Feminist Press at The City University of New York

The fascinating story of how nineteenth-century circus women performed impossible feats and changed American culture.Jumping Through Hoops reveals the hidden history of early female circus performers: boundary-breaking women like Lavinia Warren, known as The Queen of Beauty; Millie-Christine McKoy, the Two-Headed Nightingale; and Patty Astley, the mother of the modern circus. These astounding female and gender-nonconforming artists wrestled snakes, performed magic tricks with electricity, and walked across waterfalls on tightropes, shattering taboos by performing in public at a time when “respectable” women were mostly confined to their homes.Betsy Golden Kellem deftly explores how major forces in the long nineteenth century combined to create the uniquely American spectacle of the traveling circus. During the transformation of the circus from scrappy “mud shows” to a major international business, these extraordinary circus women challenged contemporary ideas of femininity, creating new possibilities for women far beyond the big top.

An expansive, darkly funny, and deeply personal reflection on the reality of living with—and dying from—metastatic breast cancer. Deena stepped out of the shower and opened her towel in the steam. “Does my breast look weird?” These words irrevocably change the lives of writer Ariel Gore and her wife. As they descend into a world of doctors and tests, medications and insurance, sickness and treatments and hope and pain and more, they discover just how little they truly knew—despite the awareness campaigns and hyper-visible pink ribbons—about the reality of breast cancer. Over the four years following Deena’s terminal diagnosis, Gore does what she always does, no matter how difficult or personal the subject: she writes about it.  With keen insights, empathy, and humor, Ariel Gore braids together the story of Deena’s experience, her own role as a caretaker, narratives from others living with breast cancer, literary reflections on illness, and reportage on the history of breast cancer and the $200 billion industry that capitalizes on and profits from breast cancer screenings and treatments. Rehearsals for Dying investigates and challenges everything we think we know about breast cancer. It goes beyond awareness to knowledge, presenting a rich, nuanced, heartbreaking, and hopeful portrait of what it is to be diagnosed with, treat, and live with breast cancer in the twenty-first century.

Merging memoir, poetry, and criticism, this radical literary revue traces a first-generation Nigerian American’s search for home and belonging on her own terms. In The Gloomy Girl Variety Show, Freda Epum explores the opposing forces of her “no-place, no-where” identity as a Nigerian American daughter, diasporically displaced, who spent years in and out of institutions seeking treatment for life-threatening mental illness. Epum examines her journey through healthcare and housing systems via a pop cultural lens—our collective obsession with HGTV’s home buying and makeover shows—and a patchwork of poetry, art, and autotheory.With raw honesty and glittering wit, this debut memoir maps the complexity of life under intersecting forms of oppression, revealing what it takes to turn from the brink of despair toward community and self-acceptance, find refuge in love, and reimagine home.