Everyman

Balmoral Castle and it’s 50,000-acre estate has been the private Highland retreat of The Royal Family since the 1850s. Queen Victoria and Prince Albert fell in love with the Scottish Highlands in the 1840s and built the present Grade A listed castle in 1856, one of the very favourite homes of The Royal Family ever since, hosting kings, queens, tsars, kaisers, statesmen, prime ministers and many others. Much of the interior of the castle can now be visited together with a new restaurant, café, visitor centre and shop. Well-marked footpaths allow visitors to walk over much of the estate, with its astonishing views of one of the most beautiful and wild parts of Scotland. A unique guide and gift book to be treasured.

The short story flourishes in Ireland. All Irish conditions seem to favour it. With its roots in the fertile soil of the Gaelic folk tradition, it appeared to grow and thrive on the discontinuities of Irish history – the war of independence, civil war, political division. The first Golden Age was in the middle years of the 20th century; an extraordinary flowering of stories from Elizabeth Bowen, Seán Ó Faoláin, Flann O’Brien, Frank O’Connor, Samuel Beckett, Maeve Brennan, Edna O’Brien (the list could go on) came at a time when Ireland was repressed and inward-looking, dominated by the church and enervated by migration. But when the boom times came in the 1990s, it all happened again. The liberal, globalized, ethnically diverse society of 21st century Ireland is still witnessing a vibrant blossoming of short fiction from Anne Enright, Roddy Doyle, Colm Tóibín, Claire Keegan, Sally Rooney, Kevin Barry, Lucy Caldwell, Yan Ge …. Such a bumper crop of talent!

One of the most important writers to emerge from the Harlem Renaissance, Langston Hughes may be best known as a poet, but he was also a brilliant storyteller, blending elements of blues and jazz, speech and song, into a triumphant and wholly original idiom. Perhaps more than any other writer, Langston Hughes made the white America of the 1920s and 1930s aware of the Black culture thriving in its midst. Hughes's poetry and fiction works are messages from that America, sharply etched vignettes of its daily life, cruelly accurate portrayals of Black and white collisions. Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

When Latour arrives in 1851 in the territory of New Mexico, newly acquired by the United States, he finds a vast desert region of red hills and tortured arroyos that is American by law but Mexican and Indigenous in custom and belief. Over the next four decades, Latour works gently and tirelessly to spread his faith and to build a soaring cathedral out of the local golden rock–while contending with unforgiving terrain, derelict and sometimes rebellious priests, and his own loneliness.Death Comes for the Archbishop shares a limitless, craggy beauty with the New Mexico landscape of desert, mountain, and canyon in which its central action takes place, and its evocations of that landscape and those who are drawn to it suggest why Cather is acknowledged without question as the most poetically exact chronicler of the American frontier.

Ever since Eve plucked a tempting apple in the Garden of Eden, the fruits of the earth have been essential to human culture and the stories we tell about our world. Poets from ancient times to the present have celebrated the harvest of our gardens, fields, and orchards. The delectable cornucopia of poems harvested in this volume includes many beloved old chestnuts, such as Robert Frost's 'After Apple-Picking', Emily Dickinson's 'Forbidden Fruit a flavor has', Gwendolyn Brooks's 'The Bean Eaters', and the famous chilled plums in William Carlos Williams's 'This Is Just to Say'.

This story of a man's lifelong entanglement with his sister is not only a love story; it manages also to be a fairy tale, an epic, a philosophical treatise on the nature of time, a parody of the history of the novel, and an erotic catalogue. It concludes with an ingenious appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom. Ada, published just after Nabokov's seventieth birthday, is the supreme work of a virtuosic imagination at white heat. Nabokov is the most allusive and linguistically playful writer in English since Joyce, and like Pale Fire and Lolita, this novel abounds in delightful minor parodies and pastiches, countless multilingual puns and literary jokes. Ada is at its core a love story, the stuff that's sold reams of pop music, and piles of books. Van, fourteen, falls in love with twelve-year-old Ada during a summer holiday. This premise is possibly the only aspect of Ada common to numerous other novels. Van, an unreliable narrator if there ever was one, tells the story, while the narrative shuttles seamlessly from a first person to a third person - trust Nabokov the Enchanter to achieve that trick.

This hardcover omnibus edition of Didion's collected nonfiction contains her final four books: Blue Nights, South and West, Let Me Tell You What I Mean, and her bestselling and most famous work, The Year of Magical Thinking In her essay “Why I Write” (included in this volume), Joan Didion explained what lies behind her iconic nonfiction writing: "I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means.” Across her long and prolific career, readers have been blessed time and again by her brilliance as a prose stylist and a social commentator. Form her unforgettable reckonings with grief (for her husband in The Year of Magical Thinking and for her daughter in Blue Nights), to her exploration of two iconic regions of America in South and West, through the indelible pieces of reporting collected from across her career in Let Me Tell You What I Mean, the books collected here show Didion at her best: bearing witness to our history, illuminating our culture, and shedding light on the human condition.

A nobleman faces the consequences of his youthful wrongdoing when the girl he seduced and abandoned some years earlier is put on trial in a murder case. Initially conceived as a love story, Tolstoy’s last novel, published in 1899, is a dark masterpiece in which the whole of Imperial Russian society is tried and found wanting. Resurrection moves from the salons and country estates of the aristocracy to courtrooms and government offices, brothels and prisons; from Moscow and St Petersburg by road, rail and route march to the penal settlements of Siberia. Its pages are peopled with convicts and gaolers, revolutionaries and religious sectaries, soldiers, labourers and lawyers, peasants, priests and prostitutes. While for Prince Nekhlyudov and Katusha Maslova salvation through love proves problematic, the journey into exile becomes one of self-discovery and spiritual transformation.

Selected by Cynthia Ozick from a dozen books written across more than fifty years, the essays and short stories gathered here constitute a summing-up of her remarkable literary career. In such classic essays as “Who Owns Anne Frank?,” “What Helen Keller Saw,” “Dostoevsky’s Unabomber,” and “Transcending the Kafkaesque,” Ozick examines some of the world''s most illustrious writers and their work, tackles compelling contemporary literary and moral issues, and looks into the wellsprings of her own lifelong engagement with literature. In her short stories, including “A Hebrew Sibyl,” “What Happened to the Baby?,” “Dictation,” “The Biographer’s Hat,” and “The Conversion of the Jews,” Ozick demonstrates again and again her stylistic brilliance and the originality of her distinctive interweaving of the strands of history and myth.

A beautiful anniversary edition to mark twenty years of Kazuo Ishiguro's modern classic, in which he imagines the lives of a group of students growing up in a darkly skewed version of 1990s England. Narrated by Kathy H, as she tries to come to terms with her childhood at the seemingly idyllic Hailsham School, it is a story of love, friendship and memory, charged throughout with a sense of life's fragility.

Award-winning writer Ben Okri, author of the Booker Prize-winning novel The Famished Road, curates this one-volume overview of classic stories of Africa, past and present. This collection includes a pantheon of greats from the twentieth and twenty-first centuries, including Chinua Achebe, DorisLessing, Nadine Gordimer, J. M.Coetzee, Abdulrazak Gurnah, Chimamanda Ngozie Adichie and many more.

A must-have for every child's library: two enchanting tales by the best-selling author of Northern Lights, in a special hardcover omnibus edition with newly colourised illustrations. With a delightful and unique introduction from the author- especially for this beautiful Everyman's Library volume. In The Firework-Maker's Daughter, young Lila has learned from her father almost all there is to know about his profession-but he insists upon holding back the final secret. With the help of her friend Chulak, Lila discovers that anyone who wants to be a true firework-maker must face down the Fire-Fiend of Mount Merapi. It is only after Lila has set off on her quest that Chulak discovers the other half of the secret-and without it, Lila will perish. In the company of Hamlet, a talking white elephant, Chulak sets off to find Lila before it's too late. Clockwork features an apprentice clockmaker who is tempted to sell his soul. As the townspeople of Glockenheim gather on the eve of the annual unveiling of a new figure for the town clock, Karl, the apprentice, confides to Fritz, a storyteller, that he has failed his task to create one. Fritz, in his turn, has no idea how to finish the new story he has begun concocting, which he calls "Clockwork." He begins to tell it anyway, only to see its dangerous antagonist materialize in front of the two boys and offer Karl a Faustian pact. Real life and storytelling merge, and destruction must be narrowly averted, in this unusual and suspenseful tale of the power of creativity.

A Contemporary Classics hardcover edition of Virginia Woolf’s classic plea for a world in which women are free to use their gifts. In this influential extended essay and using powerful images and memorable thought experiments -such as a fictional sister of William Shakespeare, who is as talented as her brother but limited in ways he was not -Woolf analyses the many ways in which women have been held back throughout history and still are in her own time.

The Patrick Melrose Novels hilariously dissect the English upper class, conjuring a world of decadence, amorality, greed, snobbery, and cruelty, but never without the possibility of grace. Taken together, they are one of the most thrilling reading experiences in contemporary fiction. Edward St. Aubyn chronicled the life of Patrick Melrose across five short novels, painting an acrid portrait of a beleaguered and self-loathing world of privilege. Never Mind unfolds over a day and an evening at the family’s chateau in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his rich and unhappy American wife, Eleanor, and their five-year-old son, Patrick. Bad News opens as Patrick, now twenty-two years old, sets off to collect his father’s ashes from New York, where he will spend a drug-crazed twenty-four hours. Back in England, Some Hope offers Patrick the possibility of recovery (and the most debauched and riotous dinner party in contemporary fiction). The Booker-shortlisted Mother’s Milk returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother’s desire for assisted suicide, and the loss of the family home. At Last, set over the single day of a funeral, is the stunning final volume.

The demands of human longing contend with the weight of centuries of custom in acclaimed author Ha Jin's Waiting, a novel of unexpected richness and universal resonance. Every summer Lin Kong, a doctor in the Chinese Army, returns to his village to end his loveless arranged marriage with the humble and touchingly loyal Shuyu. Each time, Lin must return to the city to tell Manna Wu, the educated, modern nurse he loves, that they will have to postpone their engagement once again. Caught between the conflicting claims of these two very different women and trapped by a culture in which adultery can ruin lives and careers, Lin has been waiting for eighteen years. This year, he promises will be different