Maryla Szymiczkowa

If Wes Anderson wrote feisty, female-led mysteries set in Poland, this is what he might write! Cracow, 1893. Desperate to relieve her boredom and improve her social standing, Zofia Turbotynska decides to organise a charity raffle. In a bid to recruit the patronage of elderly aristocratic ladies, she visits Helcel House, a retirement home run by nuns. But when two of the residents are found dead, Zofia discovers that her real talents lie in solving mysteries. Inspired by Agatha Christie and filled with period character and zesty charm, series opener Mrs Mohr Goes Missing vividly recreates life in turn-of-the-century Poland, confronting a range of issues from class prejudice to women's rights, and proves that everyone is capable of finding their passion in life, however unlikely that passion may seem.

A thrilling sequel to the critically-acclaimed Mrs Mohr Goes Missing Easter, 1895. The biggest event in the Catholic calendar is a disaster in Zofia Turbotynska's household. Her maid Karolina has handed in her notice and worse, gone missing. When Karolina's body is discovered, violated and stabbed, Zofia knows she has to investigate. Following a trail that leads her from the poorest districts of Galicia to the highest echelons of society, Zofia uncovers a web of gang crimes, sex-trafficking and corruption that will force her to question everything she knows. Set against the backdrop of the women's cause, Karolina, or the Torn Curtain refuses to turn a blind eye to the injustices and inequalities of its era - and ours Praise for the series: 'The sprightly narrative and vivid evocation of turn-of-the-century Poland make for an enjoyable tale.' Guardian 'It's fun and sparky and the glimpse of turn-of-the-century Polish manners and mores is beguiling.' Daily Mail