Thomas Hardy strana 8 z 8

Hardy's last and most controversial novel, Jude the Obscure caused much outrage when it was published in 1895. Jude Fawley, poor and working-class, longs to study at the University of Christminster, but his ambitions to go to university are thwarted by class prejudice and his entrapment in a loveless marriage. He falls in love with his unconventional cousin, Sue Bridehead, and their refusal to marry when free to do so confirms their rejection of and by the world around them. The shocking fate that overtakes them is an indictment of a rigid and uncaring society. This is the first truly critical edition, taking account of the changes that Hardy made over twenty-five years. Hardy's last, and most controversial novel, this revised edition has the first truly critical text, a new chronology and bibliography, and substantially revised notes.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

This edition presents a critically established text based on comparisons of every revised version. Hardy placed this tale among his Novels of Character and Environment, a group which is held to include his most characteristic work.

Young Tess Durbeyfield attempts to restore her family's fortunes by claiming their connection with the aristocratic d'Urbervilles. But Alec d'Urberville is a rich wastrel who seduces her and makes her life miserable. When Tess meets Angel Clare, she is offered true love and happiness, but her past catches up with her and she faces an agonizing moral choice. Hardy's indictment of society's double standards, and his depiction of Tess as "a pure woman," caused controversy in his day and has held the imagination of readers ever since. Hardy thought it his finest novel, and Tess the most deeply felt character he ever created. This unique critical text is taken from the authoritative Clarendon edition, which is based on the manuscript collated with all Hardy's subsequent revisions.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The phrase `life's little ironies' is now proverbial, but it was coined by Hardy as the title for this, his third volume of short stories. While the tales and sketches reflect many of the strengths and themes of the great novels, they are powerful wo rks in their own right. Unified by his quintessential irony, strong visual sense, and engaging characters, they deal with the tragic and the humorous, the metaphysical and the magical. The collection displays the whole range of Hardy's art as a write r of fiction, from fantasy to uncompromising realism, and from the loving re-creation of a vanished rural world to the repressions of fin-de-siecle bourgeois life.

Set in the bleak, magical Wessex landscape so familiar from Hardy's early work, Tess's cruel story reveals circumstances slowly closing in on her as she attempts to grasp a few moments of happiness with her lover.

The woman is no good to me. Who'll have her?' Michael Henchard is an out-of-work hay-trusser who gets drunk at a local fair and impulsively sells his wife Susan and baby daughter. Eighteen years later Susan and her daughter seek him out, only to disc over that he has become the most prominent man in Casterbridge. Henchard attempts to make amends for his youthful misdeeds but his unchanged impulsiveness clouds his relationships in love as well as his fortunes in business. Although Henchard is fate d to be a modern-day tragic hero, unable to survive in the new commercial world, his story is also a journey towards love. This edition is the only critically established text of the novel, based on a comprehensive study of the manuscript and Hardy's extensive revisions.

For centuries Little Hintock has been sustained by the surrounding woodland. Now the villagers are caught up in a web of consuming emotion: the unspoken love of Mary South for Giles Winterbourne, his devotion to Grace Melbury, and the troubled relationship between Grace and Edred Fitzpiers.

On a stormy winter night, a stranger knocks at the door of a shepherd's cottage. He is cold and hungry, and wants to get out of the rain. He is welcomed inside, but he does not give his name or his business. Who is he, and where has he come from? And he is only the first visitor to call at the cottage that night...In these three short stories, Thomas Hardy gives us pictures of the lives of shepherds and hangmen, dukes and teachers. But rich or poor, young or old, they all have the same feelings of fear, hope, love, jealousy...

For centuries Little Hintock has been sustained by the surrounding woodland. Now the villagers are caught up in a web of consuming emotion: the unspoken love of Mary South for Giles Winterbourne, his devotion to Grace Melbury, and the troubled relationship between Grace and Edred Fitzpiers.

She looked absolutely pure. Nature, in her fantastic trickery, had set such a seal of maidenhood upon Tess's countenance that he gazed at her with a stupefied air: "Tess- say it is not true! No, it is not true!"' Young Tess Durbeyfield attempts to re store her family's fortunes by claiming their connection with the aristocratic d'Urbervilles. But Alec d'Urberville is a rich wastrel who seduces her and makes her life miserable. When Tess meets Angel Clare, she is offered true love and happiness, b ut her past catches up with her and she faces an agonizing moral choice. Hardy's indictment of society's double standards, and his depiction of Tess as 'a pure woman', caused controversy in his day and has held the imagination of readers ever since. Hardy thought it his finest novel, and Tess the most deeply felt character he ever created. This unique critical text is taken from the authoritative Clarendon edition, which is based on the manuscript collated with all Hardy's subsequent revisions.