Berghahn Books strana 2 z 2

The Museum of Mankind was an innovative and popular showcase for minority cultures from around the non-Western world from 1970 to 1997. This memoir is a critical appreciation of its achievements in the various roles of a national museum, of the personalities of its staff and of the issues raised in the representation of exotic cultures. Issues of changing museum theory and practice are raised in a detailed case-study that also focuses on the social life of the museum community. This is the first history of a remarkable museum and a memorable interlude in the long history of one of the world’s oldest and greatest museums. Although not presented as an academic study, it should be useful for museum and cultural studies as a well as a wider readership interested in the British Museum.

Although it lasted only thirty years, German colonial rule dramatically transformed South West Africa. The colonial government not only committed the first genocide of the twentieth century against the Herero and Nama, but in their efforts to establish a “model colony” and “racial state,” they brought about even more destructive and long-lasting consequences. In this now-classic study—available here for the first time in English—the author provides an indispensable account of Germany''s colonial utopia in what is present-day Namibia, showing how the highly rationalized planning of Wilhelmine authorities ultimately failed even as it added to the profound immiseration of the African population.

Established in 1955, the Leipzig International Documentary Film Festival became a central arena for staging the cultural politics of the German Democratic Republic, both domestically and in relation to West Germany and the rest of the world. Screened Encounters represents the definitive history of this key event, recounting the political and artistic exchanges it enabled from its founding until German unification, and tracing the outsize influence it exerted on international cultural relations during the Cold War.

Despite Soho’s rich cultural history, there remains an absence of work on the depiction of the popular neighbourhood in film. Soho on Screen provides one of the first studies of Soho within post-war British cinema. Drawing upon historical, cultural and urban studies of the area, this book explores twelve films and theatrically released documentaries from a filmography of over one hundred Soho set productions. While predominantly focusing on low-budget, exploitation films which are exemplars of British and international filmmaking, Young also offers new readings of star and director biographies, from Laurence Harvey to Emeric Pressburger, and in so doing enlivens discussion on filmmaking in a time and place of intense social transformation, technological innovation and growing permissiveness.

The global pandemic has offered extraordinary opportunities for extremists and terrorists to mobilize themselves and revive as more powerful actors in the security landscape. But could these threat groups actually capitalize on the coronavirus crisis and advance their malevolent agendas? Utilizing the largest COVID-19-related terrorism database, the book presents an analysis built upon a quantitative and qualitative comparison between the nature of both the radical Islamist and the far-right-related threat in 2018 and 2020. It provides, for the first time, a true picture of novel trends since the pandemic outbreak.