Hub City Press

In this “unjustly neglected” masterpiece, Nancy Lemann gives an atmospheric account of the New Orleans trial of the Governor of Louisiana for racketeering, fraud, and bribery. This 40th anniversary edition features a new introduction by critic James Wolcott and an afterword by the author. New Orleans-born novelist Nancy Lemann returned to her hometown from Manhattan in 1985, tasked by renowned editor Tina Brown to cover Governor Edwin Edwards's two corruption trials for Vanity Fair. The work that emerged from this trip was less a straightforward account of the court proceedings and instead a masterful portrait of the politicians, their families, the lawyers, and the other reporters covering the trials, rendered in sparse, wry vignettes. Championed and edited by Gordon Lish, The Ritz of the Bayou is Lemann’s sole book of nonfiction and has attained lost classic status in the decades it has languished out of print. In hazy, atmospheric scenes of cigar smoke-laden bars, heaping plates of oysters, and unchecked eccentricity and chaos, Lemann observes both the proceedings and a glamorous Gulf Coast gone shabby from humidity and time. She captures New Orleans’s particular “tropic zone,” where “the two great enemies of Louisianians are boredom and lack of style,” and its citizens choose charismatic leaders over ethical ones, writing, “Politics is not the place to look for saints.” An account of government corruption and Southern character that transcends its moment, The Ritz of the Bayou is Lemann at the height of her powers. This edition reestablishes a classic of Southern literature, rewarding its longtime fans and introducing her talent to a new generation of readers.

In Long Eye, Kwoya Fagin Maples brings us a sea-bound collection that channels the mythic, defiant voice of a Black Mermaid. Inspired by Mami Wata, a water spirit of West African folklore, Maples explores the power and divinity of being a Black woman, a mother, a thinker, a protector, and creator. The poems emerge from a neurodivergent mind navigating writing, parenthood, and the Atlantic waters of the South Carolina Lowcountry. The sea and its many creatures serve as guides—for survival, resistance, and transformation. As she explores the intersection of science, poetry, and mythology, Maples also seeks to depict Black familial bonds in societies structured against them. Woven through the book is the voice of the mermaid, reminding us that “every underwater being exists in relation.”At turns wonderstruck and irreverent, these poems pulse with human longing. Maples is a poet whose work is both musical and meticulous. Her eye somehow equally trained on the world at large and her own inner workings. The result is an astonishing, immersive experience.

Lolita Stewart-White's black frag/ments is a breathtaking series of narrative-lyric poems about the fragmentation of the Black body, family, and community facilitated by the historic and ongoing racism in the US healthcare system. After her husband’s cancer diagnosis, Stewart-White finds herself haunted by the trauma Black Americans continue to face in medical settings. These poems, both brazen and tenderhearted, explore enduring love in the face of grief and hardship while drawing parallels to past injustices. Stewart-White expertly weaves ancestral and present voices together, resulting in an intergenerational archive that centers one family’s challenging journey in a broader context of how black people protest, repair, and revive.

why am i nostalgic for the shitty times in my life? Reminiscent of being in a heavily postered room with rock music blasting, Cloud Delfina Cardona’s debut collection the past is a jean jacket is a time capsule of a 90s queer, Latinx teenhood.  Cardona’s speaker explores their gender through sex and relationships, searches for belonging in their family lineage, and copes with depression using movies, indie bands, cigarettes, and Tumblr. Featuring compelling visual collages and inventive imagery throughout, these poems are firmly rooted in Southern Texas. Cardona brings readers to a jukebox on S. LBJ Drive, underneath a Catholic girls high school, and to “San Marcos sunsets above the H-E-B parking lot” with weighted and poignant reflection. Each careful line produces a soundtrack to a passionate coming-of-age and implores us all to be gentle, yet honest, with our younger selves. Evocative and blunt, the past is a jean jacket asks the essential existential questions: “where did all the wishes of my ancestors go? / what memory of me will play in someone’s head before i die for the final time?”the past is a jean jacket was selected by Ashley M. Jones for the 2024 Hub City Press BIPOC Poetry Series.

When twelve-year-old Junah Simmons walks into his middle school classroom in September 1999, the chalkboard reads THE END OF THE WORLD IS HERE.  In the months leading up to Y2K, Junah’s eccentric teacher tasks each of her students to make a time capsule in a shoe box to document their experiences in South Carolina at the end of the world. Junah is an outsider at school, the kid in sunglasses with a speech impediment. Through the time capsule project, he sifts through the tough stuff: his parents divorce; Rusty, the school bully; Sadie, his punk crush who doesn’t know he exists; his mother’s pressure on him to turn to Jesus; his worry and loneliness. Rendered in vignettes and scraps, this kaleidoscopic novel follows Junah as he confronts the catastrophes of youth while wrestling with the notion that the world itself could end in December. Funny, soulful, and timely, Dan Leach’s Junah at the End of the World reminds us that it’s only after accepting the world’s end that we can discover what it means to truly live. With the wit of George Singleton and the punk charm of Sam Pink, Dan Leach is a writer to watch.

In 1994, the real Mid-South Ice Storm strikes the fictitious town of Bodock in Claygardner County, Mississippi. In the wake of the storm, what is left unbroken, and what broken things can be rebuilt? Hailed by Maurice Carlos Ruffin as “leaving no feeling untouched,” Robert Busby’s debut balances grit with heart, violence with depth, and tragedy with humor. Two siblings survey the damage to their family’s orchard after the storm while their rich nephew circles in the hopes of buying up the property. A slacker divorcee drives his ex-father-in-law to his lung transplant surgery. A cop tries to piece his broken family back together in the wake of the loss of his son. In 1816, a farmer’s wife plots with an enslaved woman to stop her husband from committing a terrible act. And in a town that is not quite Bodock, a population of ghosts reckon with their unsettled pasts.In the spirit of Brad Watson’s Last Days of the Dog-Men, Bodock traverses time and dimensions to surface the struggles of the everyday. Bodock: Stories is the winner of the 2024 C. Michael Curtis Short Story Book Prize.

For fans of Margaret Renkl and Lisa Wells?s Believers, World Without End circles the connections between climate change and faith in the fear and fascination of the end of the world.When Martha Park?s father announces he is retiring from the ministry after forty-two years, she moves home to Memphis to attend his United Methodist church for his last year in the pulpit. She hopes to encounter a more certain sense of herself as secular or religious. Instead, she becomes increasingly compelled by her uncertainty, and grows curious whether doubt itself could be a kind of faith that more closely echoes a world marked by loss, beauty, and constant change.In illustrated essays, World Without End: Essays on Apocalypse and After explores the intersections of faith, motherhood, and the climate crisis across the South. From man-made wetlands in Arkansas to conservation cemeteries in South Carolina, from a full-scale replica of Noah?s Ark in Kentucky to the reenactment of the Scopes Monkey Trial, Park chronicles the ways the faith in which she was raised now seems like an exception to the rule, exploring this divide with compassion and empathy. For fans of Margaret Renkl and Lisa Wells, World Without End considers the ways religion shapes how we understand and interact with the world?and how faith can compel us all to work to save the places we love.