Drawn and Quarterly

R.Sikoryak revisits the Declaration of Independence on 250th anniversary of its signing. R. Sikoryak, the cartoonist who cemented his reputation as the king of the visual mash-up with Masterpiece Comics and The Unquotable Trump, sets his sights on the document that explained to the world why America s thirteen colonies were to be sovereign states. A prequel of sorts to his Constitution Illustrated, Sikoryak presents the unabridged text of the Declaration, rendered in the bright, bold, and iconic styles of over 60 different American comics, cartoons, and graphic novels from over a century. The severing of colonial ties to Great Britain has never been more vividly manifested than in the skillful hands of Sikoryak, who doesn't hesitate to dream up Jeffy from Family Circus as Thomas Jefferson and Elmer Fudd as a British Redcoat. King George III is deliciously portrayed as pop culture s most famous villains, such as Thanos, The Joker, Scar from The Lion King, and many more. Sikoryak also skillfully adopts the styles of such comic artists as Will Eisner of The Spirit, Allie Brosh of Solutions and Other Problems, Morrie Turner of Wee Pals, Mark Beyer of Amy and Jordan, and Floyd Gottfredson of Mickey Mouse. Declaration Illustrated is an entertaining multilayered history lesson for buffs of the American Revolution and American comics.

An openly Lesbian couple survives and thrives in 19th century Vermont a true story, as told by Tillie Walden. The month is February in the year 1807. The place is Weybridge, Vermont: small, cold, lonely, and beautiful. Sylvia Drake is exhausted. As an unwed woman with few prospects, she is residing with and caring for her sister s rambunctious family. Today the house is abuzz awaiting a guest Charity Bryant. A friend of the family, she is most known for her elegant letters, with their swoopy and evocative penmanship and carefully chosen prose. But Charity s visit is a guise, she is coming to Vermont to start over after heartbreak and rumours so many rumours that have grown too loud back in Massachusetts. Being openly gay in 19th century New England is not an easy row to hoe. But Charity can only be herself, and she immediately catches and holds the eye of none other than Sylvia Drake. From this point on, for 44 years, the two would be inseparable, building a life together despite all odds and living as a lesbian couple in small town Vermont. The true, exceptional story of these remarkable women is brought to life with humor and passion by the unparalleled and award-winning Tillie Walden (Spinning, On A Sunbeam). We see America grow alongside these women over a period that brings about the railroad, many novels, 14 Presidents, riots, rebellion, plagues, and poetry. Based on extensive archives of their writing, Charity and Sylvia is a groundbreaking biography that is also the story of 19th century America.

The semi-periodical look into the expansive art practice of an acclaimed cartoonist. Palookaville 25 houses three benchmark projects from the artistic practice of cartoonist and New Yorker cover artist Seth (Clyde Fans). His highly-acclaimed memoir 'Nothing Lasts' returns. A wave farewell to his youth and a love letter to Toronto in the 1980s, this installment of his memoir caps off his teenage years and the budding romance at the Cove Inn, and sees Seth setting off for the big city where he moves to attend art school. Showcasing Seth s fine-art practice, Palookaville 25 also includes a photo essay about the creation of 'Living Room Suite,' his bronze sculpture installation in Guelph. Through text and photographs, Seth documents early pieces in the same series, followed by maquettes of the sculpture, photos showing the fabrication process, and then, finally, a series of photos showing the completed installation. Lastly, the life and death of post-humorously renowned Dominion painter Owen Moore is told through comics in ten episodes. Originally serialized in The Walrus, this is the first time the story has been collected. Pages from the original sketchbook version and the final art are presented in pairs, revealing Seth s process to readers. A rarity in the world of publishing, Seth s Palookaville series has become an ongoing monograph of sorts, a deep look into an idiosyncratic mind, and a survey of a singular artist s multifaceted output.

A serial buddy comedy like no other from the mind of Cedar Van Tassel. Cartoonist Cedar Van Tassel has created the great new comic strip of the modern era: a perfect jewel in an underappreciated genre in the comics field the serial buddy comedy. Using rural agriculture as a stepping-off point, he tackles climate change, small-town politics, psychedelics, mysticism, and friendship. Appleguy and Beefwood s rapid-fire dialogue and tightly wound humour is reminiscent of classic buddy comics as wide-ranging as Calvin and Hobbes or Mutt and Jeff. Van Tassel s wiry, delightfully jagged characters walk and talk as the world grows both physically and spiritually around them. This approachably hilarious take on the existential and esoteric distills the absurdities of the modern everyday into four panels with forthright wit and a discerning eye.

A romantic thriller exploring the dark corners of human desire and isolation with quiet eeriness. Is a fresh start truly possible? Or will society s strictures and your own impulses keep re-creating the same messed-up relationships in every narrow room you enter? Choi Seongmin s Narrow Rooms follows a young woman who leaves her rural hometown to study in Seoul and seek self-improvement. But once there, she quickly becomes the target of unwanted attention from her teacher, and the whispers of other students only deepen her alienation. Living in a cramped, poorly soundproofed room, the suffocating atmosphere begins to further distort her boundaries and perceptions. Longing for escape, she fixates on a handsome new neighbor, her fascination spiraling into obsession: She secretly rummages through his mailbox, collects his discarded cigarette butts and teabags, and hoards his trash. But when she discovers something unsavory about the object of her desire, will she be forced to confront the morals of her own behavior? With clean, uniform lines and milky colors reminiscent of glass paintings, Choi s cartooning heightens the story s sense of claustrophobia and unreality. Expertly translated from the Korean by Janet Hong and originally serialized as a Webtoon, Narrow Rooms has been praised for its raw, unsparing depiction of how human desires leak out when confined behind thin walls, emerging in unsettling, antisocial ways that no amount of self-control can fully contain.

A heartwrenching memoir of a daughter losing her father and a scathing indictment of the medical industry. Arizona grieves at the hospital bed of her father, a man she hardly knew, brain dead after a fentanyl overdose. Doctors encourage her to act quickly to recast him as a hero by way of organ donations. Distraught, Arizona makes a decision that will haunt her for the rest of her life. As she struggles to come to terms with her father s death and her role as next of kin in making his life s last decision, she uncovers inconvenient truths about the organ industry s own codependence on the opioid crisis. Her parents were bohemian wild kids of 90s Montreal. He was a talented skateboarder, charming guitarist, and visual artist. She was an aspiring writer and outcast. They lived with other teenagers in the Plateau in a messy apartment filled with drugs, alcohol, and black-market animals. The city s macabre history McGill Medical School, the Mount Royal Cemetery, ancient cadavers at the Maude Abbott Medical Museum takes center stage as Arizona sorts out fact from fiction. Opioids and Organs is a damning critique of an industry that takes advantage of society s outcasts. It is also the graphic novel debut of O Neil herself, who weaves together a dramatic personal history with that of how humanity made its scientific advances. A muted yet striking pastel palette and a doll-like fantastical elegance belie both the gruesomeness of the book s topic and the rage of its author.

Mary Pain s hit rock bottom with nothing left to lose but she s also absolutely free. Mary Pain might just be the patron saint of second chances. Unemployed and all out of options, she buys a one-way bus ticket to the dead-end town she grew up in. Time stands still there all the same people still telling the same old gossip she s been running from for ages. Back in her childhood home, she needs to find a way to save the house from foreclosure, care for her ailing grandfather, and make peace with her mother s ghost, whose telephone calls still come in on the old kitchen landline. With the odds stacked against her, Mary Pain doesn t let her mid-life rut keep her down: She picks up men for midnight trysts in the park, and remains open to deepening connections with childhood friends, new lovers, and precocious altar boys. Lola Lorente s slick black inkwork feels sophisticated and voluptuous, and her rendering of townsfolk and their customs is a sensorial delight. Her devoted attention to fabric textures, body shapes, and one-of-a-kind faces brings this cast of oddballs and weirdos, sometimes verging on the grotesque, fully to life. Translated from the Spanish by Andrea Rosenberg, Lorente s English debut is a sorrowful yet hopeful portrait of a young adult at a crossroads in life a quintessential loser looking for meaning and redemption in a town full of ghosts.

Razor-sharp short stories from the greatest contemporary comics stylist. Michael DeForge has been dissecting the comics visual language for more than a decade and continues his creative winning streak with his tenth book for D&Q and second collection of short stories, All the Cameras in My Room. The prolific cartoonist s hilarious and horny approach to comics fiction never disappoints. In 'Figure Skating,' a star athlete s impossible feats captivate the world, turning a simple skater s rotation into a catalyst for national paralysis. While in 'Holiday Special,' a narrator tells us about his favorite Christian holiday special that bears an uncanny resemblance to a certain bald-headed-boy-and-his-dog classic. No matter the conceit, characters in All the Cameras in My Room stretch and flatten and spiral around each other and burrow deep into the folds of a reader s brain. Deforge s stories break down how we consume pop culture, interrogate our relationship to star power and recontextualize our nostalgia into a shared mythology, cementing his place as the most consistent and beguiling cartoonist working today.

Welcome to the wonderful and scary and silly world of Yokai! The Definitive Yokai Field Guide introduces young readers to the fantastically fascinating world of Japanese folklore. Universally beloved cartoonist and Eisner Hall of Fame inductee Shigeru Mizuki s passion for researching and writing about Japan s yokai knows no bounds. In this perfect companion to Mizuki s Kitaro comics and art books, kids and kids at heart can now discover this magical world and its many peculiar creatures all on their own. The book that captivated Japan for decades as a perennial bestseller can now inspire readers the world over. Bursting with frightfully fun content including 80 yokai profiles The Definitive Yokai Field Guide also boasts a map of where to find different yokai around the world, and the exciting comic 'The Yokai of Obobe Swamp.' Mizuki s whimsical and mischievous approach to cataloging these one-of-a-kind creatures found nowhere else is sure to enlighten and amaze fans of both the natural and supernatural world. In fact, it might just be the perfect gift for current and future folklorists, ghost hunters and myth busters to boot! Translated by Mizuki scholar and yokai aficionado Zack Davisson, the most famous all-ages guide to yokai becomes available in English for the very first time.

A manga icon?s most perplexing, transgressive, and astounding work of horrorand surrealismBy the mid-1970s, Tsuge Yoshiharu was a man changed by circumstance?something hiswork from 1975 to 1981 boldly reveals. After settling into married life with fellow artistFujiwara Maki (author of Eisner-winning My Picture Diary), Tsuge would return to thenarrative formulas that he knew best: tall tales exchanged between fellow travelers,macabre parables tinged with magical realism, and the enduring comedy of the domesticeveryday in a Japan rebuilding itself in the decades following the Second World War.And yet the confusion and mental illness simmering beneath the surface of his moresurreal works come to a rolling boil, reaching an unsettling and horrific crescendo in aseries of nightmarish delusions. He Rolled Me Up Like A Grilled Squid captures a midcareerauthor taking stock of his anxieties and suspicions while connecting the dotsbetween his seemingly monotonous present and his complicated past. Confrontationsbetween both periods in his life are explored through the lens of his deteriorating mentalstate, expressed directly through experiments with different visual styles collected in thisvolume.Translated by prolific art and comics historian Ryan Holmberg, He Rolled Me Up Like AGrilled Squid is a veteranstoryteller?s most compelling observations about people at their most human.

Pet therapist by day, animal-morphing pet detective by night fear not, Animan s on the case! Inspired by the 1980s TV series Manimal, award-winning cartoonist Anouk Ricard pairs her unique brand of absurd storytelling and impeccable comedic timing to deliver the riotously funny adventures of Animan, superhero pet detective. A radioactive mosquito bite as a baby gives Francis the superpower of morphing into any animal at will. Learning to keep his powers secret from an early age, Francis takes up pet therapy as his day job, the perfect cover for his secret identity as Animan. Francis uses his fantastical gift to treat his animal patients, go undercover to solve murders, and battle it out with his nemesis, Objecto, a man capable of transforming into any and every possible object. And to top it all off, in his free time Francis is an avid watercolorist, who enjoys drawing landscapes and risque portraits of his frog girlfriend, Fabienne. Winner of the 2025 Grand Prix at the Angouleme International Comics Festival, veteran cartoonist Ricard delivers a fresh take on the superhero genre, imbued with her signature slapstick sensibility, preposterous scenarios, and off-the-wall punchlines.

An award-winning cartoonist confronts anxiety and regret. A long-time city maintenance worker keeps pulling an accident prone newbie s fat out of the fire or maybe in this case, an arm and another arm and a leg out of the woodchipper. What happens when NOTHING HAPPENS? Can a disaster averted still be a disaster? In 'Nestled All Snug,' frazzled bookstore clerk Sasha prepares to close the store and head home to watch Hallmark Christmas specials after a fight with her boyfriend means she s home alone for the holidays. Hmm, that stack of boxes outside the bathroom seems a little precarious. Maybe Sasha will do returns when she gets back to work post-holidays. FWUMP FWUMP FWUMP. Guess someone is going to regret leaving their phone by the register before going to the bathroom. In The Woodchipper, Joe Ollmann, cartoonist of the groundbreaking Governor General Award finalist Fictional Father, returns with a suite of comic short stories focused on his trademark nervous wreck characters caught in a series of escalating personal disasters. Everybody s doing their best. Everybody s just trying to get through the day.

A hilarious send-up of the art world s patriarchy. The history of twentieth century art is filled with men, but one key component has always been missing: Which of these men are boneable? And which are not? Jessica Campbell has created the definitive resource on this very important subject in a hilarious rundown of male artist hotness and notness. From its cheeky scratch-off cover and curator s statement, MFA docent Campbell introduces the masters of the fine art world with an irreverent overview of their practice, only to quickly get to the point on the next page with a HOT or a NOT. Would Campbell kick Cy Twombly out of bed? Probably not. How about Paul Gauguin? Most definitely. A silly but stinging rebuttal of male chauvinism, Jessica Campbell s Hot Or Not is a delightful, cheeky exclamation of female desire and utter lack thereof.

The greatest sword-and-samurai epic of all time continues! The body count continues to rise in this engrossing, swashbuckling third volume of The Legend of Kamui, set in feudal Japan. Our hero Kamui is fresh off his training and begins to infiltrate the delicate hierarchy oppressing the countryside in order to begin tearing it down, piece by piece. Shosuke faces off with a new assassin because of what he may or may not have witnessed. Ryunoshin s vendetta befuddles the chief headman as well as his lord. Meanwhile, Kamui s fellow outcast Saesa takes on a more prominent role. Revolution is in the air, and the sound of clashing swords rages on in Shirato Sanpei s landmark manga epic the first of its kind. The Legend of Kamui was originally serialized between 1964 and 1971 in the legendary alt-manga magazine GARO. Its literary and historical merit was recognized long before a complete translation was even available. Now available in full for the very first time, Shirato Sanpei s The Legend of Kamui is translated from the Japanese by Richard Rubinger with Noriko Rubinger.

A wise-cracking visual dystopian feast. Gael Kaldera is a self-styled 'junkyard dog' who runs with his crew the Metadoggoz: a squad of teenage dirtbags living in the techno-megalopolis, the Metastation. With no place to crash after losing his friend s guitar, he drops a tab of 'metadoggo' at a late night rave with his friends and everything goes sideways. Strobing lights, teeming dance floors and endless skyscrapers form an eerie, futuristic backdrop for this daring, imaginative exploration of race, class, and belonging through the lens of youth culture and science-fiction. In Metadoggoz, Franco-Vietnamese cartoonist Berenice Motais de Narbonne constructs an uncomfortably familiar dystopia in which Gael and his friends slip in and out of our 'real' world in search of something better. Each shepherded by a guiding spirit, they navigate the indignities of daily life: homelessness, mental illness, violence, and yearning. Translated by Eisner Award winner Montana Kane, Metadoggoz reinvents the cyberpunk fairy tale in the vein of Tank Girl, Blade Runner, and Love & Rockets.

The award-winning memoir translated by Taro Nettleton with a new design by Adrian TomineIn this memoir that won two Eisner Awards, the Tezuka Osamu Cultural Prize, a prize at the Festival de la BD d''Angouleme, and was adapted into a feature film that debuted at the Cannes Film Festival, legendary manga-ka Yoshihiro Tatsumi uses his life?long obsession with comics as a framework to tell his life story incisively and unflinchingly. He deftly weaves a complex story that encompasses Japanese culture and history, family dynamics, first love, the intricacies of the manga industry, and most importantly, what it means to be an artist. Alternately humorous, enlightening, and haunting, A Drifting Life is the masterful summation of a fascinating life and a historic career.Over sixty years ago, Yoshihiro Tatsumi expanded the horizons of comics storytelling by using the visual language of manga to tell gritty, dark, literary stories about the private lives of everyday people, a genre he coined ?gekiga? in order to differentiate his comics from mainstream manga. His comics appeared in the legendary Japanese comics magazine GARO, and he became the first of his GARO peers to have his work published in English in the graphic novel era.A Drifting Life is Tatsumi?s most ambitious, personal, and heart-felt work and considered to be one of the defining autobiographical works of the comics medium.