Noah Charney

Umění falzifikace: myšlení, motivy a metody padělatelských mistrů představuje záhady, intriky a skandály obklopující padělatelství, považované nezřídka za vysoce atraktivní trestnou činnost. Dějiny umění a jeho falzifikace jsou doslova nabité skutečnými detektivními příběhy – proslulými i méně známými –, které jsou fascinující, překvapivé a často bizarní. Kniha popisuje úspěchy i pády mistrů falzifikace od antiky až po dnešek, pátrá v hlubinách uvažování falzifikátorů vedeného výbušnou směsicí zločinu, geniality, pýchy, oportunismu, touhy po odplatě a slávě, ale také touhy po penězích a moci.

The Art of Forgery: The Minds, Motives and Methods of Master Forgers explores the stories, dramas and human intrigues surrounding the world's most famous forgeries - investigating the motivations of the artists and criminals who have faked great works of art, and in doing so conned the public and the art establishment alike.

True tales of lost art, built around case studies of famous works, their creators, and stories of disappearance and recovery From the bestselling author of The Art of Forgery comes this dynamic narrative that tells the fascinating stories of artworks stolen, looted, or destroyed in war, accidentally demolished or discarded, lost at sea or in natural disasters, or attacked by iconoclasts or vandals; works that were intentionally temporal, knowingly destroyed by the artists themselves or their patrons, covered over with paint or plaster, or recycled for their materials. An exciting read that spans the centuries and the continents.

In the first collection of Slavic myths for an international readership, Noah Charney and Svetlana Slapšak expertly weave together the ancient stories with nuanced analysis to illuminate their place at the heart of Slavic tradition. While Slavic cultures are far-ranging, comprised of East Slavs (Russia, Ukraine, Belarus), West Slavs (the Czech Republic, Slovakia, Poland), and South Slavs (the countries of former Yugoslavia plus Bulgaria), they are connected by tales of adventure and magic with roots in a common lore. In the world of Slavic mythology we find petulant deities, demons and fairies, witches, and a supreme god who can hurl thunderbolts. Gods gather under the World Tree, reminiscent of Norse mythology’s Yggdrasill. The vampire—usually the only Serbo-Croatian word in any foreign-language dictionary—and the werewolf both emerge from Slavic belief.In their careful analysis and sensitive reconstructions of the myths, Charney and Slapšak unearth the Slavic beliefs before their distortion first by Christian chroniclers and then by nineteenth-century scholars seeking origin stories for their newborn nation states. They reveal links not only to the neighboring pantheons of Greece, Rome, Egypt, and Scandinavia, but also the belief systems of indigenous peoples of Australia, the Americas, Africa, and Asia. Specially commissioned illustrations inspired by traditional Eastern and European folk art bring the stories and their cultural landscape to life.