Northwestern University Press
vydavateľstvo
The Falcon Experience
A joyful, educational flight from the halls of Chicago's Field Museum to the nests of mighty peregrine falcons Rosie the Tarantula, famous for her adventure in the corridors and collections of Chicago's celebrated Field Museum of Natural History, is back. This time, Rosie is focused not on spiders, but on falcons! The Falcon Experience brings us with Rosie as she follows Mary Hennen, the museum's real-life peregrine program director, giving children and parents alike a front-row seat to the lives of these majestic birds and the scientist who cares for them. Rosie learns how falcons fly, hunt, eat, mate, construct nests and raise chicks (via the peregrine webcam!) in unexpected and challenging places in the city. Mary's teachings also show how humans can be the key to helping our natural environment. Beautifully illustrated with watercolors by renowned Field Museum artist-in-residence Peggy Macnamara, The Falcon Experience is told by Peggy's daughter, author and educator Katie Macnamara, in rhyme ideal for reading aloud to children. This keepsake-quality book will delight budding young scientists and their families while providing a colorful, interactive experience with one of Chicago's foremost cultural institutions.
Foxes for Everybody
Meditations on time, motherhood, and the ordinary beauty of everyday life Like a newborn's patterns of sleeping and waking, the revelations of motherhood don't follow a reasonable schedule, and there's no clocking out. Organized around the hours of the day, Foxes for Everybody gives voice to the marvels, fears, absurdities, and astonishments of parenthood. These essays offer twenty-four glimpses into how we experience time, our families, our planet, and all of those small moments that aren't small at all. In memories and reflections that weave through tornadoes and jellyfish, cemeteries and carousels, mortality, mental health, and the exquisite gift of a perfect sentence, acclaimed writer Catherine Pierce reminds us that fear and joy can and do live side by side, and urges us to stay awake - even when, especially when, we're at the brink of exhaustion - to the possibility of wonder.
Dearth, Volume 1
Proposing a radical reconceptualization of deconstruction and nothingness The first of two volumes exploring Jacques Derrida's prefiguration of speculative realism, The Nothing and Nothingness examines the transcendental naturalism of Ray Brassier and Iain Hamilton Grant and the speculative materialism of Quentin Meillassoux. Philippe Lynes proposes nothing less than a radical reconceptualization of deconstruction as a call to bear witness to nothingness: let the earth be the earth, let nature be nature, and leave them to their reality, secrecy, and withdrawal without us. Dearth: Deconstruction After Speculative Realism argues that Derrida's seminars on Martin Heidegger and Maurice Blanchot, La Chose (The Thing), anticipated many of the philosophical, literary, and aesthetic questions animating speculative realism today: an anti-anthropocentric critique of Kantian correlationism an overcoming of the apocalyptic nihilism of extinction through a deeper, affirmative habituation to nothingness and poignant reflections on the literary and poetic aspects of living and dying in impossible worlds. His is an anti-correlationist plea that resounds now more urgently than ever.
Marayrasu
The first English-language collection of short stories by award-winning Peruvian author Edgardo Rivera MartÍnez The stories in Marayrasu stage fantastical, mysterious encounters that belie the characters’ often harsh economic and political realities as they seek belonging in modern Peru through art, music, and relationships. Depicted in poetic prose, these characters are loners, orphans, and outcasts experiencing quiet, tender encounters with other people and animals, the creative arts, and the land they find themselves depending on. Living vibrantly within these stories, the leviathan of Inca lore considers its own form, a young boy moves to a mining town and gets involved with a local union leader’s fight for worker rights while feeling the powerful pull of a large mountain overlooking the town, and a Persian cat captures the attention of a family down on its luck. Amy Olen’s translation smoothly captures Rivera MartÍnez’s impressive stories, offering a unique lens into the region at the heart of this canonical author’s inimitable work.
Transanything
A debut essay collection that upends our notions of loneliness, wilderness, and liberation Transanything reveals a world in metamorphosis. A hermit crab retires its shell, lovers drift apart, and seasons churn, all amid Ever Jones’s own narrative of midlife gender transition. Jones takes up a tradition of writing—about the American landscape, solitude, wilderness, and the West—long intertwined with colonialism and heteropatriarchy, and makes it wholly their own. A self-proclaimed “nature essay” misbehaves, wandering away from the hummingbird outside Jones’s window. In their chronicle of a week in Yellowstone, Jones navigates trails frequented by grizzlies and a campground where their identity is regarded as equally dangerous. Elk, bison, and bark spiders roam this book’s pages, but it is the gray wolf—the embattled apex predator of the American West, narrow survivor of settler colonial violence, and vessel for American myths of independence—who emerges as Jones’s shapeshifting coprotagonist. Taking on a global web of colonial systems that seek to divide us, Jones disrupts loneliness and forges space for queerness and transness to be aliveness—to be transanything.
The Sordid Image
Drawing on the cinematic oeuvre of Ripstein and Garciadiego to reconceptualize the idea of the sordid The sordid is not an ideology, an affect, or even a form of taste or sensibility. It is, Agustín Zarzosa argues, an image and an evocation of the process of degradation. The Sordid Image: The Naturalist Cinema of Arturo Ripstein and Paz Alicia Garciadiego offers the first sustained study of this pivotal filmmaker-screenwriter pair, drawing on their multidecade collaborations to reframe an enduring problem of film theory: how to represent marginalized people. Together, Ripstein and Garciadiego have constructed a recognizable cinematic world filled with social outcasts, characterized by self-degradation and unreason, and set within squalid environments. Inscribing the Ripsteinian universe within the literary and cinematic traditions of naturalism, this book theorizes the notion of the sordid to examine the partners' unique and epoch-defining films. We can, Zarzosa contends, understand the sordid as a cinematic image, with its specific components and pleasures, recasting questions of authorship, mise-en-scene, spectatorship, genre, and language.
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