Duke University Press

A critical and ethnographic exploration of wildfire management in Australia, one of Earth’s most fire-prone countries, Timothy Neale’s How to Control Fire on a Burning Continent critiques the colonial logics of control deployed to manage unruly environments and explores alternative forms of environmental stewardship. Each year, Australia faces increasingly unprecedented wildfires, marked both by their scale and by the intense public disagreements about their political, cultural, and ecological causes. How to Control Fire on a Burning Continent is a critical and ethnographic exploration of wildfire management in Australia and the technoscientific systems of control that shape its current and future possibilities. Timothy Neale observes how two seemingly opposing forces—an entrenched sense of crisis and widespread normalization—combine to form an apparatus of institutional fire management that increasingly centers technical control and militarization. While sympathetic to the double binds many fire management professionals find themselves in, Neale ties contemporary wildfire problems to ongoing colonization and Indigenous dispossession, exploring Indigenous-led land management and cultural burning as a practical assertion of sovereignty. Through dialogue and collaboration with professional fire managers and Indigenous environmental stewards, Neale calls for a collective movement beyond control thinking by fostering new alliances and modes of coping with, rather than commanding, our flammable world.

Written by longtime climber Hil Malatino, Climbing explores the why of the sport, asking what pushes him and so many others to drag themselves to the gym and the crag time and again; to restructure their intimate lives around the pursuit of a new goal; and to devote thousands of hours forging their nerves to perform physical and mental feats while dozens, hundreds, or even thousands of feet off the ground. In chapters that explore gender, class, and sizeism in climbing culture, as well as grief, addiction, queer and trans-worldmaking, and the tensions between conservation and recreation, Climbing teases out how the art of navigating across rock can help us learn how to revel in being weird, vulnerable, and radically interdependent animals temporarily gifted the complicated tragicomedy of a body. It is a story of collective obsession and transformation that tracks how holding yourself on the wall helps you learn how to hold onto the ambiguities of life on earth.

John D’Emilio is one of the leading historians of his generation and a pioneering figure in the field of LGBTQ history. At times his life has been seemingly at odds with his upbringing. How does a boy from an Italian immigrant family in which everyone unfailingly went to confession and Sunday Mass become a lapsed Catholic? How does a family who worshipped Senator Joseph McCarthy and supported Richard Nixon produce an antiwar activist and pacifist? How does a family in which the word divorce was never spoken raise a son who comes to explore the hidden gay sexual underworld of New York Cit? emories of a Gay Catholic Boyhood is D’Emilio’s coming-of-age story in which he takes readers from his working-class Bronx neighborhood to an elite Jesuit high school in Manhattan to Columbia University and the political and social upheavals of the late 1960s. He shares his personal experiences of growing up in a conservative, tight-knit, multigenerational family, how he went from considering entering the priesthood to losing his faith and coming to terms with his same-sex desires. Throughout, D’Emilio outlines his complicated relationship with his family while showing how his passion for activism influenced his decision to use research, writing, and teaching to build a strong LGBTQ movement. This is not just John D’Emilio’s personal story; it opens a window into how the conformist baby boom decade of the 1950s transformed into the tumultuous years of radical social movements and widespread protest during the 1960s. It is the story of what happens when different cultures and values collide and the tensions and possibilities for personal discovery and growth that emerge. Intimate and honest, D’Emilio’s story will resonate with anyone who has had to chart their own path in a world they did not expect to find.

As a poet, public-facing scholar of sports politics, and former professional soccer player, having represented the United States on the men’s U23 national soccer team, Jules Boykoff draws on his lifetime of athletic experience to reflect on the practice of kicking. With short vignettes blending the personal, the reflective, the historical, and the analytical, Kicking is uniquely positioned to reflect on the most popular sport in the world. From the act of kicking a soccer ball, Boykoff looks outward to his own family history, including his mother’s struggle with polio, which fed her insistence on his athleticism; to broader trends like greenwashing and sportwashing; and to reflections on sport’s toxic masculinity, the poetics of on-field revenge, and the power-politics of both the men’s and women’s World Cups. Kicking is a must-read for all those who love the beautiful game.

As a member of the integrated Women’s Army Corps, Private First Class Sarah Keys served her country as a receptionist at Fort Dix, New Jersey. When she boarded a bus home to North Carolina in 1952, she never expected to be arrested and charged with disorderly conduct for refusing to move to the rear so a white Marine could take her seat. Her landmark 1955 Civil Rights victory, “Sarah Keys v. Carolina Coach Company” not only desegregated interstate bus travel, it also provided the legal precedent needed during the 1961 Freedom Rides to pressure the Interstate Commerce Commission to properly enforce its Sarah Keys ruling. Often overlooked in many accounts of the Civil Rights era, her arrest and victory are crucial milestones in the fight against segregation. Riding into History draws on years of personal conversations with Sarah Keys Evans as well as extensive research to present a biography of this hero and her role in the struggle for civil rights alongside the long history of many other Black Americans, especially women, who protested racial segregation in interstate travel.

In unrest in the nebulae, Gitan Djeli wields prose poetry to archive five hundred years of exploitative colonization, ecocide, extinction, militarization and deportation, slavery, indenture, negotiated nationhood, postcolonial plantation structures, and apologist histories. Writing in a queer anticolonial poetics, and using lines of Kreol, Gitan Djeli mines the tension that emerges between colonialism and language, disarticulating the myth-making aesthetics of the colonial world. She tells the story of the ‘other slavery’ in the Indian Ocean and its histories of enslavement and indenture through a subversive, fragmented poetics, and often from the perspective its geologic witnesses – a misnamed ocean or the range of mountains within it or the volcanic idea of islands. In a charge of resistance to the catastrophe of modernity, unrest in the nebulae takes seriously Sylvia Wynter’s invitation to engage “a new science of the word.”

Protein explores the contemporary obsession with a nutritional superstar, tracing how protein moves through food systems and fitness cultures, strengthening some bodies and environments at the expense of others. Protein is everywhere—praised as a muscle builder, a weight-loss miracle, an anti-aging elixir, and the catch-all solution for everything from exercise recovery to global malnutrition. In Protein, Samantha King and Gavin Weedon argue that protein’s rise to nutritional superstardom has less to do with human dietary needs and more to do with how its indeterminate, adhesive qualities are marshalled towards commercial, scientific, and social imperatives. Tracing its path from nineteenth-century biochemistry to the status it enjoys today, they expose how protein has been marketed as a cure for global hunger, repackaged as an eco-friendly meat alternative, and wielded as a symbol of masculinity in the fitness industry. From whey waste in industrial farming to longevity drugs for aging bodies, Protein unpacks the myths behind the macronutrient and challenges what we think we know about food, health, and the forces that shape our diets.

In Curating Deviance, Marc Francis scavenges film history for signs of vibrant, wayward life in the film programming of US art house and repertory cinemas between 1968 and 1989. Francis examines how creative and savvy programmers screened films by the likes of John Waters, Pier Paolo Pasolini, Russ Meyer, Rainer Werner Fassbinder, and a bevy of others in major cities across the United States, forming intertextual constellations in their repertory calendars. These programs allied a dizzying range of sexual and gendered outlaws, including stigmatized practices often overlooked by LGBT-focused queer theory. Curating Deviance reveals how repertory and art cinemas built a coalition of outcasts stigmatized for their taboo desires or identities, rekindling queer utopian imaginaries.

Astrology is the language in which all of existence speaks, says astrologer and tarotist Bess Matassa. In Star Charting, she leads readers on a vivid journey through the twelve signs of the zodiac as a poetic practice and transformative framework for befriending both the familiar and the strange. Matassa blends personal narrative, sensory immersion, inquiry exercises, and communal calls to action to reframe this ancient art as a modern manifesto for healing division by exalting the astounding complexity within this wild world. In contrast to more technical manuals on birth chart interpretation, this is magic-making as an exploratory treasure hunt, forging radical pathways to personal and collective evolution. Twelve modes of bearing witness to life and moving with its currents. Twelve styles of championing creative change. And twelve ways of never, ever losing heart.

Ocean, as Much as Rain presents for the first time in the English-language world a collection of masterfully translated literary writings by prominent Tibetan writer Tsering Woeser. In these stories, lyrical essays, and poetry, Woeser interweaves texts, photographs, silences, and documentary details. Featuring a distinctively imaginative use of satire and digressive rhetoric, Woeser’s stories bring to life Tibetan characters whose lives are entwined with politics, history, and religion. Woeser illuminates the ruins and places that she has come across during her various sojourns in Chinese-ruled Tibet, reviving sites from the past of her parents and their generation. These writings range from ingenious retellings of cultural encounters and confrontation to insightful commentaries on ecological issues and tourism in Tibet that never shun contradictions, dilemmas, or questions about the future. With an introduction by Fiona Sze-Lorrain and an author interview by editors-translators Sze-Lorrain and Dechen Pemba, Ocean, as Much as Rain is a landmark publication that celebrates the work of a steadfast dissident and a leading Tibetan literary figure of our times.

In The Invention of Order, Don Thomas Deere retraces the colonial origins of spatial organization in the Americas and the Caribbean and its lasting impact on modern structures of knowledge, power, race, gender as well as understandings of global modernity. The coloniality of space dispossessed Indigenous, African, and mixed populations as it constructed new systems of control and movement. Deere demonstrates how these developments manifested, among other forms, in urban grid patterns imposed during the development of Spanish colonial cities as well as totalizing trade routes crisscrossing the Atlantic. Drawing on a range of thinkers including Enrique Dussel, Édouard Glissant, and Sylvia Wynter, Deere reveals how movement - who travels, who settles, and who is excluded - becomes an essential component of control under colonial rule. Against the violence of spatial reordering, Deere outlines how novel forms of resistance and insurgency geographies still take hold, particularly in the Caribbean, where landscapes remain excessive, eruptive, and uncaptured by the order of modernity.

In Cinemas of Bisexual Transgression, Jacob Engelberg makes the case for radically recalibrating queer film studies, taking as a starting point those cinematic figures who resist categorization within the gay-straight binary. Engelberg’s engagement with bisexual transgression on film illuminates the mutability and instability of sexuality, and of sociocultural structures more broadly by resisting the censure of images as politically harmful as well as the celebration of transgression as inherently subversive. Instead, Engelberg understands bisexual transgression as a process whereby sociocultural rules are made knowable by being contested. From 1970s vampire films to 1990s erotic thrillers, from lesbian imaginings of female bisexuality to European art cinema’s reckonings with HIV/AIDS, bisexual figures on film embody anxieties around the precarity of binary sexuality while revealing the contingencies of sexuality’s cinematic signification. Revivifying the underexploited contributions of bisexual theory, Cinemas of Bisexual Transgression proposes a new mode of film theorization and analysis that examines the rich space between and beyond dominant categories of sexual organization, where sexual unpredictability, the allure of the forbidden, and the precarity of sexual signification are illuminated.

In Cinemas of Bisexual Transgression, Jacob Engelberg makes the case for radically recalibrating queer film studies, taking as a starting point those cinematic figures who resist categorization within the gay-straight binary. Engelberg’s engagement with bisexual transgression on film illuminates the mutability and instability of sexuality, and of sociocultural structures more broadly by resisting the censure of images as politically harmful as well as the celebration of transgression as inherently subversive. Instead, Engelberg understands bisexual transgression as a process whereby sociocultural rules are made knowable by being contested. From 1970s vampire films to 1990s erotic thrillers, from lesbian imaginings of female bisexuality to European art cinema’s reckonings with HIV/AIDS, bisexual figures on film embody anxieties around the precarity of binary sexuality while revealing the contingencies of sexuality’s cinematic signification. Revivifying the underexploited contributions of bisexual theory, Cinemas of Bisexual Transgression proposes a new mode of film theorization and analysis that examines the rich space between and beyond dominant categories of sexual organization, where sexual unpredictability, the allure of the forbidden, and the precarity of sexual signification are illuminated.

In Rescuing the Enlightenment from the Europeans, Nikita Dhawan puts the critical project of decolonization into conversation with the Enlightenment. She explores the ethical-political challenges faced by postcolonial thought, which must be articulated using the very language of Enlightenment discourses on human rights, democracy, international law, sovereignty, and justice—even as these norms are subjects of postcolonial critique. Bridging postcolonial and Holocaust studies while also highlighting differences from decolonial approaches, she engages with thinkers ranging from Kant to the Frankfurt school to defend them against accusations of normative nihilism, antisemitism, and epistemic servitude to Europe. Dhawan argues that criticizing the Enlightenment and its legacies does not necessarily entail rejecting them, nor does engaging with Enlightenment principles mean endorsing them unconditionally. Instead, she makes a case for rescuing the best aspects of the Enlightenment in order to further the critical project of decolonization.

From the rustle of a crow’s wings to the cool touch of moss on a stone wall, to the quiet determination of a worm crossing a sidewalk, The Sound of Feathers invites readers to notice the small wonders of life all around them. These fleeting details hold surprising truths about humanity’s connection to nature, the complex relationships of care and harm in which we are entangled, our responsibilities to other species, and what it means to be fully present in the world. Through vivid storytelling and deeply personal reflections, Kathryn Gillespie invites us to slow down, pay attention, and think differently about our everyday lives so that we might imagine shared futures of flourishing. She urges us to confront the forces that separate us from the natural world and find more compassionate ways of living in harmony with it. Gillespie reminds us that the quiet, often overlooked moments in life are where the most profound insights and connections begin.

In Emergent Genders, Michelle H. S. Ho traces the genders manifesting alongside Japanese popular culture in Akihabara, an area in Tokyo renowned for the fandom and consumption of anime, manga, and games. Drawing on ethnographic fieldwork in joso and danso cafe-and-bars, establishments where male-to-female and female-to-male crossdressing is prevalent, Ho shows how their owners, employees, and customers creatively innovate what she calls emergent genders-new practices, categories, and ways of being stemming from the simultaneous fracturing, contestations, and (re)imaginations of older forms of gender and sexual variance in Japan. Such emergent genders initiate new markets for alternative categories of expression and subjectivity to thrive in a popular cultural hub like Akihabara instead of Tokyo’s gay and lesbian neighborhood of Shinjuku Ni-chome. By rethinking identitarian models of gender and sexuality, reconfiguring the significance of capitalism for trans studies and queer theory, and decentering theoretical frameworks incubated in a predominantly United States academic context, Ho offers new ways of examining how trans and gender nonconforming individuals may survive and flourish under capitalism.