Farrar, Straus and Giroux

An epic novel of postwar, nuclear-age Japan, by the author of Territory of Light Mitch and Yonko haven't spoken in a year. As children, they were inseparable, raised together in an orphanage outside Tokyo-but ever since the sudden death of Mitch's brother, they've been mourning in their private ways, worlds apart. In the aftermath of the Fukushima nuclear catastrophe, they choose to reunite, finding each other in a city undone by disaster. Mitch and Yonko have drifted apart, but they will always be bound together. Because long ago they witnessed an unspeakable tragedy, a tragedy that they've kept secret for their entire lives. They never speak of it, but it's all around them. Like history, it repeats itself. Yuko Tsushima's sweeping and consuming novel is a metaphysical saga of postwar Japan. Wildcat Dome is a hugely ambitious exploration of denial, of the ways in which countries and their citizens avoid telling the truth-a tale of guilt, loss, and inevitable reckoning. 'Tsushima evades any label, her fiction transcends gender to focus on the existential loneliness that is at the heart of humanity.' Japan Times

How can we embrace our non-negotiable limitations? Or make good decisions when there’s always too much to do? What if purposeful productivity were often about letting things happen, not making them happen? Reflecting on ideas drawn from philosophy, religion, literature, psychology, and self-help, Burkeman explores practical tools and shifts in perspective. The result is a bracing challenge to much familiar advice, and a profound yet entertaining crash course in living more fully. Meditations for Mortals takes us on a liberating journey towards a more meaningful life – one that begins not with fantasies of the ideal existence, but with the reality in which we actually find ourselves. Addressing the fundamental questions about how to live, it offers a powerful new way to take action on what counts: a guiding philosophy of life Oliver Burkeman calls ‘imperfectionism’. To be read either as a four-week ‘retreat of the mind’ or devoured in one or two sittings, Meditations for Mortals will be a source of solace and inspiration, and an aid to a saner, freer, and more enchantment-filled life in 2025.

This is a book only Questlove could have written: a perceptive and personal reflection on the first half-century of hip-hop. When hip-hop first emerged in the 1970s, it wasn’t expected to become the cultural force it is today. But for a young Black kid growing up in a musical family in Philadelphia, it was everything. He stayed up late to hear the newest songs on the radio. He saved his money to buy vinyl as soon as it landed. He even started to try to make his own songs. That kid was Questlove, and decades later, he is a six-time Grammy Award–winning musician, an Academy Award–winning filmmaker, a New York Times bestselling author, a producer, an entrepreneur, a cofounder of one of hip-hop’s defining acts (the Roots), and the genre’s unofficial in-house historian. In this landmark book, Hip-Hop Is History, Questlove skillfully traces the creative and cultural forces that made and shaped hip-hop, highlighting both the forgotten but influential gems and the undeniable chart-topping hits—and weaves it all together with the stories no one else knows. It is at once an intimate, sharply observed story of a cultural revolution and a sweeping, grand theory of the evolution of the great artistic movement of our time. And Questlove, of course, approaches it with not only the encyclopedic fluency and passion of an obsessive fan but also the expertise and originality of an innovative participant. Hip-hop is history, and also his history.

A finalist for the National Book Award in Nonfiction Winner of the 2023 Hilary Weston Writers' Trust Prize for Nonfiction Named a Best Book of 2023 by The New York Times, NPR, New York Magazine, Kirkus, the New Yorker, Publisher's Weekly, and Barnes and Noble. Critically acclaimed author of In the Wake, "Christina Sharpe is a brilliant thinker who attends unflinchingly to the brutality of our current arrangements . . . and yet always finds a way to beauty and possibility" (Saidiya Hartman). A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past?public ones alongside others that are poignantly personal?with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through these pages?sometimes about language, beauty, memory; sometimes about history, art, photography, and literature?always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life. At the heart of Ordinary Notes is the indelible presence of the author's mother, Ida Wright Sharpe. "I learned to see in my mother's house," writes Sharpe. "I learned how not to see in my mother's house . . . My mother gifted me a love of beauty, a love of words." Using these gifts and other ways of seeing, Sharpe steadily summons a chorus of voices and experiences to the page. She practices an aesthetic of "beauty as a method," collects entries from a community of thinkers toward a "Dictionary of Untranslatable Blackness," and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces. 4-color art throughout

Artist, technologist, and philosopher James Bridle's Ways of Being is a brilliant, searching exploration of different kinds of intelligence--plant, animal, human, artificial--and how they transform our understanding of humans' place in the cosmos. What does it mean to be intelligent? Is it something unique to humans or shared with other beings-- beings of flesh, wood, stone, and silicon? The last few years have seen rapid advances in "artificial" intelligence. But rather than a friend or companion, AI increasingly appears to be something stranger than we ever imagined, an alien invention that threatens to decenter and supplant us. At the same time, we're only just becoming aware of the other intelligences that have been with us all along, even if we've failed to recognize or acknowledge them. These others--the animals, plants, and natural systems that surround us--are slowly revealing their complexity, agency, and knowledge, just as the technologies we've built to sustain ourselves are threatening to cause their extinction and ours. What can we learn from them, and how can we change ourselves, our technologies, our societies, and our politics to live better and more equitably with one another and the nonhuman world? The artist and maverick thinker James Bridle draws on biology and physics, computation, literature, art, and philosophy to answer these unsettling questions. Startling and bold, Ways of Being explores the fascinating, strange, and multitudinous forms of knowing, doing, and being that make up the world, and that are essential for our survival. Includes illustrations

What do we see when we watch reality television? In True Story: What Reality TV Says About Us, the sociologist and TV-lover Danielle J. Lindemann takes a long, hard look in the "funhouse mirror" of this genre. From the first episodes of The Real World to countless rose ceremonies to the White House, reality TV has not just remade our entertainment and cultural landscape (which it undeniably has). Reality TV, Lindemann argues, uniquely reflects our everyday experiences and social topography back to us. Applying scholarly research-including studies of inequality, culture, and deviance-to specific shows, Lindemann layers sharp insights with social theory, humor, pop cultural references, and anecdotes from her own life to show us who we really are. By taking reality TV seriously, True Story argues, we can better understand key institutions (like families, schools, and prisons) and broad social constructs (such as gender, race, class, and sexuality). From The Bachelor to Real Housewives to COPS and more (so much more!), reality programming unveils the major circuits of power that organize our lives-and the extent to which our own realities are, in fact, socially constructed. Whether we're watching conniving Survivor contestants or three-year-old beauty queens, these "guilty pleasures" underscore how conservative our society remains, and how steadfastly we cling to our notions about who or what counts as legitimate or "real." At once an entertaining chronicle of reality TV obsession and a pioneering work of sociology, True Story holds up a mirror to our society: the reflection may not always be pretty-but we can't look away. Includes Black-and-White Illustrations

It's Dilla Time. Finally. Dilla Time is the story of the invention of a new kind of time, a new kind of sound, by the most influential music producer of the last twenty-five years, someone you may never have heard of: J. Dilla. He's revered by rappers and producers from Kanye West to Kendrick Lamar, and he worked with the likes of Michael Jackson and Janet Jackson-but Dilla himself never rose to mainstream fame, despite revolutionizing the way music sounds before his untimely death at the age of thirty-two. In Dilla Time, Dan Charnas chronicles the life of J. Dilla, from his gifted childhood in Detroit, to the rare medical condition that caused his tragically premature death. He also records the histories of American rhythms: from the birth of funk and soul in Dilla's own Motown, to techno and disco. Here, music is a story of Black culture in America and of what happens when human and machine times are synthesized into something totally new. Charnas teaches us to "see" sound differently, giving time itself texture, color, pattern. Dilla's beats, which to the untrained ear sound imprecise and chaotic, were born of the rigorous work ethic of a perfectionist almost spiritually devoted to his music. This is the story of the man, and the machines, that made up a new kind of time. Equal parts musicology, biography, and cultural history, Dilla Time is a book as delightfully detail-oriented and as vibrantly original as J. Dilla's music.

When he graduated from Columbia in 1958, John Giorno was handsome, charismatic, ambitious, and eager to soak up as much of Manhattan's art and culture as possible. Poetry didn't pay the bills, so he worked on Wall Street, spending his nights at the happenings, underground movie premieres, art shows, and poetry readings that brought the city to life. He began an intense romantic relationship with Andy Warhol, starring in his first movie, Sleep. Giorno then found himself involved with Robert Rauschenberg and later Jasper Johns, both relationships fueling his creativity. He quickly became a renowned poet in his own right, working at the intersection of literature and technology, freely crossing genres and mediums alongside the likes of William S. Burroughs and Brion Gysin. Twenty-three years in the making, and completed shortly before Giorno's death in 2019, Great Demon Kings is the memoir of a singular cultural pioneer: an openly gay man at a time when many artists remained closeted and shunned gay subject matter, and a devout Buddhist whose faith served as a rudder during a life of tremendous animation. Studded with appearances by nearly every It-boy and It-girl of the downtown scene (including a moving portrait of a decades-long friendship with Burroughs), this book offers a joyous, life-affirming, and sensational look at New York City during its creative peak, narrated in the unforgettable voice of one of its most singular characters.

"Linda Scott shines a light on women's essential and often invisible contributions to our global economy--while combining insight, analysis, and interdisciplinary data to make a compelling and actionable case for unleashing women's economic power." --Melinda Gates, author of The Moment of Lift: How Empowering Women Changes the World A leading thinker's groundbreaking examination of women's economic empowerment Linda Scott coined the phrase "Double X Economy" to address the systemic exclusion of women from the world financial order. In The Double X Economy, Scott argues on the strength of hard data and on-the-ground experience that removing those barriers to women's success is a win for everyone, regardless of gender. Scott opens our eyes to the myriad economic injustices that constrain women throughout the world: fathers buying and selling daughters against their will; husbands burning brides whose dowries have been spent; men appropriating women's earnings and widows' land; banks discriminating against women applying for loans; corporations paying women less than men; men treating women as their intellectual inferiors due to primitive notions of female brain development; governments depriving women of affordable childcare; and so much more. As Scott takes us from the streets of Accra, where sex trafficking is widespread, to American business schools, where women are routinely patronized, the pervasiveness of the Double X Economy becomes glaringly obvious. But Scott believes that this rampant problem can be solved. She proposes concrete actions and urges her readers to rise up and join the global movement for women's economic empowerment that is gaining momentum by the day.

A collection of poems by Yusef Komunyakaa that explores the complexities of culture and its relation to artifact and place.