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Eerie, unsettling and hauntingly beautiful - a new collaboration from the bestselling creators of Holloway 'Ness goes beyond what we expect books to do. Beyond poetry, beyond the word, beyond the bomb -- it is an aftertime song. It is dark, ever so dark, nimble and lethal. It is a triumphant libretto of mythic modernism for our poisoned age. Ness is something else, and feels like it always has been' Max Porter, Booker-longlisted author of Lanny and Grief is the Thing with Feathers Somewhere on a salt-and-shingle island, inside a ruined concrete structure known as The Green Chapel, a figure called The Armourer is leading a ritual with terrible intent. But something is coming to stop him. Five more-than-human forms are traversing land, sea and time towards The Green Chapel, moving to the point where they will converge and become Ness. Ness has lichen skin and willow-bones. Ness is made of tidal drift, green moss and deep time. Ness has hagstones for eyes and speaks only in birds. And Ness has come to take this island back. What happens when land comes to life? What would it take for land to need to come to life? Using word and image, Robert Macfarlane and Stanley Donwood have together made a minor modern myth. Part-novella, part-prose-poem, part-mystery play, in Ness their skills combine to dazzling, troubling effect. Robert Macfarlane is the author of The Lost Words with Jackie Morris, The Old Ways and Underland, among other books. Stanley Donwood is an artist and the author of Slowly Downward and Household Worms. His next books are There Will Be No Quiet and Bad Island.

Discover the hidden worlds beneath our feet... In Underland, Robert Macfarlane takes us on a journey into the worlds beneath our feet. From the ice-blue depths of Greenland's glaciers, to the underground networks by which trees communicate, from Bronze Age burial chambers to the rock art of remote Arctic sea-caves, this is a deep-time voyage into the planet's past and future. Global in its geography, gripping in its voice and haunting in its implications, Underland is a work of huge range and power, and a remarkable new chapter in Macfarlane's long-term exploration of landscape and the human heart.

THE SUNDAY TIMES BESTSELLER WINNER OF THE CILIP KATE GREENAWAY MEDAL 2019 WINNER OF THE BEAUTIFUL BOOK AWARD 2017 SHORTLISTED FOR THE WAINWRIGHT PRIZE FOR NATURE WRITING 2018 'The most beautiful and thought-provoking book I've read this year' Frank Cottrell-Boyce, Observer 'Gorgeous to look at and to read. Give it to a child to bring back the magic of language - and its scope' Jeanette Winterson, Guardian 'Robert Macfarlane and Jackie Morris have made a thing of astonishing beauty' Alex Preston, Observer 'My top book of the year' Susan Hill, Spectator From the outstanding creative partnership of Robert Macfarlane (Underland, The Old Ways) and Jackie Morris (Tell Me a Dragon, The Snow Leopard) All over the country, there are words disappearing from children's lives. These are the words of the natural world - Dandelion, Otter, Bramble and Acorn, all gone. The rich landscape of wild imagination and wild play is rapidly fading from our children's minds. The Lost Words stands against the disappearance of wild childhood. It is a joyful celebration of nature words and the natural world they invoke. With acrostic spell-poems by award-winning writer Robert Macfarlane and hand-painted illustration by Jackie Morris, this enchanting book captures the irreplaceable magic of language and nature for all ages.

From the acclaimed author of The Old Ways and Landmarks -- an essay on the joy of reading, for anyone who has ever loved a book Every book is a kind of gift to its reader, and the act of giving books is charged with a special emotional resonance. It is a meeting of three minds (the giver, the author, the recipient), an exchange of intellectual and psychological currency, that leaves each participant enriched. Here Robert Macfarlane recounts the story of a book he was given as a young man, and how he managed eventually to return the favour, though never repay the debt. From one of the most lyrical writers of our time comes a perfectly formed gem, a lyrical celebration of the transcendent power and humanity of the given book.

The "Old Ways" is the stunning new book by acclaimed nature writer Robert Macfarlane Shortlisted for the Samuel Johnson prize 2012. In "The Old Ways" Robert Macfarlane sets off from his Cambridge home to follow the ancient tracks, holloways, drove-roads and sea paths that form part of a vast network of routes criss-crossing the British landscape and its waters, and connecting them to the continents beyond. The result is an immersive, enthralling exploration of the ghosts and voices that haunt old paths, of the stories our tracks keep and tell, of pilgrimage and ritual, and of songlines and their singers. Above all this is a book about people and place: about walking as a reconnoitre inwards, and the subtle ways in which we are shaped by the landscapes through which we move. Told in Macfarlane's distinctive and celebrated voice, the book folds together natural history, cartography, geology, archaeology and literature. His tracks take him from the chalk downs of England to the bird-islands of the Scottish northwest, and from the disputed territories of Palestine to the sacred landscapes of Spain and the Himalayas. Along the way he walks stride for stride with a 5000-year-old man near Liverpool, follows the 'deadliest path in Britain', sails an open boat out into the Atlantic at night, and crosses paths with walkers of many kinds - wanderers, wayfarers, pilgrims, guides, shamans, poets, trespassers and devouts. He discovers that paths offer not just means of traversing space, but also of feeling, knowing and thinking. The old ways lead us unexpectedly to the new, and the voyage out is always a voyage inwards.