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The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel. IN THIS VOLUME, Peter Schneider, Cees Nooteboom, Vincenzo Latronico among other German writers tell of a youthful city that doesn't cling to its "poor but sexy" past. "Berlin is too big for Berlin" is the curious title of a book by the flaneur Hanns Zischler, who joked about the low population density of a city so spread-out and polycentric-one of the reasons why it still inspires feelings of freedom and space. But the phrase also carries a symbolic, broader meaning: how can a single city encompass and sustain such a weighty mythology as that of contemporary Berlin, "the capital of cool"? In order to find out, it is necessary to go back to the origins of today's Berlin, when time seemed to have stopped. The scars of a century of war were still visible everywhere: coal stoves, crumbling buildings, desolate minimarts, not a working buzzer or elevator. To visit the city then was a hallucinatory experience, a simultaneous journey into the past and into the future. The city's youth seemed to have appropriated-and turned into a positive-the famous phrase pronounced by Karl Scheffler at the beginning of the 20th century: "Berlin is a place doomed to always become, never be."

The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel. IN THIS VOLUME, Tash Aw, James McAuley, Samar Yazbek, among other French writers tell of the second largest city of Europe. The radiance of the "city of lights" can be blinding even for tourists: the clash with the real city, so different from the one depicted in films and books, results in some of them developing the so-called "Paris syndrome." That said, the cracks in the postcard image of the city seem to multiply: terrorist attacks, the demonstrations of the yellow vests, the riots in the suburbs, Notre-Dame in flames, record heatwaves. Meanwhile, soaring living costs are forcing many Parisians to leave the city. Yet these are not just a series of unfortunate events. They are phenomena-from increasing population density to climate change, from immigration to the repercussions of globalization and geopolitics- that all metropolises in the world must face. And in Paris, today, the mood is not one of defeat but of renewal: from ongoing environmental and urbanistic transformation to the children of immigrants who take to the streets for the right to feel French, and the women determined to break the sexism and stereotypes that dominate the fashion industry. Is there anyone who seriously thinks they can teach Parisians how to stage a revolution?

Named one of The Guardian's "Best Books of 2016" From the author of My Brilliant Friend Elena Ferrante returns to a story that animated the novel she considers to be a turning point in her development as a a writer: The Lost Daughter. But this time the tale takes the form of a children's fable told from the point of view of the lost (stolen!) doll, Celina. Celina is having a terrible night, one full of jealousy for the new kitten, Minu, feelings of abandonment and sadness, misadventures at the hands of the beach attendant, and dark dreams. But she will be happily found by Mati, her child, once the sun rises. Accompanied by the oneiric illustrations of Mara Cerri, The Beach at Night is a story for all of Ferrante's many ardent fans.

Marseilles Trilogy Volume One. Fabio Montale is the perfect protagonist in this city of melancholy beauty. A disenchanted cop with an inimitable talent for living who turns his back on a police force marred by corruption and racism and, in the name of friendship, takes the fight against the mafia into his own hands.

WINNER OF THE TAIWAN LITERATURE AWARD Keith Chen, the desperately yearned for second son of a traditional Taiwanese family with five daughters, refuses to play the role his parochial parents would cast him in. Instead, he chooses to make a life for himself in cosmopolitan Berlin, where he finally finds acceptance as a young gay man. The novel is set about a decade later, on Ghost Festival, the Day of Deliverance. After Keith's release from a maximum security prison, he has nowhere to go but home. With his parents gone, his siblings married, mad, on the lam, or dead, there is nothing left for him there, so it seems. As he explores his uncanny home town, we learn what tore his family apart, and, more importantly, the truth behind the terrible crime Keith committed in Germany. Told in a myriad of voices-both living and dead-and moving through time with deceptive ease, Ghost Town is a mesmerizing story of family secrets, countryside superstitions, and the search for identity amid a clash of cultures.

A housewife finds herself haunted by visions of a mushroom cloud. She abruptly leaves her husband and son to travel alone to the city of Nagasaki, where she soon begins an affair with a young Russian-Japanese man. Inspired by Marguerite Duras's screenplay for "Hiroshima, Mon Amour," this novel is an undeniable demonstration of Kashimada's distinctive voice, the polish and precision of her literary style, and her dedication to plumbing the depths of her characters' psychology. Thrilling and poised in equal measure, dealing with the travails of history, with gendered identity, and with the tension between private and public selves, Love at Six Thousand Degrees is a literary highwire act by one of the most unique voices in contemporary Japanese fiction.