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Growing up in Greenwich Village in the 1960s Sean Wilentz discovered the music of Bob Dylan as a young teenager. Almost half a century later, now a distinguished professor of American history, he revisits Dylan's work with the critical skills of a sc holar and the passion of a fan. Drawing partly on his work as the current historian-in-residence on Dylan's official website, Sean Wilentz provides a unique blend of biography, memoir and anlysis in a book which, much like its subject, shifts gears a nd changes shape as the occasion demands. Beginning with Dylan's explosion onto the scene in 1961, this book charts his career and the evolution of his astonishing output and places it firmly within a vivid musical and cultural context. It examines t he influence of the Popular Front ideology and of Beat aesthetics, as well as the debt and sometimes surprising connections to other composers and performers - as diverse as Aaron Copland and Blind Willie McTell. The result is a broad and brilliantly illuminating appreciation of Dylan as both performer and songwriter up to the present day. Sean Wilentz has had unprecedented access to studio tapes, recording notes and rare photographs - many of which are reproduced here. This remarkable material allows him to tell Dylan's story - and that of such masterpieces as Blonde on Blonde - with unrivalled authenticity and richness.

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Praise for Chronicles 1:'Takes its place next to On The Road ... as an essential record of an American artist's manifest destiny' Observer'Like discovering the lost diaries of Shakespeare ... Maybe the most extraordinarily intimate autobiography by a 20th-century legend' Daily More...Telegraph'There are enough bizarre and entertaining snippets of information sprinkled throughout to fascinate the most jaded Dylan obsessive' Independent'Entertaining and surprisingly deprecating ... Chronicles is t autly written, vividly cinematic, and funny' Financial Times

For the first time in 15 years, comes a comprehensive, definitive collection of the lyrics of music legend and poet, Bob Dylan. From his early days of protest songs, like "Blowing in the Wind", "The Times They Are A Changing", to his revolutionary Subterranean "Homesick Blues", and "Like a Rolling Stone", "Lay Lady Lay", his songs have spoken to generations, had a huge influence on such artists as John Lennon, Lou Reed and Mark Knopfler. This book also contains all of his most recent writing in addition to the beloved songs of the early Dylan canon.

For the first time, a comprehensive, definitive collection of lyrics of music legend and poet Bob Dylan, complete with expert annotations. A major publishing event - a beautiful, comprehensive collection of the lyrics of Bob Dylan with artwork from thirty-three albums, edited and with an introduction by Christopher Ricks. As it was well put by Al Kooper (the man behind the organ on 'Like a Rolling Stone'), 'Bob is the equivalent of William Shakespeare. What Shakespeare did in his time, Bob does in his time.' Christopher Ricks, editor of T. S. Eliot, Samuel Beckett, Tennyson, and The Oxford Book of English Verse, has no argument with Mr. Kooper's assessment, and Dylan is attended to accordingly in this authoritative edition of his lyrics. In the words of Ricks: 'For fifty years, all the world has delighted in Bob Dylan's books of words and more than words: provocative, mysterious, touching, baffling, not-to-be-pinned-down, intriguing, and a reminder that genius is free to do as it chooses. And, again and again, these are not the words that he sings on the initially released albums.' This edition changes things, giving us the words from officially released studio and live recordings, as well as selected variant lyrics and revisions to these, recent revisions and retrospective ones; and, from the archives, words that, till now, have not been published. The Lyrics, edited with diligence by Christopher Ricks, Lisa Nemrow, and Julie Nemrow. As set down, as sung, and as sung again.

100 nejlepších songů, které Bob Dylan za svou kariéru napsal, je doprovázeno dobovými fotografiemi, kompletními texty jak v originálu, tak v českém překladu, a notovým záznamem s akordy pro kytaru. Nechybí ani informace, kdy a jak která píseň vznikla.

Tracklist: Side A 1. I Guess I'll Have to Change My Plans 2. September of My Years 3. I Could Have Told You 4. Once Upon a Time 5. Stormy Weather Side B 6. This Nearly Was Mine 7. That Old Feeling 8. It Gets Lonely Early 9. My One and Only Love 10. Trade Winds Side C 1. Braggin' 2. As Time Goes By 3. Imagination 4. How Deep is the Ocean 5. P.S. I Love You Side D 6. The Best Is Yet to Come 7. But Beautiful 8. Here's That Rainy Day 9. Where Is the One 10. There's a Flaw in My Flue Side E 1. Day In, Day Out 2. I Couldn't Sleep a Wink Last Night 3. Sentimental Journey 4. Somewhere Along the Way 5. When the World Was Young Side F 6. These Foolish Things 7. You Go to My Head 8. Stardust 9. It's Funny to Everyone but Me 10. Why Was I Born

Tracklist: 1. Blowin' In The Wind 2. The Times They Are A-Changin' 3. Mr. Tambourine Man 4. Like A Rolling Stone 5. Positively 4th Street 6. Rainy Day Women #12 & 35 7. Lay, Lady, Lay 8. Knockin' On Heaven's Door 9. Tangled Up In Blue 10 .Hurricane 11. Not Dark Yet 12. Things Have Changed

Chronicles: Volume One

100 nejlepších songů, které Bob Dylan za svou kariéru napsal, je doprovázeno dobovými fotografiemi, kompletními texty jak v originálu, tak v českém překladu, a notovým záznamem s akordy pro kytaru. Nechybí ani informace, kdy a jak která píseň vznikla.

Ő az, aki költészetet vitt a rockba. Nem úgy, hogy "beoltotta" költészettel a rockot. Hiszen nincs külön Dylan-zene és Dylan-szöveg. Csak a dalok vannak. Éltetőjük ugyanaz az életérzés, amely végső soron a rockzenét is létrehozta. Magas és mély, városi és népi művészetből, szórakoztatóipari hulladékból és avantgárdból, aranyból és sárból. A dalait pedig Dylan ? az ő csöppet sem atyaszerű, de mégiscsak atyai barátja és rajongója, az üvöltő aranykor lázas prófétája, a néhai Allen Ginsberg legalábbis így hallotta, érezte és tudta ? nem dalolja, hanem lélegzi, zseniálisan értve a módját, hogy ne menjen kárba se szó, se szusz: No wasted language, no wasted breath. És hát akkor bizony hegyezze a fülét, és őrá figyeljen túl az Óperencián, erre az előadóra, Dylanre, azaz elképzelt hasonmására a Dylan-fordító is, ha akad ilyen. Jó tudni persze, hogy csalás ez így: az anyanyelvemen "szólaltatni meg" az angolul lélegző Bob Dylant. Csak hát rendes versfordításokon, amilyennek a mostani, alaposan bővített és jócskán javított válogatás darabjainak már a huszonnyolc évvel ezelőtti előzményeit is szántam, az effajta csalást nem szokás számonkérni. A csalás ugyanis, hogy tehát (ford.) fordítva szólaltja meg Homéroszt, Rimbaud-t vagy éppen Bob Dylant, megfelel a játékszabályoknak. Ha pedig még irodalmi Nobel-díjat is nyer az illető, (ford.)-nak talán tényleg nem kell szabadkoznia. De fülelnie és figyelnie, hallania őt közben is muszáj. Az ego szürreális kalandjait milliók fülébe süvöltő vagy dünnyögő lírai ént, a Bob Dylan álnevűt, ahogy énekli egy szál gitárral, dübörgő rhythm&blues-kísérettel, reggae-ritmusban, akárhogy, csak mindig-mindig máshogy: nem, nem, nem én vagyok. A lélegzetét, a hangját tehát: a mindig változó, mégis összetéveszthetetlen Bob Dylan-hangot. Ha az olvasó is hallja, nagy baj nem lehet.

Básnické texty v próze amerického písničkáře pocházející ze 60. let.

A six-decade survey of Dylan's work in painting, drawing and sculpture Spanning six decades, Retrospectrum showcases the development and range of Bob Dylan's (born 1941) visual art in an array of mediums. His diverse creations include works made in oil, acrylic, watercolor, ink, pastel, charcoal and sculpture in iron. Among the artworks presented in Retrospectrum are some of Dylan's earliest ink sketches, first published in 1973's Writings and Drawings, which illustrated and compiled Dylan's lyrics up to that date. These are shown alongside 2021's Mondo Scripto series, in which Dylan revisited some of his most renowned lyrics, hand-lettering and illustrating them. The book also features the iconic Train Tracks series; The New Orleans Series and The Asia Series (from 2012 and 2010 respectively), inspired by Dylan's travels; works from his hugely popular The Beaten Path series (2015-present); and his iron sculptures created from found objects.