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In The Position of Spoons, Deborah Levy invites the reader into the interiors of her world, sharing her most intimate thoughts and experiences, as she traces and measures her life against the backdrop of the literary and artistic muses that have shaped her. From Marguerite Duras to Colette and Ballard, and from Lee Miller to Francesca Woodman and Paula Rego, we can relish here the richness of their work and, in turn the richness of the author’s own. Each page draws upon Levy’s life in exalting ways, encapsulating the wonderful precision and astonishing depth of her writing, as she seamlessly shifts between and meditates on questions of mortality, language, suburbia, gender, consumerism and the poetics of every day living. From the child born in South Africa, to her teenage years in Britain, to her travels across the world as a young woman, each page is a beautiful, tender composition of the questioning self: a portrait of Deborah Levy’s writing life and intellectual vitality in all of its dimensions.

The first of two novels, Gliff, which is a Scottish/northern word for a shock, a fright, a transient moment, a glance or sudden glimpse, will be followed by a second novel in 2025, called Glyph (a signifying mark – as in ‘hieroglyph’). Glyph, the second novel, will tell a story which is hidden in the first so the two books will belong together but can be read independently. The two books will form a new step in Ali’s writing journey, different in form and feeling from the Seasonal Quartet (plus Companion piece) and will look very different too. Ali always keeps her novels under wraps until they are finished, and the surprise of reading a book only when it is complete, knowing almost nothing of its content, is part of the magic. O brave new world, that has such people in't. Once upon a time not very far from now, two children come home to find a line of wet red paint encircling the outside of their house. What does it mean?It’s a truism of our time that it’ll be the next generation who’ll sort out our increasingly toxic world. What would that actually be like?In a state turned hostile, a world of insiders and outsiders, what things of the past can sustain them and what shape can resistance take?And what’s a horse got to do with any of this?Gliff is a novel about how we make meaning and how we are made meaningless. With a nod to the traditions of dystopian fiction, a glance at the Kafkaesque, and a new take on the notion of classic, it's a moving and electrifying read, a vital and prescient tale of the versatility and variety deep-rooted in language, in nature and in human nature.

The first of two new, interconnected novels from bestselling, award-winning, Booker-Prize shortlisted author Ali Smith Following her dazzling five-novel portrait of our age, the ‘Seasonal’ sequence, Ali Smith returns with the first of two novels which belong together but can be read independently. Gliff – a Scots or Northern word for a glimpse, a shock, a glance – will not only tell its own story but also contain within it a hidden story, to be revealed only in a second novel, Glyph – from the Greek, meaning a mark, carving or symbol – to be published a year later. In form and feeling, Gliff will light a new, fabular and fabulist path for Ali Smith and for us through the gathering darkness of our chaotic times.

THE EXHILARATING FOLLOW-UP TO PAT BARKER'S THE WOMEN OF TROY AND THE SILENCE OF THE GIRLS After ten blood-filled years, the war is over. Troy lies in smoking ruins as the victorious Greeks fill their ships with the spoils of battle. Alongside the treasures looted are the many Trojan women captured by the Greeks - among them the legendary prophetess Cassandra, and her watchful maid, Ritsa. Enslaved as concubine - war-wife - to King Agamemnon, Cassandra is plagued by visions of his death - and her own - while Ritsa is forced to bear witness to both Cassandra's frenzies and the horrors to come. Meanwhile, awaiting the fleet's return is Queen Clytemnestra, vengeful wife of Agamemnon. Heart-shattered by her husband's choice to sacrifice their eldest daughter to the gods in exchange for a fair wind to Troy, she has spent this long decade plotting retribution, in a palace haunted by child-ghosts. As one wife journeys toward the other, united by the vision of Agamemnon's death, one thing is certain: this long-awaited homecoming will change everyone's fates forever.

From acclaimed psychoanalyst Adam Phillips, a meditation on what we must give up to feel more alive. To give up or not to give up? The question can feel inescapable but the answer is never simple. Giving up our supposed vices is one thing; giving up on life itself is quite another. One form of self-sacrifice feels positive, something to admire and aspire to, while the other is profoundly unsettling, if not actively undesirable. There are always, it turns out, both good and bad sacrifices, but it is not always clear beforehand which is which. We give something up because we believe we can no longer go on as we are. In this sense, giving up is a critical moment - an attempt to make a different future. In On Giving Up, acclaimed psychoanalyst Adam Phillips illuminates both the gaps and the connections between the many ways of giving up, and helps us to address the central question: what must we give up in order to feel more alive?

From acclaimed and bestselling novelist Zadie Smith, a kaleidoscopic work of historical fiction set against the legal trial that divided Victorian England, about who gets to tell their story—and who gets to be believed It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper—and cousin by marriage—of a once-famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years. Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems. Andrew Bogle, meanwhile, grew up enslaved on the Hope Plantation, Jamaica. He knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realize. When Bogle finds himself in London, star witness in a celebrated case of imposture, he knows his future depends on telling the right story. The "Tichborne Trial"—wherein a lower-class butcher from Australia claimed he was in fact the rightful heir of a sizable estate and title—captivates Mrs. Touchet and all of England. Is Sir Roger Tichborne really who he says he is? Or is he a fraud? Mrs. Touchet is a woman of the world. Mr. Bogle is no fool. But in a world of hypocrisy and self-deception, deciding what is real proves a complicated task... Based on real historical events, The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity and the mystery of "other people."

The essential guide to mental health from the bestselling author of The School of Life. A Therapeutic Journey follows the arc from mental crisis and collapse to convalescence and recovery. Written with kindness, knowledge and sympathy, it is both a practical guide and a source of consolation and companionship in what might be some of our loneliest, most anguished moments. Alain de Botton explores how we can cope with a variety of forms of mental pain and illness, from the mild to the severe. It considers how and why we might become ill; how we can explain things to friends, family and colleagues; how we can find our ways towards recovery; and how we can build resilience, so as to live wisely alongside our difficulties. At heart this is a book about redemption - about regaining the thread of our lives, rediscovering meaning, and finding our way back to connection, warmth and joy.

The Barnes family is in trouble. Dickie's once-lucrative car business is going under - but rather than face the music, he's spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife Imelda is selling off her jewellery on eBay while their teenage daughter Cass, formerly top of her class, seems determined to binge-drink her way to her final exams. And twelve-year-old PJ is putting the final touches to his grand plan to run away from home. Where did it all go wrong? A patch of ice on the tarmac, a casual favour to a charming stranger, a bee caught beneath a bridal veil? Can a single moment of bad luck change the direction of a life? And if the story has already been written - is there still time to find a happy ending?

On Women brings together Susan Sontag's most fearless and incisive writing on women, a crucial aspect of her work that has not until now received the attention it deserves. For the most part written in the 1970s during the height of second-wave feminism, Sontag's essays are strikingly relevant to our contemporary conversations. At times powerfully in sync and at others powerfully at odds with them, they are always characteristically original in their examinations of the 'biological division of labour', the double-standard for ageing and the dynamics of women's powerlessness and women's power. As Merve Emre writes in her introduction, 'They offer us the spectacle of a ferocious intellect setting itself to the task at hand: to articulate the politics and aesthetics of being a woman in the United States, the Americas and the world.'

The mesmerising new novel from the twice Booker-shortlisted author of Hot Milk and Swimming Home At the height of her career, concert pianist Elsa M. Anderson - former child prodigy, now in her thirties - walks off the stage in Vienna, mid-performance. Now she is in Athens, watching as another young woman, a stranger but uncannily familiar - almost her double - purchases a pair of mechanical dancing horses at a flea market. Elsa wants the horses too, but there are no more for sale. She drifts to the ferry port, on the run from her talent and her history. So begins a journey across Europe, shadowed by the elusive woman who bought the dancing horses. A dazzling portrait of melancholy and metamorphosis, August Blue uncovers the ways in which we seek to lose an old story, find ourselves in others and create ourselves anew.

A powerful novel of the saving grace of language and human connection, from the celebrated author of The VegetarianIn a classroom in Seoul, a young woman watches her Greek language teacher at the blackboard. She tries to speak but has lost her voice. Her teacher finds himself drawn to the silent woman, for day by day he is losing his sight. Soon they discover a deeper pain binds them together. For her, in the space of just a few months, she has lost both her mother and the custody battle for her nine-year-old son. For him, it's the pain of growing up between Korea and Germany, being torn between two cultures and languages. Greek Lessons tells the story of two ordinary people brought together at a moment of private anguish - the fading light of a man losing his vision meeting the silence of a woman who has lost her language. Yet these are the very things that draw them to one another. Slowly the two discover a profound sense of unity - their voices intersecting with startling beauty, as they move from darkness to light, from silence to expression. Greek Lessons is a tender love letter to human intimacy and connection, a novel to awaken the senses, vividly conjuring the essence of what it means to be alive. PRAISE FOR THE VEGETARIAN:'Sensual, provocative and violent, ripe with potent images, startling colours and disturbing questions. Sentence by sentence, The Vegetarian is an extraordinary experience' Guardian'A startling new novel... It is written in cool, still, poetic but matter-of-fact short sentences, translated luminously by Deborah Smith, who is obviously a genius' Deborah Levy'Enthralling... It has a surreal and spellbinding quality, especially in its passage on nature and the physical landscape, so beautiful and so magnificently impervious to the human suffering around it' Independent

From the internationally bestselling author of Exit West, a story of love, loss, and rediscovery in a time of unsettling change One morning, Anders wakes to find that his skin has turned dark, his reflection a stranger to him. At first he tells only Oona, an old friend, newly a lover. Soon, reports of similar occurrences surface across the land. Some see in the transformations the long-dreaded overturning of an established order, to be resisted to a bitter end. In many, like Anders's father and Oona's mother, a sense of profound loss wars with profound love. As the bond between Anders and Oona deepens, change takes on a different shading: a chance to see one another, face to face, anew.

Sophisticated, mature and richly atmospheric, a debut novel about three young people navigating the risks and possibilities of intimacy For fans of Andre Aciman, Deborah Levy and the Penguin European Writers series Thora, August and Hugo come from different worlds - one an art school dreamer, one a wealthy scion of the old elite, and one an ordinary boy from out of town. But over the course of two sky-blue summers in Stockholm, they are drawn together magnetically. The novel opens years later, when Hugo, long estranged from Thora and August, is visited by their daughter - who has questions about her parents which she believes Hugo can answer - and the memories of those luminous days come flooding back. Modern yet timeless, poignant and euphoric, The Trio is a novel about the path not taken, the people we might have become, and the relationships which shape and haunt us long after they come to a close.

Meet Ingrid. She works on a gargantuan luxury cruise liner, where she spends her days reorganizing the merchandise and waiting for long-term guests to drop dead in the changing rooms. On her days off, she disembarks from the ship and gets blind drunk on whatever the local alcohol is. It's not a bad life. And it distracts her from thinking about the other life she left behind five years ago. Until one day she is selected for the employee mentorship scheme - an initiative run by the ship's mysterious captain and self-anointed lifestyle guru, Keith, who pushes Ingrid further than she thought possible. But sooner or later, she will have to ask herself: how far is too far? Utterly original, mischievous and thought-provoking, The Odyssey is a merciless takedown of consumer capitalism and our anxious, ill-fated quests for something to believe in. And as its title suggests, it is a voyage that will eventually lead its unlikely heroine all the way home. Though she'd do almost anything to avoid getting there...

Feminism is supposed to be the fight for the freedom and equality of women. And in the past 200 years it has made incredible gains: paving the way for women to advance economically, handing them back control of their own bodies, and advocating for their needs and their experiences. But not for all women. Since its very beginning, mainstream feminism has catered to a particular group of women: middle class, cis-gendered, Western, and above all, white. And the exclusion of everyone outside this narrow category is not merely an oversight, a coincidence, a slip. It is baked into the way feminism works. This must change. White supremacy is killing feminism. Until all of us are free and equal in society, none of us are. The power to transform it lies with each one of us. It starts with understanding how we got here in the first place. Eye-opening, timely and impossible to ignore, Against White Feminism traces the connections between feminism and white supremacy from the earliest stirrings of the women's suffrage movement to the 'fourth wave' we see today, demonstrating how an idea based on equality has been corrupted by prejudice and exploitation from the start. Rafia Zakaria issues a powerful call to arms to every reader to build a new kind of feminism which will light the path to true emancipation for all.

Troy has fallen. The Greeks have won their bitter war. They can return home as victors - all they need is a good wind to lift their sails. But the wind has vanished, the seas becalmed by vengeful gods, and so the warriors remain in limbo - camped in the shadow of the city they destroyed, kept company by the women they stole from it. The women of Troy. Helen - poor Helen. All that beauty, all that grace - and she was just a mouldy old bone for feral dogs to fight over. Cassandra, who has learned not to be too attached to her own prophecies. They have only ever been believed when she can get a man to deliver them. Stubborn Amina, with her gaze still fixed on the ruined towers of Troy, determined to avenge the slaughter of her king. Hecuba, howling and clawing her cheeks on the silent shore, as if she could make her cries heard in the gloomy halls of Hades. As if she could wake the dead. And Briseis, carrying her future in her womb: the unborn child of the dead hero Achilles. Once again caught up in the disputes of violent men. Once again faced with the chance to shape history. Masterful and enduringly resonant, ambitious and intimate, The Women of Troy continues Pat Barker's extraordinary retelling of one of our greatest classical myths, following on from the critically acclaimed The Silence of the Girls.