner of space, beside a trillion-year-old dying sun from a different universe. It was a perfect black-body sphere, and it did nothing. Then it disappeared. Now it is back. 'Banks is a phenomenon ...wildly successful, fearlessly creative' William Gibson 'Thrilling, affecting and comic ...probably the finest science fiction he has written to date' New Scientist 'Banks has rewritten the libretto for the whole space-opera genre' The Times

Count Sessine is about to die for the very last time ...Chief Scientist Gadfium is about to receive the mysterious message she has been waiting for from the Plain of Sliding Stones ...And Bascule the Teller, in search of an ant, is about to enter the chaos of the crypt ...And everything is about to change ...For this is the time of the encroachment and, although the dimming sun still shines on the vast, towering walls of Serehfa Fastness, the end is close at hand. The King knows it, his closest advisers know it, yet sill they prosecute the war against the clan Engineers with increasing savagery. The crypt knows it too; so an emissary has been sent, an emissary who holds the key to all their futures.

Az emberiség már szétszéledt a galaxisban, és hála a magasfokú technológiai fejlettségnek, mindenki megkaphatja, amire éppen szüksége van. Vége a betegségeknek, és vége a halálnak is. Az élet nem szól másról, mint különféle játékokról, partikról és s zórakozásról. Jernau Morat Gurgeh a galaxis leghíresebb játékosa, minden táblás és stratégiai játék nagymestere. Elunva a sikereket új kihívásokra vágyik, és egy távoli bolygóra, Azad Birodalmába utazik, hogy próbára tegye magát az ott élők legendás játékában. Egy játékban, amely annyira összetett, annyira életszerű, hogy a végső győztest a birodalom császárává koronázzák. De bármilyen nagy játékos is Gurgeh, nem számol a háttérben zajló sötét összeesküvésekkel, árulással, zsarolással. Amikor ú gy dönt, hogy részt vesz a játékban, nem csupán hírnevét, de a saját életét is kockára teszi. Sőt, még annál is többet. Iain M. Banks 1988-as regénye a modern úroperák kortalan klasszikusa: mondanivalója, stílusa és játékossága miatt még napjaink felhozatalából is kiemelkedik, szerzője ezzel vált világszerte a műfaj meghatározó alakjává. Az olvasó új szerkesztésben tartja a kezében a kötetet.

A katonailag szervezett társadalomban élő, mégis meglepően békeszerető gziltek tízezer évvel ezelőtt komoly szerepet játszottak a Kultúra megalapításában, és csak az utolsó pillanatban döntöttek úgy, hogy mégsem csatlakoznak az alapítókhoz. Most azt a kollektív döntést hozták, hogy követik sok millió más faj útját: szublimálnak és felfedezik a létezés egy új, minden eddiginél gazdagabb dimenzióját. A készülődés napjait beárnyékolja a tény, hogy valaki felrobbantja az egyik gzilt hadosztály főparancsnokságát. Vyr Cossont tartalékos tiszt is gyanúba keveredik, és most mindenki őt keresi életre-halálra. Cossont és társai, egy félreprogramozott android és egy gyanús kultúrabeli avatár nekivágnak az utolsó küldetésnek, amit a parancsnokságon kaptak. Meg kell találniuk egy tízezer éves kultúrabeli férfit, az egyetlen élő embert, aki talán még tudja, hogy mi történt annak idején. A gziltek búcsúja nagyobbat szólhat, mint a faj egész eddigi története. Iain M. Banks utolsó Kultúra-regénye méltó módon vesz búcsút a rajongóktól, és állít örök emléket a sci-fi valaha élt legnagyobb skót szerzőjének.

Kit doesn't know who his mother is. What he does know, however, is that his father, Guy, is dying of cancer. Feeling his death is imminent, Guy gathers around him his oldest friends - or at least the friends with the most to lose by his death. Paul - the rising star in the Labour party who dreads the day a tape they all made at university might come to light; Alison and Robbie, corporate bunnies whose relationship is daily more fractious; Pris and Haze, once an item, now estranged, and finally Hol - friend, mentor, former lover and the only one who seemed to care. But what will happen to Kit when Guy is gone? And why isn't Kit's mother in the picture? As the friends reunite for Guy's last days, old jealousies, affairs and lies come to light as Kit watches on.

A történet a valóságban kezdődik, ahol mindennek ára van. A történet egy gyilkossággal kezdődik. S a történetnek nem lesz vége addig, amíg a Kultúra hadba nem vonul a Halál ellen. Minden a valóságban kezdődik, és ott is fog véget érni. Sokak élete megváltozik, egész civilizációkat sodor magával a lavina, amelyet egy fiatal nő indított el. Hajtja a bosszúvágy, és még valami, amit magának is fél bevallani. Lededje Y'breq a tetováltak kasztjába tartozik, a bőrén viseli családja szégyenbélyegét, és egy olyan férfi tulajdona, akinek a becsvágya nem ismer határokat. A szabadulásért kegyetlen árat kell fizetnie, a dolgokat pedig csak a Kultúra segítségével hozhatja helyre. Eközben a digitális világban tombol a háború, amelyet a holtak lelkéért vívnak. Ráadásul a mennypárti liga vesztésre áll; úgy tűnik, nemsokára egy újabb, minden eddiginél véresebb és nagyobb áldozatokkal járó háború robban ki - ezúttal viszont már a valóságban.

In a world renowned even within a galaxy full of wonders, a crime within a war. For one brother it means a desperate flight, and a search for the one - maybe two - people who could clear his name. For his brother it means a life lived under constant threat of treachery and murder. And for their sister, even without knowing the full truth, it means returning to a place she'd thought abandoned forever. Only the sister is not what she once was; Djan Seriy Anaplian has changed almost beyond recognition to become an agent of the Culture's Special Circumstances section, charged with high-level interference in civilisations throughout the greater galaxy. Concealing her new identity - and her particular set of abilities - might be a dangerous strategy, however. In the world to which Anaplian returns, nothing is quite as it seems; and determining the appropriate level of interference in someone else's war is never a simple matter.

The novels of Iain M. Banks have forever changed the face of modern science fiction. His Culture books combine breathtaking imagination with exceptional storytelling, and have secured his reputation as one of the most extraordinary and influential writers in the genre. The Scavenger species are circling. It is, truly, the End Days for the Gzilt civilisation. An ancient people, organised on military principles and yet almost perversely peaceful, the Gzilt helped set up the Culture ten thousand years earlier. Now they’ve made the collective decision to follow the well-trodden path of millions of other civilisations: they are going to Sublime, elevating themselves to a new and almost in­finitely more rich and complex existence. But, amid preparations, the Regimental High Command is destroyed. Vyr Cossont, a former soldier for the Gzilt, appears to have been involved, and she is now wanted – dead, not alive. Aided only by an ancient, reconditioned android and a suspicious Culture avatar, Cossont must complete a ­final mission; she must ­find the oldest person in the Culture, a man over nine thousand years old, who might just hold the key to understanding what happened . . . The ­final days of the Gzilt civilisation may prove its most perilous.