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What is the true human cost of the war in Afghanistan? What are the real effects of the austerity measure? And how did the London riots spread so quickly? "Facts are Sacred", the "Guardian's" award-winning datablog, publishes and analyses seemingly benign data - released under the auspices of transparency - to bring its readers astonishing revelations about the way we live now. It reveals how data has changed our world and what we can learn from it. Now, the most telling findings from the blog are brought together to give us the facts and figures behind the headlines, beautifully illustrated with extensive data visualisations. Ground-breaking and fascinating, it celebrates a resource that has pushed the boundaries of modern journalism and is a manifesto for a new way of seeing things.

In an old mansion in Cennethisar, a former fishing village near Istanbul, an old widow Fatma awaits the annual summer visit of her grandchildren. She has lived in the village for decades, ever since her husband, an idealistic young doctor, first arrived to serve the poor fishermen. Now mostly bedridden, she is attended by her faithful servant Recep, a dwarf and the doctor's illegitimate son. They share memories, and grievances, of the early years, before Cennethisar became a high-class resort. Her visiting grandchildren are Faruk, a dissipated failed historian; his sensitive leftist sister, Nilgun; and Metin, a high school student drawn to the fast life of the nouveaux riches, who dreams of going to America. But it is Recep's nephew Hassan, a high-school dropout, lately fallen in with right-wing nationalists, who will draw the visiting family into the growing political cataclysm issuing from Turkey's tumultuous century-long struggle for modernity.

"A Treacherous Lord" - Lord Greystoke has arrived at the logger's camp in the Congo, and will stop at nothing to find and eliminate his long-lost cousin, Tarzan. "A Crazed Queen" - Robbie and Jane set out through the jungle to warn Tarzan, and find themselves trapped in the sprawling ancient city of Opar, where the insane Queen La is running an illegal Coltan mine. "An Epic Battle" - With a volcano threatening to explode, Tarzan, Robbie and Jane must form an unlikely alliance to save themselves. Not everyone will make it out alive...

In a bestselling work of profound and lasting importance, the late Albert Hourani told the definitive history of the Arab people from the seventh century, when the new religion of Islam began to spread from the Arabian Peninsula westwards, to the present day. It is a masterly distillation of a lifetime of scholarship and a unique insight into a perpetually troubled region. This updated edition by Malise Ruthven adds a substantial new chapter which includes recent events such as 9/11, the US invasion of Iraq and its bloody aftermath, the fall of the Mubarak and Ben Ali regimes in Egypt and Tunisia, and the incipient civil war in Syria, bringing Hourani's magisterial History up to date. Ruthven suggests that while Hourani can hardly have been expected to predict in detail the massive upheavals that have shaken the Arab world recently he would not have been entirely surprised, given the persistence of the kin-patronage networks he describes in his book and the challenges now posed to them by a new media-aware generation of dissatisfied youth. In a new biographical preface, Malise Ruthven shows how Hourani's perspectives on Arab history were shaped by his unique background as an English-born Arab Christian with roots in the Levant.

Volume 4 of the letters of T. S. Eliot, which brings the poet, critic, editor and publisher into his forties, documents a period of anxious and fast-moving professional recovery and personal and spiritual consolidation. Following the withdrawal of financial support by his patron Lady Rothermere, Faber & Gwyer (subsequently Faber & Faber) takes over the responsibility for Eliot's literary periodical "The Criterion". He supplements his income as a fledgling publisher, 'just as I did ten years ago, by reviewing, articles, prefaces, lectures, broadcasting talks, and anything that turns up.' His work as editor is internationalist above all else, and Eliot makes contact with a number of eminent and emergent writers and thinkers, as well as forging links with European reviews. Eliot's responsibilities during this period extend to caring for Vivien, who returns home after months in a French psychiatric hospital and whom he looks after with anxious fortitude; and the personal correspondence with his mother closes with her death in September 1929.

Pepys Road: an ordinary street in the Capital. Each house has seen its fair share of first steps and last breaths, and plenty of laughter in between. Today, through each letterbox along this ordinary street drops a card with a simple message: We Want What You Have. At forty, Roger Yount is blessed with an expensively groomed wife, two small sons and a powerful job in the City. An annual bonus of a million might seem excessive, but with second homes and nannies to maintain, he's not sure he can get by without it. Elsewhere in the "Capital", Zbigniew has come from Warsaw to indulge the super-rich in their interior decoration whims. Freddy Kano, teenage football sensation, has left a two-room shack in Senegal to follow his dream. Traffic warden Quentina has exchanged the violence of the police in Zimbabwe for the violence of the enraged middle classes. For them all, this city offers the chance of a different kind of life. "Capital" is a post-crash state-of-the nation novel told with compassion and humour, featuring a cast of characters that you will be sad to leave behind.

This novel, by the author of "Oscar and Lucinda", tells the story of a man who, recovering from death, is convinced that he is in hell. For the first time in his life, Harry Joy sees the world as it really is, and takes up a notebook to explore and note down the true nature of the Underworld.

Several months into his recovery from a near-fatal illness, novelist Sidney Orr enters a stationery shop in Brooklyn and buys a blue notebook. It is September 18, 1982, and for the next nine days Orr will live under the spell of this blank book, trapped inside a world of eerie premonitions and bewildering events that threaten to destroy his marriage and undermine his faith in reality. Paul Auster's mesmerizing eleventh novel reads like an old-fashioned ghost story. But there are no ghosts in this book - only flesh-and-blood human beings, wandering through the haunted realms of everyday life. "Oracle Night" is a narrative tour de force that confirms Auster's reputation as one of the boldest, most original writers at work in America today.

Two strangers, both reading the same novel, share a fleeting glance between passing subway cars. A bookstore owner locks eyes with a neighbor as she receives an Amazon package. Strangers are united by circumstance as they wait on the subway stairs for a summer storm to pass. Instantly recognizable, Adrian Tomine's illustrations and comics have been appearing for over a decade in the pages (and on the cover) of "The New Yorker". "New York Drawings" is a loving homage to the city that Tomine, a West Coast transplant, has called home for the past seven years. This lavish, beautifully-designed volume collects every cover, comic and illustration that he has produced for "The New Yorker" to date, along with an assortment of other rare and uncollected illustrations and sketches. Complete with notes and annotations by the author, "New York Drawings" will also feature an all-new introductory comic (in the style of the final two pages of Optic Nerve Number 12).

QI` is the smartest comedy show on British television, but few people know that we're also a major legal hit in Australia, New Zealand, Israel and Africa and an illegal one on BitTorrent. We also write books and newspaper columns; run a thriving website, a Facebook page, a Twitter feed; and produce an iPhone App and a sister Radio 4 programme. At the core of what we do is the astonishing fact - painstakingly researched and distilled to a brilliant and shocking clarity. In Einstein's words: 'Everything should be as simple as possible, but not simpler.' Did you know that: cows moo in regional accents; the entire internet weighs less than a grain of sand; the dialling code from Britain to Russia is 007; potatoes have more chromosomes than human beings; the London Underground has made more money from its famous map than it has from running trains; Tintin is called Tantan in Japanese because TinTin is pronounced 'Chin chin' and means penis; the water in the mouth of a blue whale weighs more than its body; Scotland has twice as many pandas as Conservative MPs; Saddam's bunker was designed by the grandson of the woman who built Hitler's bunker; Under the Wildlife and Countryside Act of 1981, it is explicitly illegal in Britain to use a machinegun to kill a hedgehog. `1,227 QI Facts To Blow Your Socks Off` will make you look at the universe (and your socks) in an alarming new way.

These were the crimes that were meant to change the world, and sometimes did. The book connects the killing of the Kennedys or the murder that sparked the First World War with less well-known stories, such as the Berlin shooting of an instigator of the Armenian genocide or the attack on an American 'robber baron'. Taking in Malcolm X and Queen Victoria, Adolf Hitler and Andy Warhol, Charles Manson and Emma Goldman, Tsars, Presidents, and pop stars, "Age of Assassins" traces the process that turned thought into action and murder into an icon. In tackling the history of political violence, the book is unique in its range and attention to detail, summoning up an age of assassination that is far from over.

This anthology contains poems shortlisted for the Forward Poetry Prizes 2012, the UK's most valuable annual awards for contemporary poetry.

An automaton, a man and a woman who can never meet, a secret love story, and the fate of the warming world are all brought to incandescent life in this hauntingly moving novel from one of the finest writers of our time. London 2011, Catherine Gehrig, conservator at the Swinburne museum, learns of the unexpected death of her colleague and lover of thirteen years. As the mistress of a married man she has to grieve in private. One other person knows their secret, the director of the museum, who arranges for Catherine to be given a special project away from prying eyes. Mad with grief, the usually controlled and rational Catherine discovers a series of handwritten notebooks telling the story of the man who originally commissioned the extraordinary and eerie automata she has been asked to bring back to life. With a precocious new assistant, Amanda, at her side, she starts to piece together both the clockwork puzzle and the story of the mechanical creature which was commissioned in 19th century Germany by an English man, Henry Brandling, as a 'magical amusement' for his consumptive son. Having been asked to leave his home by his wife, Henry turns his hurtful departure into an adventure that he records for his young child. But it is Catherine Gehrig, in a strangely stormy and overheated London nearly two hundred years later, who will find comfort and wonder in reading Henry's story. And it is the automata, in its beautiful, uncanny imitation of life, that will link two strangers confronted with the mysteries of life and death, the miracle and catastrophe of human invention and the body's astonishing chemistry of love and feeling.

"Lord of the Flies" is a novel that has captivated schoolchildren ever since it was first published in 1954. A teacher himself, Golding clearly understood what excites and interests children. It is not only a gripping story, with strong, sympathetic characters, but it also raises timeless and profound questions. Part of its lasting appeal, particularly in schools, surely arises from the way it tackles universal issues. The novel is a catalyst for thought-provoking discussion and analysis, not only concerning the capabilities of humans for good and evil and the fragility of moral inhibition, but beyond. The boys' struggle to find a way of existing in a community with no fixed boundaries invites readers to evaluate the concepts involved in social and political constructs and moral frameworks. Ideas of community, leadership, and the rule of law are called into question as the reader has to consider who has a right to power, why, and what the consequences of the acquisition of power may be. All of these concerns are current today and can be easily related to the novel through effective teaching and learning. This new educational edition encourages original and independent thought from students, as well as guiding them through the text. The introductory material includes a biographical section on William Golding as well as providing information about the novel's historical context, which will be ideal for students completing GCSE and A-Level courses. At the end of the text there are chapter summaries, comprehension questions, discussion points and activities plus a glossary of less familiar words or phrases. This new edition includes William Golding's essay on "Lord of the Flies", "Fable". All of these are intended to inspire and generate creative teaching, learning and love of the novel.

Shortlisted for the Man Booker Prize 2012. As he arrives with his family at the villa in the hills above Nice, Joe sees a body in the swimming pool. But the girl is very much alive. She is Kitty Finch: a self-proclaimed botanist with green-painted fingernails, walking naked out of the water and into the heart of their holiday. Why is she there? What does she want from them all? And why does Joe's enigmatic wife allow her to remain? Profound and thrilling, Swimming Home reveals how the most devastating secrets are the ones we keep from ourselves.

'One day there is life ...And then, suddenly, it happens there is death.' So begins Paul Auster's moving and personal meditation on fatherhood, The Invention of Solitude. The first section, 'Portrait of an Invisible Man', reveals Auster's memories and feelings after the death of his father. In 'The Book of Memory' the perspective shifts to Auster's role as a father. The narrator, 'A.', contemplates his separation from his son, his dying grandfather and the solitary nature of writing and story-telling. With all the keen literary intelligence familiar from The New York Trilogy or Sunset Park, Paul Auster crafts an intensely intimate work from a ground-breaking combination of introspection, meditation and biography.