Valerie

“She is one of the—if not the—most stylish women living,” says designer and film director Tom Ford, speaking of Daphne Guinness, the subject and co-author of this extraordinary book. From her platinum-and-black striped hair to her towering 10-inch heels, her to-die-for couture collection and amazing diamond jewelry, Daphne Guinness embodies the rarified, personal style of a true fashion icon. A designer, editor, model, muse, and stylist, Ms. Guinness is renowned for the way she uses fashion to transform herself. As her friend, the art historian John Richardson puts it: “She is the object of her own creativity. Her persona is her own masterpiece.” Karl Lagerfeld of Chanel, Valentino, Azzedine Alaia, and the late Alexander McQueen are among the many great fashion designers whose spectacular garments form part of Daphne Guinness's personal collection of haute couture. But Ms. Guinness is far more than a great couture client, she is also an inspiration to designers because of her fearless personal style. In an extended interview with the curator and fashion historian Valerie Steele, Daphne Guinness explains the origins and characteristics of her style. She also discusses her friendships and collaborations with other creative fashion personalities from the late Isabella Blow to the photographer Steven Klein and the jeweler Shaun Leane. Sumptuously illustrated with both high-fashion photographs and paparazzi shots, the book is a spectacular showcase for the world of Daphne Guinness.

From Azzedine Alaia, Cristóbal Balenciaga, and Coco Chanel, to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, a century’s worth of fashion greats from the permanent collection of The Museum at the Fashion Institute of Technology are celebrated in this limited-edition volume. Photographs of over 500 garments selected from the Museum’s permanent collection illuminate each of the featured designers, while texts by the curators explain why each designer is important in fashion history and what is special about the individual pieces featured. In her introductory essay, director and chief curator Valerie Steele writes about the rise of the fashion museum, and the emergence of the fashion exhibition as a popular and controversial phenomenon; and both Steele and contributor Suzy Menkes provide a history of this museum’s role in the world of fashion scholarship and preservation. Fashion Designers A–Z is available as a series of six Designer Editions. Each edition (a total of 11,000 copies) is bound in a fabric created by one of six designers—Akris, Etro, Stella McCartney, Missoni, Prada, and Diane von Furstenberg—and comes in a Plexiglas box. Crafted by hand at a bindery in the heart of Italy, and stamped with a unique number, every copy is an instant classic, and an addition to your fashion library that is truly one-of-a-kind. For the covers of the Missoni Edition, limited to just 2,000 numbered copies, the Missoni family selected a colorful array of 20 different zigzag-striped knit from its vast archives. The fabrics exemplify the company’s optimistic, playful approach to pattern since the 1970s. Due to the high number of fabric options, not all are pictured here.

From Azzedine Alaia, Cristóbal Balenciaga, and Coco Chanel, to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, a century's worth of fashion greats from the permanent collection of The Museum at the Fashion Institute of Technology are celebrated in this limited-edition volume. Photographs of over 500 garments selected from the Museum's permanent collection illuminate each of the featured designers, while texts by the curators explain why each designer is important in fashion history and what is special about the individual pieces featured. In her introductory essay, director and chief curator Valerie Steele writes about the rise of the fashion museum, and the emergence of the fashion exhibition as a popular and controversial phenomenon; and both Steele and contributor Suzy Menkes provide a history of this museum’s role in the world of fashion scholarship and preservation. Fashion Designers A–Z is available as a series of six Designer Editions. Each edition (a total of 11,000 copies) is bound in a fabric created by one of six designers—Akris, Etro, Stella McCartney, Missoni, Prada, and Diane von Furstenberg—and comes in a Plexiglas box. Crafted by hand at a bindery in the heart of Italy, and stamped with a unique number, every copy is an instant classic, and an addition to your fashion library that is truly one-of-a-kind. Paisley: it's practically synonymous with the Etro name, and the five Paisley motifs selected by Veronica Etro for the Etro Edition of 2,000 numbered copies are classic examples. For decades the company has explored and reinterpreted the classic droplet-shaped vegetable decoration, rich in history and meanings, through experimentation and technology, drawing from the past into the present with timeless international style. Orders placed online will be fulfilled with one of the pictured Etro fabrics.

Paris, Capital of Fashion accompanies a major exhibition at The Museum at FIT, New York's only museum dedicated solely to the art of fashion. This lavishly-illustrated book is edited by MFIT's director and chief curator, Valerie Steele, also the author of the acclaimed Paris Fashion: A Cultural History. This new book opens with an important essay on how and why Paris became famous as the international "capital of fashion." Steele traces how the mythic "aura" of Paris fashion was constructed over generations, as the splendour of the court at Versailles came to be echoed by the spectacle of the haute couture. Yet Paris has faced repeated challenges from other fashion capitals, especially London, Milan, and New York. Essays by Christopher Breward, David Gilbert, Grazia d'Annunzio, and Antonia Finnane place Paris within a broader global narrative, while Sophie Kurkdjian investigates the cultural value of the Parisian couture, and Agnes Rocomora explores the online imagery of the chic Parisienne. As The New Yorker recently put it, Paris is "the most glamorous and competitive of the world's fashion capitals." No other city has been branded "Fashion" as Paris has. By opening the study of Paris fashion to new approaches, this book explains why Paris still retains its position as the world's undisputed fashion capital.