Oneworld Publications

The story of a teenage girl on the brink, and the bumpy road back to recovery. 'Nothing short of a modern masterpiece.' Amber Smith, New York Times bestselling author of The Way I Used to Be Bella is at breaking point. Everyone in her life needs something from her, and there's only one thing that dulls the pain. Alcohol smooths the sharp edges and makes it all so much easier. When Bella drinks, she doesn't feel heartbroken over her ex. Or caught in the middle of her parents' divorce. Or overcome with grief for her grandmother. But one night changes everything. When she awakes in hospital with no memory of what happened, it's time to face reality. And for Bella, that means rehab and the bumpy road to recovery.

Magic and sacrifice collide as lovers and gods, enemies and allies vie for the fate of the world in this heart pounding sequel to The Isles of the Gods. When Selly and Leander began their treacherous voyage to the Isles of the Gods, they never expected to fall in love. Now, Leander is imbued with the deadly magic of goddess, Barrica, and only Selly’s presence can stop it from consuming him. But Barrica wasn’t the only immortal roused from sleep. The God of Risk, Macean, was awakened by an enemy, and he’s calling for war. The fight to save their world will take Selly and Leander from the gilded ballroom of the royal palace to the hallowed halls of an ancient library. Battle lines will be drawn, and bonds will break. With the wrath of gods and the machinations of power-hungry rulers straining their loyalties, can their love withstand the trials that await them?

Rome as you’ve never seen it before – brazenly unconventional, badly behaved and ever so feminine. A WATERSTONES BEST HISTORY BOOK OF 2023 Here’s how the history of the Roman Empire usually goes… We kick off with Romulus murdering his brother, go on to Brutus overthrowing Tarquin, bounce through an appallingly tedious list of battles and generals and consuls, before emerging into the political stab-fest of the late Republic. After ‘Et tu, Brute?’, it runs through all the emperors, occasionally nodding to a wife or mother to show how bad things get when women won’t do as they’re told, until Constantine invents Christianity only for Attila the Hun to come and ruin everything. Let’s tear up this script. The history of Rome and its empire is so much more than these ‘Important Things’. In this alternative history, Emma Southon tells another story about the Romans, one that lives through Vestal Virgins and sex workers, business owners and poets, empresses and saints. Discover how entrepreneurial sex worker Hispala Faecenia uncovered a conspiracy of treason, human sacrifice and Bacchic orgies so wild they would make Donna Tartt blush, becoming one of Rome’s unlikeliest heroes. Book yourself a table at the House of Julia Felix and get to know Pompeii’s savviest businesswoman and restauranteur. Indulge in an array of locally sourced delicacies as you take in the wonderful view of Mount Vesuvius… what could possibly go wrong? Join the inimitable Septimia Zenobia, who – after watching a series of incompetent, psychopathic and incompetently psychopathic emperors almost destroy the Empire – did what any of us would do. She declared herself Empress, took over half the Roman Empire and ran it herself.

From prehistoric cave paintings to the prints and etchings of Picasso, owls have captivated and inspired us for millennia. Whether they appear as ancient Athenian symbols of wisdom, ghostly harbingers of death, or the cuddly sidekicks of Harry Potter and Winnie the Pooh, these birds have continued to fascinate and disturb us in equal measure. Through revelatory new behavioural research, Jennifer Ackerman provides an intimate glimpse into these magnificent creatures’ lives. From the evolutionary quirks behind their silent flight and rotating heads, to their romantic relationships and parenting styles, What an Owl Knows brings the rich natural history of owls to life. Deftly weaving together science and art, Ackerman journeys into the owl’s moonlit world and asks: what is it about these birds that so enthrals us?

A fascinating picture book biography of broadcaster and biologist, Sir David Attenborough 'A beautiful book with a timely message accessible for all ages.' Rick Riordan, bestselling author of the Percy Jackson and the Olympians series As a boy, David loved exploring the wild places near his home. When he was older, he travelled the world to film animals in their natural habitats. His adventures brought the wonders of the world into our homes. But David also noticed that our planet was changing. What could David do to help? What could we all do? This is the inspiring story of Sir David Attenborough. It’s also the story of our planet and an urgent call for us to do our part to protect our planet and the creatures who call Earth home.

In 1506 a comet appears above Augsburg. As the astronomer Johann Virdung explains, it heralds conflict, the destruction of crops and the death of kings. He concludes his theories with a poem. In 1680 Isaac Newton peers at a comet through a telescope for the first time. He calculates its orbit and distance from the Sun. Of its meaning, he says nothing. No poetry ensues. Violet Moller takes us through a centuries-long quest for knowledge of the earth and the heavens. In Louvain, Gerard Mercator engraves globes for the Habsburg Emperor, but only narrowly escapes death for heresy. Tycho Brahe catalogues stars on the island of Hven and keeps up a prospering practice in alchemy. In opulent palaces and bustling workshops, the modern astronomical endeavour is born.

One of National Book Tokens' '23 Books to Read in 2023' A Times Literary Supplement Summer Book 2023, picked by Irina Dumitrescu An atmospheric, feminist retelling of the early life of famed villainess Morgan le Fay, set against the colourful chivalric backdrop of Arthurian legend. When King Uther Pendragon murders her father and tricks her mother into marriage, Morgan refuses to be crushed. Trapped amid the machinations of men in a world of isolated castles and gossiping courts, she discovers secret powers. Vengeful and brilliant, it's not long before Morgan becomes a worthy adversary to Merlin, influential sorcerer to the king. But fighting for her freedom, she risks losing everything – her reputation, her loved ones and her life.

In 1813, high in the Lebanese mountains, a thirteen-year-old boy watches a solar eclipse. Will it foretell a war, a plague, the death of a prince? Mikha’il Mishaqa’s lifelong search for truth starts here. Soon he’s reading Newtonian science and the radical ideas of Voltaire and Volney: he loses his religion, turning away from the Catholic Church. Thirty years later, as civil war rages in Syria, he finds a new faith – Evangelical Protestantism. His obstinate polemics scandalise his community. Then, in 1860, Mishaqa barely escapes death in the most notorious event in Damascus: a massacre of several thousand Christians. We are presented with a paradox: rational secularism and violent religious sectarianism grew up together. By tracing Mishaqa’s life through this tumultuous era, when empires jostled for control, Peter Hill answers the question: What did people in the Middle East actually believe? It’s a world where one man could be a Jew, an Orthodox Christian and a Sunni Muslim in turn, and a German missionary might walk naked in the streets of Valletta.

SHAKESPEARE: increasingly irrelevant or lone literary genius of the Western canon? Professor Farah Karim-Cooper grew up loving the Bard, perhaps because Romeo and Juliet felt Pakistani to her. But why was being white as a ‘snowy dove’ essential to Juliet’s beauty? Combining piercing analysis of race, gender and otherness in beloved plays from Othello to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor to fossilise Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril. But if we dare to bring Shakespeare down from his plinth, we might unveil a playwright for the twenty-first century. We might expand and enrich his extraordinary legacy. We might even fall in love with him all over again.

Silicon for microchips; manganese for batteries; titanium for missiles. The moon contains a wealth of natural resources. So, as the Earth's supplies have begun to dwindle, it is no surprise that the world's superpowers and wealthiest corporations have turned their eyes to the stars. As this new Space Race begins, A.C. Grayling asks: who, if anyone, owns the moon? Or Mars? Or other bodies in near space? And what do those superpowers and corporations owe to Planet Earth and its inhabitants as a whole? From feudal common land, through the rules of the sea, to the vast, nationless expanse of Antarctica, Grayling explores the history of the places which no one, and therefore everyone, owns. Examining the many ways this so-called terra nullius has fallen victim to 'the tragedy of the commons' - the tendency for communal resources to be exploited by a few individuals for personal gain at the expense of everyone else - Who Owns the Moon? puts forward a compelling argument for a bold new global consensus, one which recognises and defends the rights of everyone who lives on this planet.

There's no such thing as a former KGB man. Agents of Influence reveals the secret history of an intelligence agency gone out of control, accountable to no one but itself and intent on subverting Western politics on a near-inconceivable scale. In 1985, 1,300 KGB officers were stationed in the USA. The FBI only had 350 counter-intelligence officers. Since the early days of the Cold War, the KGB seduced parliamentarians and diplomats, infiltrated the highest echelons of the Civil Service, and planted fake news in papers across the world. More disturbingly, it never stopped. Putin is a KGB man through and through. Journalist Mark Hollingworth reveals how disinformation, kompromat and secret surveillance continue to play key roles in Russia's war with Ukraine. It seems frighteningly easy to destabilise Western democracy.

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • A "brilliant...essential and surprisingly thrilling book about motherhood" (The New York Times) and the early postpartum days, following a woman struggling with maternal fear and its looming madness and showing how difficult and fragile those days can be—and how vital love is to pull anyone out from the dark There is the before and the after. Withering in the maternal prison of her apartment, a new mother finds herself spiraling into a state of complete disaffection. As a translator, she is usually happy to spend her days as the invisible interpreter. But now home alone with her newborn, she is ill at ease with this state of perpetual giving, carrying, feeding. The instinct to keep her baby safe conflicts with the intrusive thoughts of causing the baby harm, and she struggles to reclaim her identity just as it seems to dissolve from underneath her. Feeling isolated from her supportive but ineffectual husband, she strikes up a tentative friendship with her ailing upstairs neighbour, Peter, who hushes the baby with his oxygen tank in tow. But they are both running out of time; something is soon to crack. Joyful early days of her pregnancy mingle with the anxious arrival of the baby, and culminate in a painful confrontation – mostly, between our narrator and herself. Striking and emotive, The Nursery documents the slow process of staggering back towards the simple pleasures of life and reentering the world after post-partum depression.

Eastern Europe is more than the sum total of its annexations, invasions and independence declarations. From the Baltics to the Balkans, from Prague to Kiev, the area exuded a tragicomic character like no other. This is a paean for a disappearing world of movable borders, sacred groves and syncretism. And an invitation to not forget.

Four lives, entwined forever by decisions made in a time of conflict. But what happens decades later when they unexpectedly converge once more? Trang and Quynh: sisters who leave their rural village for the bustling city of Saigon, desperate to find work to help their impoverished parents. When they take jobs as ‘ bar girls’, paid to flirt with American GIs, they must decide whether they are willing to turn their backs on the people they used to be. Phong: one of the thousands of mixed-race children abandoned by their American fathers and Vietnamese mothers. Phong grows up surrounded by rejection, insulted as a ‘Black American imperialist’, and a ‘child of the enemy’. But he never gives up hope of finding his parents and proving he is more than a ‘bui doi’: more than the ‘dust of life’. Dan: A former American helicopter pilot still plagued by regrets about his actions during the Viet Nam war. Now he has returned in the hope of confronting the demons that refuse to fall silent. Set between the Viet Nam war and the present day, Dust Child is a sweeping epic of family secrets and hidden heartache, from an internationally celebrated author.

Science and religion have always been at each other’s throats, right? Most things you ‘know’ about science and religion are myths or half-truths that grew up in the last years of the nineteenth century and remain widespread today. The true history of science and religion is a human one. It’s about the role of religion in inspiring, and strangling, science before the scientific revolution. It’s about the sincere but eccentric faith and the quiet, creeping doubts of the most brilliant scientists in history – Galileo, Newton, Faraday, Darwin, Maxwell, Einstein. Above all it’s about the question of what it means to be human and who gets to say – a question that is more urgent in the twenty-first century than ever before. From eighth-century Baghdad to the frontiers of AI today, via medieval Europe, nineteenth-century India and Soviet Russia, Magisteria sheds new light on this complex historical landscape. Rejecting the thesis that science and religion are inevitably at war, Nicholas Spencer illuminates a compelling and troubled relationship that has definitively shaped human history.

In an old wardrobe a djinn sits weeping. It whimpers and murmurs small words of complaint. It sucks its teeth and berates the heavens for its fate. It curses the day it ever entered this damned house. Akbar Manzil was once a grand estate overlooking the sparkling ocean beyond South Africa's eastern coast. Now, its Palladian windows and marble parapets, its golden domes and Romanesque towers have fallen into disrepair. Now, Akbar Manzil is where people come to forget, or to be forgotten. Teenage Sana arrives with her father, Bilal, both of them hoping for a fresh start after the tragedies that have blighted their family. But when the ghost of Sana's sister alerts her to the presence of a djinn that lingers just out of reach in the shadowy corners of the house, Sana embarks on a quest to uncover the history of her unnerving new home. Soon, her own story intertwines with that of a young woman who lived there some eighty years earlier, a woman whose tragic fate holds the key to Akbar Manzil's ultimate secret. Endlessly playful and richly imaginative, Shubnum Khan's vibrant debut delves into the transformative powers of love and grief as it explores the legacy of South Africa's complicated past.