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An essential primer on capitalism, politics and how the world works, based on the hugely popular undergraduate lecture series 'What is Politics?' Is there an alternative to capitalism? In this landmark text Chomsky and Waterstone chart a critical map for a more just and sustainable society. 'Covid-19 has revealed glaring failures and monstrous brutalities in the current capitalist system. It represents both a crisis and an opportunity. Everything depends on the actions that people take into their own hands.' How does politics shape our world, our lives and our perceptions? How much of 'common sense' is actually driven by the ruling classes' needs and interests? And how are we to challenge the capitalist structures that now threaten all life on the planet? Consequences of Capitalism exposes the deep, often unseen connections between neoliberal 'common sense' and structural power. In making these linkages, we see how the current hegemony keeps social justice movements divided and marginalized. And, most importantly, we see how we can fight to overcome these divisions.

Feminism is supposed to be the fight for the freedom and equality of women. And in the past 200 years it has made incredible gains: paving the way for women to advance economically, handing them back control of their own bodies, and advocating for their needs and their experiences. But not for all women. Since its very beginning, mainstream feminism has catered to a particular group of women: middle class, cis-gendered, Western, and above all, white. And the exclusion of everyone outside this narrow category is not merely an oversight, a coincidence, a slip. It is baked into the way feminism works. This must change. White supremacy is killing feminism. Until all of us are free and equal in society, none of us are. The power to transform it lies with each one of us. It starts with understanding how we got here in the first place. Eye-opening, timely and impossible to ignore, Against White Feminism traces the connections between feminism and white supremacy from the earliest stirrings of the women's suffrage movement to the 'fourth wave' we see today, demonstrating how an idea based on equality has been corrupted by prejudice and exploitation from the start. Rafia Zakaria issues a powerful call to arms to every reader to build a new kind of feminism which will light the path to true emancipation for all.

Meet Ingrid. She works on a gargantuan luxury cruise liner, where she spends her days reorganizing the merchandise and waiting for long-term guests to drop dead in the changing rooms. On her days off, she disembarks from the ship and gets blind drunk on whatever the local alcohol is. It's not a bad life. And it distracts her from thinking about the other life she left behind five years ago. Until one day she is selected for the employee mentorship scheme - an initiative run by the ship's mysterious captain and self-anointed lifestyle guru, Keith, who pushes Ingrid further than she thought possible. But sooner or later, she will have to ask herself: how far is too far? Utterly original, mischievous and thought-provoking, The Odyssey is a merciless takedown of consumer capitalism and our anxious, ill-fated quests for something to believe in. And as its title suggests, it is a voyage that will eventually lead its unlikely heroine all the way home. Though she'd do almost anything to avoid getting there...

Troy has fallen. The Greeks have won their bitter war. They can return home as victors - all they need is a good wind to lift their sails. But the wind has vanished, the seas becalmed by vengeful gods, and so the warriors remain in limbo - camped in the shadow of the city they destroyed, kept company by the women they stole from it. The women of Troy. Helen - poor Helen. All that beauty, all that grace - and she was just a mouldy old bone for feral dogs to fight over. Cassandra, who has learned not to be too attached to her own prophecies. They have only ever been believed when she can get a man to deliver them. Stubborn Amina, with her gaze still fixed on the ruined towers of Troy, determined to avenge the slaughter of her king. Hecuba, howling and clawing her cheeks on the silent shore, as if she could make her cries heard in the gloomy halls of Hades. As if she could wake the dead. And Briseis, carrying her future in her womb: the unborn child of the dead hero Achilles. Once again caught up in the disputes of violent men. Once again faced with the chance to shape history. Masterful and enduringly resonant, ambitious and intimate, The Women of Troy continues Pat Barker's extraordinary retelling of one of our greatest classical myths, following on from the critically acclaimed The Silence of the Girls.

Sophisticated, mature and richly atmospheric, a debut novel about three young people navigating the risks and possibilities of intimacy For fans of Andre Aciman, Deborah Levy and the Penguin European Writers series Thora, August and Hugo come from different worlds - one an art school dreamer, one a wealthy scion of the old elite, and one an ordinary boy from out of town. But over the course of two sky-blue summers in Stockholm, they are drawn together magnetically. The novel opens years later, when Hugo, long estranged from Thora and August, is visited by their daughter - who has questions about her parents which she believes Hugo can answer - and the memories of those luminous days come flooding back. Modern yet timeless, poignant and euphoric, The Trio is a novel about the path not taken, the people we might have become, and the relationships which shape and haunt us long after they come to a close.

From the internationally bestselling author of Exit West, a story of love, loss, and rediscovery in a time of unsettling change One morning, Anders wakes to find that his skin has turned dark, his reflection a stranger to him. At first he tells only Oona, an old friend, newly a lover. Soon, reports of similar occurrences surface across the land. Some see in the transformations the long-dreaded overturning of an established order, to be resisted to a bitter end. In many, like Anders's father and Oona's mother, a sense of profound loss wars with profound love. As the bond between Anders and Oona deepens, change takes on a different shading: a chance to see one another, face to face, anew.

A powerful novel of the saving grace of language and human connection, from the celebrated author of The VegetarianIn a classroom in Seoul, a young woman watches her Greek language teacher at the blackboard. She tries to speak but has lost her voice. Her teacher finds himself drawn to the silent woman, for day by day he is losing his sight. Soon they discover a deeper pain binds them together. For her, in the space of just a few months, she has lost both her mother and the custody battle for her nine-year-old son. For him, it's the pain of growing up between Korea and Germany, being torn between two cultures and languages. Greek Lessons tells the story of two ordinary people brought together at a moment of private anguish - the fading light of a man losing his vision meeting the silence of a woman who has lost her language. Yet these are the very things that draw them to one another. Slowly the two discover a profound sense of unity - their voices intersecting with startling beauty, as they move from darkness to light, from silence to expression. Greek Lessons is a tender love letter to human intimacy and connection, a novel to awaken the senses, vividly conjuring the essence of what it means to be alive. PRAISE FOR THE VEGETARIAN:'Sensual, provocative and violent, ripe with potent images, startling colours and disturbing questions. Sentence by sentence, The Vegetarian is an extraordinary experience' Guardian'A startling new novel... It is written in cool, still, poetic but matter-of-fact short sentences, translated luminously by Deborah Smith, who is obviously a genius' Deborah Levy'Enthralling... It has a surreal and spellbinding quality, especially in its passage on nature and the physical landscape, so beautiful and so magnificently impervious to the human suffering around it' Independent

The mesmerising new novel from the twice Booker-shortlisted author of Hot Milk and Swimming Home At the height of her career, concert pianist Elsa M. Anderson - former child prodigy, now in her thirties - walks off the stage in Vienna, mid-performance. Now she is in Athens, watching as another young woman, a stranger but uncannily familiar - almost her double - purchases a pair of mechanical dancing horses at a flea market. Elsa wants the horses too, but there are no more for sale. She drifts to the ferry port, on the run from her talent and her history. So begins a journey across Europe, shadowed by the elusive woman who bought the dancing horses. A dazzling portrait of melancholy and metamorphosis, August Blue uncovers the ways in which we seek to lose an old story, find ourselves in others and create ourselves anew.

On Women brings together Susan Sontag's most fearless and incisive writing on women, a crucial aspect of her work that has not until now received the attention it deserves. For the most part written in the 1970s during the height of second-wave feminism, Sontag's essays are strikingly relevant to our contemporary conversations. At times powerfully in sync and at others powerfully at odds with them, they are always characteristically original in their examinations of the 'biological division of labour', the double-standard for ageing and the dynamics of women's powerlessness and women's power. As Merve Emre writes in her introduction, 'They offer us the spectacle of a ferocious intellect setting itself to the task at hand: to articulate the politics and aesthetics of being a woman in the United States, the Americas and the world.'

The Barnes family is in trouble. Dickie's once-lucrative car business is going under - but rather than face the music, he's spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife Imelda is selling off her jewellery on eBay while their teenage daughter Cass, formerly top of her class, seems determined to binge-drink her way to her final exams. And twelve-year-old PJ is putting the final touches to his grand plan to run away from home. Where did it all go wrong? A patch of ice on the tarmac, a casual favour to a charming stranger, a bee caught beneath a bridal veil? Can a single moment of bad luck change the direction of a life? And if the story has already been written - is there still time to find a happy ending?