Charco Press

Lia fled her home after a brutal crime decades ago, but family, and the truth, will never let you go.Thirty years ago, in an empty plot of a quiet neighbourhood, a teenage girl's body was found quartered and burned. The investigation ended with no arrests and her family – middle class, educated, Catholic – quietly disintegrated. Three decades later, the hidden truth comes to light thanks to the father's enduring love for the victim. That truth will reveal the raw realities lurking behind appearances, the cruelty of those who prioritize obedience and religious fanaticism, the complicity of the fearful and the indifferent, and the loneliness and desperation of those who seek to follow their own path, ignoring the dictates of their elders.Just as she did with Elena Knows and A Little Luck , Claudia Pineiro delves into family ties, social prejudice, and the ideologies and institutions that affect our inner worlds to deliver a brave, moving novel that strikes at the heart of these private dramas.

A fierce, tender collection of stories about the lives, traumas, and dreams of Mapuche youth in modern-day Chile.Jesús, Valeska, Yajaira, and Ale are some of the vivid characters that inhabit the stories told in Pinen , a book that casts an unflinching gaze on the stark margins of urban life. Within its pages unfold the bullet-ridden death of a big shot from the blocks; the fraught, often violated sexuality of women in a displaced community; the unwavering bond between two friends navigating the waria ; the toxicity that seeps through youth and the distances that inevitably come with growing up; and, finally, a fierce declaration of love to the clandestine spirit of a brother. These are young lives that drift through the many peripheries of the city carrying a hope as immense as the injustice that defines their days.The stories that make up Pinen invite the reader into an intimate, often overlooked space – those small, enclosed rooms where the everyday tragedies of the many silently unfold. With brutal realism and lyrical restraint, Daniela Catrileo renders these acts of courage and violence with masterful precision, granting voice and presence to those rarely seen in literature.

A searching, buoyant novel about queer love, mothers and daughters, and making a life in the face of the only constant: loss. Every story is a love story. In a Barcelona redolent with Almodóvar vibes, the love is between women: overlapping and messy attachments between friends, young lovers, mothers and daughters. As Sara’s mother dies, her daughter is in bed with a new obsession. She’s wracked with guilt, but the persistence of need, the demands of the body, refuse to take a dignified pause for the observance of another body leaving this world. If one of the projects of growing up is being defeated by the limits of control we have over ourselves and others, the frustration of trying and failing to be understood, then Sara’s loss, her lovers, and her longterm girlfriend are her passage from 28 and casting about to a little bit older and a little bit more sorted out. If love is “more like a quagmire than anything else—sometimes sombre, sometimes blinded by light,” then X Is Where I Am is one young woman’s fractious, hopeful, attempt to give in to it.

Two nuns, and one obsessed mother, doing everything in their power to achieve communion with the one they love. Sister Lugarda de la Encarnación takes the lash, and an unnamed mother gets down on her hands and knees – sacramental postures demanded by inscrutable men. Apparitions is a novel of ecstasy pursued, desire transmogrified into devotion, and obedience as a passionately pursued, not entirely free choice. Erotic, and suffused with painting, music, art, it’s an incantatory exploration of what it means to abandon the world, and to use your body – in pain, and in pleasure – as a way of finally coming to know the divine.

In a gripping new novel by acclaimed Mexican writer Daniel Saldana París, three friends forever bound by erotic flames of the past reunite in a city engulfed by wildfires and an ecstatic dancing plague. After years apart, three high school friends return to Cuernavaca, Mexico, where an intense love triangle left an indelible mark on their adolescence. The city, claustrophobic as wildfires press closer, reawakens the past and confronts them with their present: the entanglement of friendship and desire, the seemingly distant discovery of sexuality, complex parental relationships, and the daunting task of artistic fulfilment. In the background, forces of chaos and destruction are a constant presence. As fires ravage the physical landscape, one of the friends begins choreographing an ecstatic dance inspired by the German Expressionist Mary Wigman and medieval Danse Macabre. What starts as a coping mechanism for the anxieties of disappearing youth and climate catastrophe becomes an overpowering, all-consuming hysteria. Mysterious powers are awakened, the boundary between reality and myth begins to blur, and the friends find themselves immersed in an increasingly turbulent and uncertain universe.

Propelled by female desire, shaped by the violence of the male gaze, and inspired by the endless vitality of old stories remade anew, Restoration takes on Bluebeard, Salvador Elizondo, Juan Rulfo, Angela Carter, Octavio Paz, Mariana Enriquez, and Amparo Dávila to produce a novel of obsession, reclamation, and romance gone very, very wrong.Jasmina has been hired by her maybe-boyfriend to restore his family home, a grubby, abandoned time capsule where a great artist once lived. As she moves from room to room?scrubbing, scraping, plastering over cracks?the stories inhabiting them awaken, and the lives of the women who came before her begin to overlap with her own. Who is the woman in the photograph? And what secrets linger in that last locked room?Restoration is a ghost story with porous borders, between Jasmina and these forgotten women, between the novel and us. And the questions Barrera asks may be about what?s behind our own barred door.

Restauración es la escalofriante historia de terror de una joven restauradora atrapada entre los recuerdos de una vieja casona de la Ciudad de México y los siniestros planes de un fotógrafo obsesionado con recrear los escenarios de la novela Farabeuf , de Salvador Elizondo. La novela lleva al extremo la idea del amor como sacrificio. En ella, el dano, el menosprecio y la crueldad se oponen al cuidado, la abnegación y la entrega absoluta, como parte de un complejo juego de seducción, dependencia emocional y autoengano. Mientras la protagonista se afana por recuperar la casa que perteneció a la familia del hombre a quien ama con la esperanza de salvar su relación, va develando los aterradores secretos que anticipan su propio destino. Como en el cuento clásico de Barba Azul , la protagonista abre una por una las habitaciones, dando vida a la memoria de la casa y a los fantasmas que la habitaron. Una estructura compleja, una prosa profunda y una tensión constante van conduciendo al lector hasta llegar ante la puerta de la habitación prohibida y ponen la llave en su mano. En Restauración , las historias de dos generaciones se entrelazan para poner de manifiesto algunos de los conflictos que han vivido las mujeres en el pasado reciente, y confrontarlos con la actualidad. Al focalizar la narración en la perspectiva de las mujeres y hacer hincapié en su problemática, la novela cuestiona la manera en que la literatura ha silenciado, idealizado o invisibilizado al personaje femenino durante siglos. Propelled by female desire, shaped by the violence of the male gaze, and inspired by the endless vitality of old stories remade anew, Restoration takes on Bluebeard, Salvador Elizondo, Juan Rulfo, Angela Carter, Octavio Paz, Mariana Enriquez, and Amparo Dávila to produce a novel of obsession, reclamation, and romance gone very, very wrong.Jasmina has been hired by her maybe-boyfriend to restore his family home, a grubby, abandoned time capsule where a great artist once lived. As she moves from room to room – scrubbing, scraping, plastering over cracks – the stories inhabiting them awaken, and the lives of the women who came before her begin to overlap with her own. Who is the woman in the photograph? And what secrets linger in that last locked roo? estoration is a ghost story with porous borders, between Jasmina and these forgotten women, between the novel and us. And the questions Barrera asks may be about what’s behind our own barred door.

On land where enslaved people were once tortured and murdered, the state built a penal colony in the wilderness, where inmates could be rehabilitated, but never escape. Now, decades later, and having only succeeded in trapping men, not changing them for the better, its operations are winding down. But in the prison?s waning days, a new horror is unleashed: every full-moon night, the inmates are released, the warden is armed with rifles, and the hunt begins. Every man plans his escape, not knowing if his end will come at the hands of a familiar face, or from the unknown dangers beyond the prison walls. Ana Paula Maia has once again delivered a bracing vision of our potential for violence, and our collective failure to account for the consequences of our social and political action, or inaction. No crime is committed out of view for this novelist, and her raw, brutal power enlists us all as witness.

Fantasies, or are they premonitions, of a great wave, an impending apocalypse, threaten to swamp a young woman trapped in a slowly curdling relationship. From the outside it all looks good – the casually elegant apartment, the cocktail parties, the impressive, creative friends – but for all her supposed freedom, her unhappiness means she’s not living up to her side of the bargain. Why, everyone asks, is this not enoug? our hundred years earlier, formidable, irascible Deborah Moody marries, is disappointed, is widowed, loses a child, loses everything, and flees England for the Massachusetts Bay Colony. She finds her fortune there, but if relying on a husband proved a mistake, independence doesn’t mean freedom from the dangerous vanities of men.Funny, cutting, and a savage indictment of the cheap consolations of meme-ified faux feminism, misplaced solidarity, and sacrifices for the supposed greater good, Cautery offers us two women (one based on a historical figure, one imagined) who share a final vision of true happiness – burning it all down and beginning again.

In September 1933, the Peruvian Rubber Company delivers nineteen indigenous people from the Amazon to businessman Amado Dam, intended for Argentina''s first Ethnographic Theme Park. Unexpected among the human cargo is an artefact harbouring a sloth with a fascinating yet terrifying secret: the ability to create erotically explosive telepathic connections between people. What ensues is a raucous satire of men?s fear of women?s bodies, of the illusion of logic in the structures of so-called civilisation, and the way class and race obscure identities when the observer is a man with power.In The National Telepathy , Roque Larraquy, one of the most original voices in contemporary Argentinian literature, brings us a literary high-wire act, an over-the-top comic grotesque about atrocity. This shocking, bizarre, funny, imaginative novel lays all-too-bare the secret longings and not-so-secret machinations of a social class that will stop at nothing in order to stay on top.

A prowl through words reveals the unstable character of the cosmos.With entries as varied as ?elbow?, ?Ophelia?, ?progress?, the painter Giorgio Morandi, ?chess?, ?Eulalia? (a friend of the author?s aunt), and ?unicorn?, Ida Vitale constructs a dictionary of her long and passionately engaged artistic life. Taking the reader by the arm, she invites us to become her confidant, sharing her remarkable 20th century as a member of a storied generation of Latin American writers, of whom she is the last remaining alive. It?s a compendium of friendship, travel, reading, and the endless opportunities she found for ''the joyful possibility of creation.'' Like every dictionary, Lexicon of Affinities seeks to impose order on chaos, even if in its exuberant, whimsical profusion it lays bare the unstable character of the cosmos.