Dzanc Books

Winner of the 2024 Dzanc Short Story Collection Prize, Entomology of the Pin-Up Girl delivers a terrific play on the “monstrous feminine”—captivating stories of women shedding their skins and exoskeletons and blurring the boundaries between predator and prey. A dissatisfied wife wraps herself in a silk cocoon. Teenage girls declare decay as the newest fashion trend. A new religion emerges from blood-sucking moths. And Grete Samsa wakes to find herself transformed—not into a cockroach, but a monstrous camel spider, famished and salivating for the man at the door. A surreal exploration of nature, sexuality, disaster and desire, Lauren Osborn’s stunning debut isa must-read for fans of Lidia Yuknavitch, Aimee Bender, and K-Ming Chang. The final edition will include six full-page, black-and-white illustrations by brilliant artist Jenny Eickbush.

A verse-memoir spanning the breakdown of a marriage and the resulting wide-open horizon of single motherhood,Dispatch From Every Second Guess explores how we negotiate the present in the light of the past, how our lingering resentments limit our attentions, and how old wounds reopen in new ways. Gannon’s life is layered with tensions. The tension of being a white adoptive mother to a Black son. The tension of healing from a failed marriage. The tension of supporting a partner through mental health crises. The tension of mothering the partner’s child in the shadow of a fraught relationship with one’s own mother. And the tension of admitting ugly truths in a genre that often demands beauty, especially from women poets. Perfect for fans of Sharon Olds and Maggie Smith, Gannon’s second full-length collection of poetry is rife with poignant self-reflection and lyrical storytelling as she writes her way toward understanding, and maybe even forgiveness.

All We Are Given We Cannot Hold, Robert Fanning’s fifth collection of poetry, bravely traverses wide vistas of personal and universal terrain, exploring coast and horizon for what holds us and for what we cannot hold. Exploring boundaries of love, identity and desire, of marriage and family, of human compassion and enmity, of what is given to us and what we make, the journey ends with elegies for the poet’s mother, looking through her death toward what in us is boundless, toward where the infinite begins. For fans of Dylan Thomas and Theodore Roethke, this is a lyric collection not to be missed—a core sample from the middle of life, with all of its comings and goings and grievings.

“Chaotic, sexy, and binge-worthy as hell, Be Gay, Do Crime is an EVENT.”—Ruth Madievsky, author of All Night PharmacyA follow-up to their runaway success Peach Pit: Sixteen Stories of Unsavory Women, editors Molly Llewellyn and Kristel Buckley return with Be Gay, Do Crime, a celebration of queer chaos from an all-queer author lineup featuring Myriam Gurba, Emily Austin, Alissa Nutting, and Francesca EkwuyasiA trans woman makes increasingly frequent hoax calls to a business where she''s had a negative experience, watching the consequences with perverse joy. A group of aging queers turns to bank robbery to stop the sale of their bungalow complex to a development company. As the president prepares to give a speech, two women lurk among the journalists, ready to shoot him. And an aspiring author takes to stealing items from strangers’ homes in a kind of cosmic redistribution each time one of her relationships fail.In sixteen brilliant, wild-eyed stories, Be Gay, Do Crime delivers a celebration and reckoning of why queer people turn to crime–unintentionally, as a means of survival, as protest, as rescue, or to right injustices big and small.

“A deep and powerful work of literary climate fiction” —Independent Book ReviewA poignant and powerful first novel following the breakup of a Pakistani family in the face of climate disaster, and their indefatigable search for stability, love, and belonging.In the rural town in Pakistan where Baadal grows up, children are named like talismans to sustain life and ward off unhappiness. At seventeen, Baadal has come to understand why his parents gave him that name, with hopes that their Big River will one day flow wide again, and their thirst will be quenched after years of drought. But in the final year of his schooling, abundance seems impossibly far away. As his parents’ marriage—full of rage, despair, and often violence—reaches a breaking point, the only comfort Baadal can afford is a budding kinship with Meena, a divorced older woman he meets on the banks of the drying river.Meena has only just escaped her abusive husband, but her resistance to remarry soon gives way to the promise of stability and companionship that Baadal offers. Together, they leave the Town in search of greater fortunes in the City. But even strong-willed, independent Meena finds herself bowed by the strain of Badaal’s punishing work schedule, her struggling beauty parlor, and the tension with Baadal’s mother, Raheela, who fights for control of her son as she seeks to leave behind a life of disappointments and discover a freedom she’s never known.Told in rotating perspectives spanning from 1966 to 1998, The River, The Town is an intimate portrait of a family unraveling in the throes of indigence, and a tribute to the wounded love that keeps them tethered to each other. With stark and candid prose, Farah Ali traces one family’s fortunes to illuminate the relentless cycle of inequity, juxtaposing the tragic and grueling realities of poverty with the enduring struggle for compassion and humanity.