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St Swithun was an obscure ninth-century bishop of Winchester about whom little was, and is, known. But following the translation of his relics from a conspicuous tomb into the Old Minster, Winchester, on 15 July 971, the massive rebuilding of the cathedral, and a vigorous publicity campaign by Bishop Aethelwold (963-84), St Swithun became one of the most popular and important English saints, whose cult was widespread not only in England but also in Ireland, Scandinavia, and France. The present volume includes new and full editions of all the relevant texts – hagiographical, liturgical, and historical – in Latin, Old English, and Middle English, many of which have never been published before: these illuminate the origins and development of St Swithun’s cult. No dossier of an important English saint has been published on this scale until now: the wealth of this volume sheds new light not only on St Swithun himself, but also on the times during which his cult was at the peak of its popularity.

Otto Rubensohn’s Excavations on Paros I: The Sanctuaries on Kounados Hill is the first volume in a forthcoming series of editions of archival sources from the estate of the German archaeologist Otto Rubensohn, housed in the archives of the Jewish Museum in Berlin. It contains the transcription of three texts concerning the sites (small ancient sanctuaries) on Kounados Hill on the Greek island of Paros (in the Cyclades), with the original photos.Otto Rubensohn (1867-1964) was a German archaeologist of Jewish origin. Although his involvement in the field of archaeology was relatively short and he spent most of his career teaching in elementary and secondary schools, he is now one of the respected German archaeologists of the late 19th and early 20th centuries, primarily because of his excavations on the Greek island of Paros and in Egypt. Unfortunately, his importance for German and Greek Classical archaeology and Egyptology is still not fully understood and appreciated.As the sanctuaries on Kounados were rather preliminarily published by Rubensohn and haven’t been excavated (or thoroughly investigated) in the last 120 years, the transcription and publication of the unpublished texts and images will add some new information on these sites as well as on the history of archaeology in Greece at the turn of the last centuries.The book is intended for archaeologists, dealing with Greek archaeology, and historians specializing in the history of archaeology (or the history of science and intellectual history in general).

Focusing on the Western half of Stod, this is the fourth in a series of five volumes that comprehensively document rock art in Upper Tibet. It examines a panoply of graphic evidence found on stone surfaces, supplying an unprecedented view of the long-term development of culture and religion on a large swathe of the Tibetan Plateau. The pictographs (rock paintings) and petroglyphs (rock carvings), host sites, and descriptions and analyses presented are the direct result of intensive fieldwork conducted by the author in Upper Tibet between 1995 and 2016. Information on rock art production techniques, subject identification, thematic class, mode of presentation, physical condition, estimated age, and relative location are supplied for each piece of rock art. In addition to the datasets, the book offers rock art site descriptions and assesses the cultural, religious and artistic development of these locations.

Over six thousand objects were recovered during the Winchester excavations of 1961 to 1971 – by far the most extensive corpus of stratified and datable medieval objects yet presented from a single city. Martin Biddle and the team of eighty-three contributors assembled by the Winchester Research Unit have used this material to investigate not only the industries and arts, but the economic, cultural, and social life of medieval Winchester. Their findings are being published in two parts: the first part, by Katherine Barclay, will deal with the pottery remains; and this second part in two volumes by Martin Biddle covers all the objects from the finest products of the Anglo-Saxon goldsmith’s skill to the iron tenter-hooks of the cloth industry. Martin Biddle’s study of the objects identifies change through time, and traces variation across the broad social scale – from cottage to palace – represented in the excavated sites. Using the objects as evidence for the economy of the medieval city, it also throws new light on some of the great questions of medieval industry and artistic production: amongst them the development of the textile industry, the origins of wire-drawing and the manufacture of pins, the beginnings of window-glass production, and the earliest glass painting. These objects are an essential part of the evidence for the development and changing character of the excavated sites to be published in forthcoming volumes of Winchester Studies on the Minsters. To ensure complete integration between the objects and the sites, every object in this volume is related to the context in which it was found and a concordance provides a detailed conspectus phase by phase of each of the twenty sites excavated between 1961-71, and of the objects found in each phase.

During the Roman period, inland regions are often assumed to have been difficult to access, with imports and trade dropping off as distance from the coast increased. Long-distance maritime trade has been the subject of intensive study, but the complex dynamics that governed inland trade have not seen the same level of interest. Within this book, Northern Italy serves as a case study to explore the role transport cost and consumer choice played in the distribution of local and imported goods throughout inland regions. Using three contrasting, quantified datasets of amphorae, finewares, and marble (together forming the Material Data in Northern Italy (MADINI) dataset), chronological and spatial patterns in inland trade are analysed using aoristic analysis and hierarchical clustering. The results demonstrate that inland trade was far more complex than a simple regression of imports as distance from the coast increased. Clear zones of consumption across Northern Italy are seen in the distribution of the material data, often closely linked to transport costs. While the river network is shown to have been a crucial in facilitating inland transport, the significance of trans-mountain trade across the Alps and the Apennines has been underestimated. Areas furthest inland are often shown to have had the greatest diversity in the provenance and types of material, as opposed to coastal areas which demonstrate a more limited selection. The results highlight the diverse array of factors governing inland trade and the interplay between cost and choice in the decisions made by consumers.

Instrumentum navis: Le ancore litiche e plumbee della Soprintendenza del Mare della Regione Siciliana is the result of a study carried out in collaboration with the Sicilian Region''s Superintendency of the Sea. It concerns the study of all the lithic, lead and metal anchors from the Sicilian underwater environment, deposited in the rooms of the Arsenal of the Royal Navy in Palermo, in the warehouse of the former Roosevelt Institute in Addaura, and in the courtyard of Palazzetto Mirto in Palermo, the headquarters of the Superintendency of the Sea.The study on the anchors was conducted through an extensive census, documentation and archive study that offered a chance to understand the numerical consistency of the property and its value.The census and cataloguing activity continued with historical research on the types of anchors over the centuries and the impact they had on navigation, routes and ports in ancient times, as well as on the birth of the underwater collection in Sicily and the creation of the Superintendency of the Sea, which has carefully and innovatively managed the entire Sicilian underwater archaeological sector over the last twenty years.For the anchors described here, and through the entry registers and ancient publications, it was possible to trace the data on the places where the anchors were found, which covered the entire coastline of Sicily, including the smaller islands, thus providing the starting point for the creation of a digital mapping of the finds through the G.I.S. (Geographic Information System) and providing a guideline for future research.

Spatial Analysis of Housing and Economic Complexes in the Upper Palaeolithic of Transbaikal (Southern Siberia) provides a brief overview of the history in the development of methods of spatial analysis in Russian archaeology in the context of studies of Palaeolithic dwellings. The results of an analysis of the spatial organisation of the Upper Palaeolithic complexes in Transbaikal region are presented in detail. The concept of contextual analysis is introduced as applied to the archaeology of ancient settlements. The planigraphy of housing and economic structures and, in general, the cultural horizons of the multi-layered Studenoe 2 site are examined in detail. An ethnographic block is presented separately, characterising the details of the frame dwellings of the northern peoples based on the rich photographic collection of the Russian Ethnographic Museum. This book is for archaeologists, historians, and Quaternary geologists, including undergraduate and graduate students, and academics.

In 2013, during the excavation of the archaeological site of Pétermonostora (Hungary), two exceptionally large enamel plaques were discovered. The reliquary they belonged to was made by a Mosan artist, possibly in the Meuse Valley, a major intellectual and artistic centre of the period. The artwork''s remains constitute one of the greatest discoveries in medieval Hungarian archaeology. Even though the site was completely destroyed by the Mongols in 1241, its remains, and especially artefacts like the reliquary, create a unique image of a large, thriving settlement, home to a Latin Christian masterpiece. Given the destruction of sources and artworks in the region, Pétermonostora offers a rare opportunity to examine artistic, cultural, and historical aspects of high medieval East-Central Europe.Dr. Sophie Balace (Curator of metalworks at the Royal Museums of Art and History, Brussels): “The discovery of the Pétermonostora plaques is as extraordinary as it is unexpected. Although Mosan goldwork remains are still relatively numerous, their discovery in an archaeological context is rare. The archaeological discovery of important goldsmith ornamental fragments on the site of Pétermonostora constitutes a major contribution to Mosan heritage. This attribution, which seems to be irrefutable, brings sensational new information to the study of medieval art.”

This fresh study thoroughly re-casts the unrecognised Samad Late Iron Age (SLIA) and its archaeological context in the 600 years which flank the year 0 CE, providing valuable insights into the significance and complexities of this enigmatic era. Through meticulous research of archaeological sites and recent discoveries, the authors present an in-depth understanding of the SLIA. A particular focus is given to examining the relationship between the SLIA assemblage and that of the Mleiha/PIR, parsing the cultural connections between these separate yet intertwined archaeological phenomena. By investigating diverse topics such as burial practices, pottery, small finds, trade networks and architecture, this work aims to offer a comprehensive grasp of the material culture and historical scene of the centuries preceding the rise of Islam. With its contribution to the ongoing academic discourse on the archaeology of south-eastern Arabia, this book fills a niche for scholars and enthusiasts seeking archaeological knowledge about this fascinating Arabian period.

The Swash Channel Wreck is an account of the discovery, excavation and analysis of an early 17th-century Dutch shipwreck. The wreck is most likely the Dutch West Indiaman Fame of Hoorn, lost in the Swash Channel in the approaches to Poole Harbour in February 1631. The site was initially found during dredging operations in the channel in 1990. In 2006, it was re-discovered by Wessex Archaeology, and Poole Harbour Commissioners partnered with Bournemouth University to undertake the monitoring and recording of the site. The remains are of a large c. 40m structure consisting of the port side of the ship from the turn of the bilge to the top of the upperworks, with associated wreckage which includes the ship’s rudder, a multitude of rigging items, and a small collection of finds that consist mainly of domestic and provisioning items and the ship’s armament.By 2009, it was clear that the site was rapidly eroding and English Heritage commissioned Bournemouth University to conduct one of the largest underwater excavations in the UK since the excavation of the Mary Rose in the 1980s. This occurred between 2010 and 2013 and involved the excavation and recording of the first 18m of the bow and the last 12m of the stern, leaving the 12m midship section unexcavated. In addition, a large section of the upperworks and the first 6m of the bow were deemed to be too exposed to protect in situ and therefore were raised and recorded in high detail between 2014 and 2015.The wreck proved to be the largest survival of the hull of any 17th-century ship in UK waters and one of the most complete 17th-century Dutch shipwrecks outside of the Baltic. The ship’s construction and material culture confirm its origin as a Dutch vessel lost in the early part of the 17th century. The hull has immediate parallels with the wreck of the Swedish warship Vasa, lost in Sweden in 1628, and the Dutch East Indiaman Batavia, lost in Western Australia in 1629, and exhibits characteristics of both. The circumstances of the Swash wreck provided the opportunity to dismantle the structure and study in greater detail the timbers from which it was constructed.Contemporary clearance work and probably salvage meant that with the site did not yield a large number of finds but those that remained provide an insight into life on board, the makeup of the crew, and the ship’s armament, as well as allowing the reconstruction of sections of the ship’s rigging.

A Mosaic of Recollections is the autobiography of David S. Neal, whose name has become synonymous with the study and illustration of Roman mosaics in Britain. It tells the story of a working-class boy, born into the travails of war-torn London, and his evacuation to South Wales to live with a mining community. The return to London in time to celebrate VE-Day remains a vivid memory. After moving to Hemel Hempstead New Town he became fascinated with the museums at St Albans and spent many hours watching excavations on Roman Verulamium before being invited to help.Studying graphic design at Watford School of Art developed his talents, which he was able to combine with his activities on the excavations as he began to record the mosaic pavements then being exposed. Work as a graphic designer with the Gas Board was not compelling, and he was fortunate to secure employment as an archaeological illustrator with the government’s Ancient Monuments Inspectorate, where he met a wide range of unusual personalities. Tea-breaks were an education, as were lectures he was invited to attend at the Society of Antiquaries of London. Soon Neal became the manager of the archaeological drawing office, responsible for a team of illustrators recording a wide range of artefacts from excavations sponsored by the department. His work became renowned in the profession and, increasingly, he was invited to help on excavations in England and abroad. At the age of 23 he directed his own excavations on the Roman villa in Gadebridge Park, Hemel Hempstead, which led to the publication of a monograph. With his growing interest and expertise, he was frequently invited to record Roman mosaics, often at a moment’s notice, and was able to share the excitement of discovery of many of them. After 15 years he became a full-time archaeologist and excavated a variety of sites of all periods culminating on the extensive excavations of a Roman settlement at Stanwick, Northamptonshire. Early retirement allowed the time to concentrate, with a colleague, on the publication of the corpus of Roman Mosaics of Britain and, later, to record the medieval mosaics at Westminster Abbey and Canterbury.

Worked stones are one of the most commonly encountered materials in archaeological excavations and surveys. They can be either minerals or, if granular aggregates of one or more types of minerals, rocks. The correct identification of these stones is an important part of any archaeological study. This book provides archaeologists with a clear and comprehensive explanation of how to recognize the archaeologically important rocks and minerals. It does this using only their macroscopic properties, which are those that can be observed with the unaided eye or, at most, with a low-power magnifying glass. Such observations include both distinctive visual attributes and responses to inexpensive, simple-to-use tests. Determinative keys are also provided to guide the identification process. Recognition of the many stone varieties is made easier if there is a general understanding of their geological formation and so brief overviews are provided on the origins of minerals and rocks.