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Innovative brand presentations from temporary pop-up shops to flagship stores. The way in which we experience and consume brands is changing more rapidly today than ever before. The strong influence of e-commerce and the digital realm is forcing brands to rethink the traditional presentation of their wares in conventional stores. More and more companies throughout the world are exploring new concepts for the sale and presentation of their products, or they are establishing events to boost brand image. They are increasingly ...

A useful current overview for designers, consultants, agencies, and their customers of modernfonts, independent foundries, and innovative type designers. In the past, there were only a few specialists worldwide who worked intensively with typography. Since the introduction of digital fonts and their dissemination via the internet, typography has gained a new significance. More and more designers are creating fonts for a variety of applications. Simultaneously, more and more of these designers are founding type foundries to sell their fonts themselves. Supply and demand in this area have been growing considerably for years. The expanding market for typography is exciting and diverse, but it has been difficult to keep track of notable developments--until now. Type Navigator is a comprehensive handbook of the best independent sources for quality fonts. Structured and indexed according to practical criteria, it offers not only a valuable overview, but also possibilities for effective targeted searches. Whether a reader is in need of a specific type of font, is looking for fonts by a select designer, from a certain country, or even just wants to compare prices, Type Navigator will provide the necessary information.

The exceptional illustrator Yuko Shimizu creates her work at the intersection of traditional Japanese graphic prints with surreal comic art. Yuko Shimizu's work deftly melds traditional Japanese graphics with surrealism and comic culture. The New York-based artist and illustrator initiates each project with classic illustration methods. She draws her basic forms and figures with Japanese calligraphy brushes and later digitally supplements them with additional colors and backgrounds. This technique gives her elegant and harmoniously composed images the look of graphic prints. Her science-fiction fantasies and personal creative visions, which are often erotically charged, combine the best of American pop and Japanese comic culture. Yuko Shimizu has won numerous international awards and has done commissioned work for the New Yorker, Rolling Stone, SPIN, Playboy, GQ, Entertainment Weekly, Microsoft, Pepsi, VISA, MTV, and the New York Times.

No more boring lamps and lights! Many countries around the world have already banned or are in the process of phasing out traditional incandescent light bulbs in favor of more energyefficient lighting. Because these familiar sources of illumination are becoming extinct, the areas of lighting and light design are currently experiencing significant changes. New technologies such as LEDs and OLEDs are inspiring both designers and manufacturers to develop new forms, functionalities, structures, and constructions. Lux describes and documents this current evolution in lighting and light design. The book presents an eclectic collection of up-to-the-minutelightrelated projects, focusing on their impact on areas such as product design, technology, and art. Because existing lamp forms and silhouettes often serve as the basis for cutting-edge work or are being integrated into new technologies and aesthetics in a playful way, Lux features innovative and surprising ideas for chandeliers and classic table, wall, and hanging lamps. The book shows how recently developed light sources that radiate less heat can be combined with a far broader spectrum of materials than we have ever seen before. It also presents examples of experimental installations with light as well as ways in which illumination is being used to enhance an atmosphere, create objects, or structure space. In short, Lux features an inspiring range of current approaches to the use of light that represent a fundamental change in the technical and aesthetic possibilities available.

With its more than 20-year history, ART+COM continues to play a central role in defining the international forefront of spatial media communication. The studio is setting the standard of excellence in the development of projects at the intersection of art, media, design, and technology. ART+COM is particularly skilled at presenting brands and content both effectively and playfully so that they resonate on an emotional level. A prime example here is the Kinetic Sculpture that the company created for BMW, for which the company has won an impressive range of awards including Clios, a Cannes Lions, Art Directors Club Awards, and a Gold German Design Award.

Introducing movement, tension, balance, and surprise in visual language. Change is one of the few constants in the world. In recent years, more and more images are being created that not only capture a moment in time, but also point to a change that can and will take place directly thereafter. Erratic is a collection of current, often playful work by designers, photographers, and artists who are exploring the reciprocal effects between stability and instability, symmetry and asymmetry, and pressure and counter-pressure. At first glance, the things depicted in the images appear to be in balance or to be symmetrical, which suggests a kind of stability. But upon closer examination, the work documented here tells stories. Or, more aptly, it triggers stories in the viewer's mind that show the inevitable events that will develop out of the depicted circumstances. The contemporary creative Investigations featured in Erratic reveal a range of narrative qualities inherent in single images. At the same, this work makes clear that even conditions of alleged stability or balance can come to an abrupt end at any time.

The suggestive power of packaging as a communication tool. Packaging is the face of a product. Packaging not only gives a product its visual identity, but it can also determine where that product is placed on a crowded store shelf and can be the crucial factor in determining our decision to buy. Over the last few years, however, the understanding of the role of packaging has changed. In the past, packaging was thought of as an extension of the product's print advertising campaign--as a mere projection screen for established logos and brand messages. Today, packaging is considered to be a self-contained facet of an overall communication concept. Boxed and Labelled 2 documents the main strategic directions that exist in current packaging design--all of which address a longing for "truthfulness." One of these directions is an increased tendency to emphasize the tried and true values of a product, for example, with a retro look that aims for an "Ah, just like grandma used to make!" reaction. Another direction is down-to-earth rather than in-your-face packaging, including unostentatious solutions made of recycled paper that play up a product's connection to nature. On the other end of the design spectrum, there is also packaging that gives a product a distinct look and feel through a very playful use of graphic design, patterns, and illustration. Because our relationship to food products has changed so drastically in the last few years, especially in regard to the importance we place on the source and quality of ingredients, the majority of the examples in Boxed and Labelled 2 are food-related. But other examples from a wide spectrum of products also highlight the traits that distinguish those on the cutting edge of the evolution in packaging concepts. Although the work in Boxed and Labelled 2 ranges from minimalistic to whimsical, from clear-cut to ambiguous, all of the featured examples deliver their own unique brand values and experiences. With its inspiring and entertaining selection of products that stand apart in the competitive marketplace, this book is a compelling exploration of the communication power of stateof-the-art packaging design today.

These days, designers must be proficient in creating final artwork and be familiar with pre-print and production processes. Ready to Print helps designers prepare their data and materials so that the best-possible result can be achieved with an optimal print run. Detailed descriptions of each step also ensure that designers can accurately plan their workflow and budget in these areas. Ready to Print imparts the fundamentals of how printing functions and points out options and hurdles along the way to creating an outstanding print product. The chapters Paper, Printing Techniques, Typography, Trapping, Color, Image Editing, and PDF make the comprehensive book a clearly-structured companion for navigating through pre-print and production. All of the content from the traits of various types of paper to the recommended settings when exporting data into a print-ready PDF are explained thoroughly in plain language and with the help of numerous illustrations and graphics. The original German edition of Ready to Print was written and compiled by Kristina Nickel, a production manager well versed in pre-print and production processes. The content of this English version was edited by typography and design expert Erik Spiekermann and translated by his son, Dylan. This book is also available in German.

Street art has firmly established itself as a facet and attitude in the landscape of contemporary art. Today, young artists are going beyond their work on the streets to present their innovative styles in galleries. They are aspiring to follow in the footsteps of stars of the scene such as Shepard Fairey, Faile, and Os G meos, who have already exhibited their work in renowned museums including the Tate Modern and Fondation Cartier. Walls & Frames documents the work of this next generation of street artists. The book presents the evolution of these ambitious talents, who are keeping their connection to the street alive while establishing themselves in the art market with work in traditional formats such as painting, sculpture, installation, and prints. It shows how artists who work with limited time and a small selection of tools on the street are developing other styles, concepts, and techniques in the studio that are, in turn, influencing the direction of contemporary art. Interviews with the artists and other insiders as well as an insightful text by the curator Maximiliano Ruiz illuminate the context, working methods, and perspectives involved in this inspiring scene. Walls & Frames takes a detailed and authentic look at the intersection of young street art and contemporary art. Its fresh outlook appeals to those familiar with these developments and new to the scene as well as to a wide range of artists, collectors, gallerists, journalists, and designers.

The updated new edition of the handy reference book for designers. What is a meta tag? What kind of measurement is DIN A1? What kind of clearance do you need before using copyrighted material? What does HSDPA mean for smart phones? How do social media influence a marketing mix? This updated new edition of The Little Know-It-All provides the fundamental information designers need to know to thrive in their growing field of practice. It is an indispensable manual of the knowledge currently required of designers as the evolution of media re-defines their role and expands the disciplines in which they must be competent. Divided into the seven chapters Design, Typography, Digital Media, Production, Marketing, Law, and Organization, the book offers concise analysis as well as definitions of unique vocabulary. Written for a global audience, it expounds on various international formats and legalities. With its thematic structure and resourceful index, The Little Know-It-All is a clever and comprehensive collection of essential practical information. Complete with graphics and illustrations supplementing the texts, it is both a stimulating reference book for students and newcomers and a trusty companion for design and media professionals to use in their everyday work.

Graphic design and illustration from the Communist Era. A common assumption is that everything was gray behind the Iron Curtain. But nothing could be farther from the truth. Socialist graphic design from the 1950s to the 1970s is startingly innovative and colorful--and a unique inspiration fro current work that is being influenced by classical modernist style trends. Iron Curtain Graphicspresents a selection of graphic design, illustration, and typography from the former Eastern Bloc. There, designers were bound by strict rules established by the state regarding the overall visual language they could use. Despite (or exactly because of) this fact, the work collected in this book is a testament to the creative and experimental nature of the applied art they created under these circumstances. The chapters Propaganda, Safety at work, Culture & Entertainment, and Education & Science feature posters and signs as well as book and magazine covers that have not lost any of their visual power or impact today--despite the demise of the regimes for which they were created. Iron Curtain Graphicsis edited by Stefania Carla Duschka and Ciprian Isac of Atelierul de Grafica from Romania.

The new edition of The Design Hotels™ Book is a comprehensive overview of the most original design hotels worldwide. By presenting 220 spectacular hotels, including 30 properties that are new for 2012, the book provides insight into trends and developments in hospitality design. With its images of striking architecture and interior design, this opulent hardcover brings the experience of staying in a Design Hotels™ property to life.

Collective visual memory synthesized in today's graphic design and illustration. Today's young graphic designers and illustrators are increasingly taking their visual cues from classic modernism, letterpress printing, and other design styles of the past and using them in their current work. They are not copying them, but rather, they are synthesizing them to create a new aesthetic that emanates quality, timelessness, and sustainability. It is only when confronted with genuine examples from the past that one realizes how clearly different the contemporary work is. Echoes of the Future presents the further evolution of this style trend. The book features recent graphic design and illustration that is deliberately created with a limited palette of forms and colors, which makes the work seem older than it is. The aspiration to visual longevity contrasts sharply with the rapidly shifting styles of previous years that seemed out-of-date almost immediately. Especially in these times of economic uncertainty, more and more brands, products, and businesses are using designs that promote the impression of stability. Echoes of the Future is a stunning compilation of outstanding work inspired by a collective visual memory that is as contemporary as it is timeless.

Today, luxury travel is having time for exceptional places and unparalleled experiences. The world has become smaller. Today, travel is simple, affordable, and no longer a true luxury. But there are still extraordinary places to discover and experiences to be had. The promise of special moments makes one want to take a journey--whether the budget is large or small. Once in a Lifetime is about a new way of traveling to destinations and staying there. The book explores the true luxury of taking time for exceptional locations as well as unparalleled experiences and opportunities. Whether far away or close to home, it it introduces places that allow us to discover the world and ourselves anew. It's these key reasons that make all of them worth the trip. The examples featured in Once in a Lifetime are located throughout the world: from enchanging tree house hotels and glamping sites to incredible eco-friendly and wellness resorts; from farms on which guests help with the work and simple hotels in spectacular scenery to glamorous houses, trains, and boats. These destinations are not about superficial pomp; but, rather, they represent a conscious choice for quality ways of slowing down our hectic lives. Renowned travel journalist Marie le Fort is co-editor of Once in a Lifetime and author of texts featured in the book. She is a regular contributor to publications such as Architectural Digest, Wallpaper, Numero, L'Express and the French edition of Vogue on topics related to travel and design.

Creative jewelry design beyond luxury and pomp. Today, jewelry--whether glamorous, gothic, or minimalist--is en vogue. Jewelry goes back centuries and has been on the forefront of design many times throughout history. Now, thanks to a burst of innovative concepts, materials, and designers, a new age of contemporary jewelry has begun. Girl's Best Friends is an eclectic collection of work from around the world that documents this current development. Today, jewelry exists in a wide spectrum of forms from traditional to modern, from geometric to organic. It is inspired by elements of folklore and the composition of collage. The materials used include gold, silver, and gemstones as well as plastics, porcelain, leather, wood, feathers, and hair. These are being used to create not only necklaces, rings, bracelets, earrings, and brooches, but also more experimental forms of decoration that expand the human body. Girl's Best Friends features work by outstanding jewelry designers including Ted Noten, Saskia Diez, byAMT, and Kelsey Quan; fashion labels such as Commune de Paris 1871; artists such as the duo Confettisystem; and a range of innovative designers from other disciplines. In short, Girl's Best Friends is the most comprehensive showcase of the innovative jewelry being created today.

The lives and passion of heavy metal fans around the world captured in vivid images. Heavy metal is a phenomenon. Although this musical genre is still ridiculed by many, it is currently more popular and successful around the world than at its supposed peak in the 1980s. Today, so-called metalheads can be found worldwide. No matter who they are or where they come from, they are united by heavy metal across borders, generations, genders, religions, and social classes. The photographer J rg Br ggemann traveled to Argentina, Brazil, Germany, Indonesia, Egypt, and the USA to shoot pictures of heavy metal fans. Metalheads is a collection of the resulting images, which strikingly portray them and their passion. The atmosphere of concerts and clubs is captured with such authenticity that viewers can practically smell the beer and sweat, and hear a ringing in their ears. The photography in Metalheads is complemented by informative texts that put the global metal scene into context, share personal experiences, and describe the evolution of this musical genre from its humble beginnings until the present day.