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The Final Painting
A selection of the last paintings of 30 of the greatest artists
Not the last painting - as that is often uncertain - but several carefully selected works these artists have made close the end of their lives
30 intriguing and compelling artist biographies
Includes a wide range of artists, from Giotto and Van Eyck, to Kahlo, Hopper and Picasso
Includes interesting biographical information, fragments from rarely seen letters and testimonials
An intense focus on the late and final work of great painters has become a striking trend in recent years. Exhibitions have been devoted to 'the Late' Raphael, Tintoretto, Rembrandt, Goya, Turner, Manet, Gauguin, Monet, Matisse and Pollock and fresh research has been carried out into the work these artists produced in the twilight of their careers. This has led in many cases to surprising discoveries and a renewed appreciation of the late work.
The Final Painting collects these fresh insights into 30 of the world's greatest painters and their last works in a highly readable book, beginning with Jan van Eyck and ending with Pablo Picasso. Besides the painters mentioned already, it includes Bellini, Titian, Caravaggio, El Greco, Rubens, Artemisia Gentileschi, Cézanne, Klimt, Renoir, Modigliani, Munch, Mondrian, Kahlo and Hopper. Persistent myths and clichés are challenged: Van Gogh was not the solitary figure as so often suggested: the story behind Raphael's celebrated La Fornarina was made up in the 19th century; the elderly Tintoretto did not paint many of his huge late canvases single-handedly; and Manet's last works are much more than the paintings of a terminal patient.
The Riddles of Ukiyo-e
- This book sheds light on the often mysterious iconography in Japanese prints
- Lavishly illustrated with over 130 prints of women and men, from the heyday of Japanese printmaking
- A passionate introduction to the intriguing art of Ukiyo-e
Women and men – strong, proud, tragic or beautiful – from the heyday (1765–1865) of Japanese printmaking are this book's subject. It seeks to dig below the surface of the prints to describe the often subtle iconography employed in these masterful creations by the most famous artists of their time. It begins with Suzuki Harunobu's subdued and introverted scenes of women seated on verandas. The book then moves on to the spectacular ‘big face' (okubi-e) portraits of prostitutes and Kabuki actors by artists like Kitagawa Utamaro, Toshusai Sharaku and Utagawa Kunimasa. Frail ‘streetwalkers', forced by circumstance into the lowest ranks of prostitution, are transformed into elegant beauties, obscuring their tragic existence. The spectacle of heroes from Japan's rich mythological and pseudo-historical past crowd the printed sheet. Stern-faced actors drawn by the confident hands of Utagawa Toyokuni and his pupil Kunisada demonstrate the economy of line and powerful expression of the woodblock medium. Each print is explored in the finest detail in order to explain the riddles of Ukiyo-e: the intriguing and captivating mode of visual expression that would have such a profound influence on Western art.
Vypredané
49,35 €
51,95 €
Broken
- This book shows how the broken can be as beautiful or valuable as the new
- Topics such as sustainability and the circular economy have never been more urgent
- Lavishly illustrated with over 200 illustrations and behind-the-scene shots
- Includes inspiring makers, artists and designers from around the globe
We live in a single-use society, where fashion is fast, disposability is the norm and it is easier to replace than to repair. We don't need to mend things anymore - and yet we do. What is it about Homo faber - man the maker - that cannot resist fixing what is broken? As we start to decouple from the linear take-make-waste model that has dominated Western economies since the Industrial Revolution and seek something more circular, an enquiry into what mending means has never been more urgent.
With a foreword by The Repair Shop's Jay Blades, this new book by craft and circularity advocate Katie Treggiden celebrates 25 artists, curators, designers and makers who have rejected the allure of the fast, disposable and easy in favor of the patina of use, the stories of age and the longevity of care and repair. Accompanying these profiles, six in-depth essays explore the societal, cultural and environmental roles of mending in a throwaway world.
Japan on a Glass Plate
Drawing from an extensive private collection assembled over many years, this book presents a unique selection of nineteenth-century photographs of Japan, many of which are published here for the first time.
Between the twilight years of the Tokugawa shogunate (1603–1867) and the end of the Meiji Era (1868–1912) that followed it, photography offered a unique insight into the rapid transformation of Japan from an isolated, feudal society to a modern, industrialised state. In the four decades that followed the opening of the country in 1853, the camera evolved from an imported novelty to a familiar witness of Japanese daily life.
Operating from the Treaty Ports of Yokohama and elsewhere, early practitioners of photography plied an often precarious trade in images of Japan and laid the foundations of what would soon become a highly competitive industry with a global reach. Whether cherished as souvenirs of an exotic land of fond imagination or curated as visual documents of a fast-changing society, these images by foreign and Japanese photographers, often packaged in exquisitely produced albums, enjoyed a wide circulation abroad and played an important role in influencing perceptions of Japan in the West well into the early twentieth century.
Vypredané
49,35 €
51,95 €
Hiroshige: Nature and the City
- The most extensive survey of Hiroshige's oeuvre in English to date
- For the first time all textual content in Hiroshige's prints is transcribed and translated
- Provides essential comparative material for every scholar, dealer, and collector
Hiroshige. Nature and the City is the most extensive overview of the career of the famed Japanese print artist, Utagawa Hiroshige (1797–1858) in the English language to date. It is based on the largest collection of Hiroshige in private hands outside Japan, the Alan Medaugh collection. The catalogue consists of 500 entries, with an emphasis on urban and rural landscapes, fan prints and prints of birds and flowers. Grouped chronologically by subject, it presents Hiroshige's interpretation of the urban scenes from his hometown Edo (present-day Tokyo), the great series documenting travel along the famous highways of Japan, and the idylls of nature as represented in his bird-and flower prints. Hiroshige often incorporated poetry in his works and for the first time all textual content is transcribed and translated. Additionally, the catalogue pays due attention to the differences between variant editions of his prints. Thus, it provides essential comparative material for every scholar, dealer, and collector.