Indiana University Press
vydavateľstvo
And the Cow Burned
In the films of legendary Soviet director Andrei Tarkovsky, images of visually striking and mysterious animals serve as powerful symbols, marvels, and metaphors, from nomadic dogs to rolling horses and soaring birds. Yet Tarkovsky's hauntingly beautiful depictions of animals exist in suspended tension with his often grisly portrayals of animal cruelty – exemplified by the cow he set on fire while making his second feature film Andrei Rublev. These disturbing moments challenge viewers' perceptions of Tarkovsky's morality and complicate his films' refined artistry. And the Cow Burned is a dynamic interdisciplinary study of Tarkovsky's filmography that draws on insights from animal studies, ethical philosophy, and film theory. Through focused case studies centered on different animals, De Luca posits that Tarkovsky's body of work serves as a canvas for animal philosophy, exposing contradictions inherent in human-animal relationships while raising questions about agency, ethics, and power. Readers are invited to engage with the ethical ramifications of Tarkovsky's depictions and understand these animals as real beings whose experiences are fundamentally woven into his moral and aesthetic considerations. And the Cow Burned challenges us to rethink the connections between animals and humans, encouraging a fresh perspective on the paradoxical exchanges that shape our interactions and paving the way for new interpretations in the future.
Sonic Relations
Sonic Relations explores how sound shapes religious life and community among Twelver Shi'i Muslims in eastern Turkey and beyond, examining the powerful role of devotional recitation in cultivating relationships not only among people, but also with the unseen. These sonic practices are central to Muslim devotional life, and through media and public ritual performance, they also shape how identity is expressed in broader social and political spheres. Attending to a range of sonic forms and events, such as public processions, ritual lamentations, and the circulation of audiovisual recordings, Stefan Williamson Fa offers a new relational perspective on Islam, foregrounding affiliations with more-than-human figures and civic life. Whether communal, devotional, or transnational, Twelvers' relationships with their communities and with the unseen enable them to cultivate the self through sounding and listening. Grounded in detailed ethnographic material collected in Turkey's eastern borderlands and via transnational networks in Iran, Georgia, Azerbaijan, and Germany, Williamson Fa tells a compelling story about the human and more-than-human relations Twelver Shias seek to cultivate amid the Republic of Turkey's changing society and politics. Through vivid ethnographic vignettes, analysis, and audiovisual examples, Sonic Relations offers an intimate look at how Twelver Shii Muslims forge bonds of love, faith, and community within Turkey and across borders. It invites readers to rethink religion, not as belief alone, but as a sensory, relational, and deeply embodied experience.
Pripravujeme
45,99 €