Parkstone International strana 2 z 3

Contents: Boyhood 1757-1771, Apprenticeship and Marriage, Lyrical Poems, Poland Street and the Early Prophecies, Lambeth, Blake's Ideas on Art, Felpham with Hayley, Milton and Jerusalem, London Once More, Disciples and Death, Blake and the Sublime.

Pop Art, an abbreviation of Popular Art, is a movement that found its origins in England in the 1950s but realised its full potential in New York in the 60s. The name referred to the interest of a number of artists, such as Robert Rauschenberg (born 1925) and Jasper Johns (born 1930), in the imagery and techniques of consumerism and popular culture. Pop Art, led by the cult figure of Andy Warhol, was probably the most extraordinary innovation of 20th century art. It put art into everyday terms and so helped close the gap between "high art" and "low art." The British artist Richard Hamilton defined Pop Art as: "popular, transient, expendable, low-cost, mass-produced, young, witty, sexy, glamorous, and Big Business." Richly documented and clearly structured, this book provides an overall view as well as a new and insightful perspective on Pop Art and the works of the artists who were at the forefront of this movement.

Pop Art, an abbreviation of Popular Art, is a movement that found its origins in England in the 1950s but realised its full potential in New York in the 60s. The name referred to the interest of a number of artists, such as Robert Rauschenberg (born 1925) and Jasper Johns (born 1930), in the imagery and techniques of consumerism and popular culture. Pop Art, led by the cult figure of Andy Warhol, was probably the most extraordinary innovation of 20th century art. It put art into everyday terms and so helped close the gap between "high art" and "low art." The British artist Richard Hamilton defined Pop Art as: "popular, transient, expendable, low-cost, mass-produced, young, witty, sexy, glamorous, and Big Business." Richly documented and clearly structured, this book provides an overall view as well as a new and insightful perspective on Pop Art and the works of the artists who were at the forefront of this movement.

Not only does this book offer a studied and insightful look into the works of one of the most technically gifted of the world's painters, but it also invites the reader to discover the bustling world of the Venetian art scene in which Titian lived and worked. Its compelling narrative will please the general public while its unique cross-analysis of the 16th century Venetian painters will interest art specialists and students.

The unconventional movement of American Realism allowed artists to break free from the established traditions of art in America and enabled the birth of a true national artistic identity. Through detailed descriptions of both the strong personalities and the artistic exchanges marking this movement, Souter shows the reader how these artists radically altered the art of their time and forever impacted the history of art.

The Bauhaus movement is one of the most significant and consequential cultural emergences of the twentieth century. Walter Gropius founded this institute of design in 1919 in Weimar and it was effective in Weimar, Dessau and Berlin. The teachings of the Bauhaus in design are still observed in today's architecture and design schools but also in general art classes. The products of the Bauhaus, such as Marcel Breuer's well-known steel pipe furniture, became inexpensive classic design standards. The Bauhaus buildings have made architectural history and now belong to the UNESCO world heritage. This book features an overview of the history of the Bauhaus, served by a rich image documentation, and sheds light on its evolution and connection with other movements, and renders the Bauhaus traceable and understandable to the reader.

Max Beckmann, Otto Dix, George Grosz, Emil Nolde, E. L. Kirchner, Paul Klee, Franz Marc as well as the Austrians Oskar Kokoschka and Egon Schiele were among the generation of highly individual artists who contributed to the vivid and often controversial new movement in early twentieth-century Germany and Austria: Expressionism. This publication introduces their work and places it within the cultural contexts and wider movements of the period. The author, independent art historian Ashley Bassie, explains how Expressionist art led the way to a new, intense, evocative treatment of psychological, emotional and social themes in the early twentieth century. The book examines the developments of Expressionism and its key works, highlighting the often intensely subjective imagery and the aspirations and conflicts from which it emerged while focusing precisely on the artists of the movement.

This book deals with the peoples and traditions of Siberia. It will interest a wide range of people as it is a book on art, sociology and history. Documents discovered recently in the hidden backrooms of St Petersburg s Ethnological Museum have proved to be of sensational importance. In this book, the contents of these documents are reinterpreted and published for the first time. The authors brilliantly convey their enthusiastic admiration for the peoples who have so successfully and for so long contended against both a hostile environment and political dominance.

Friedrich Stowasser (1928, Vienna 2000, New Zealand), better known by the name of Friedrich Hundertwasser, was a painter, thinker, and architect, or rather a doctor of architecture, as he declared in his manifesto of the 24th of January 1990.His architectural creations, organic and full of imagination, may have been influenced by the works of Antoni Gaud. Yet, Hundertwasser was more radical in his philosophy. As expressed in his remarkable eco-artistic manifestos, and other achievements (paintings, posters, stamps, houses, and architectural designs), his message remains profoundly and viscerally ecological.His pictorial work is characterised by an organic abundance of forms and by the brilliance of its colours.Hundertwasser is an artist who is difficult to classify. With his tremendous love of nature, he is one of the pioneers of humanist and environmentalist architecture, which attempted to reconcile creativity and ecology. This vision has been shared by many young artists all over the world and by the founders of eco-villages.

The unconventional movement of American Realism allowed artists to break free from the established traditions of art in America and enabled the birth of a true national artistic identity. Through detailed descriptions of both the strong personalities and the artistic exchanges marking this movement, Souter shows the reader how these artists radically altered the art of their time and forever impacted the history of art.

The Devil holds the strings which move us! (Charles Baudelaire, The Flowers of Evil, 1857.) Satan, Beelzebub, Lucifer... the Devil has many names and faces, all of which have always served artists as a source of inspiration. Often commissioned by religious leaders as images of fear or veneration, depending on the society, representations of the underworld served to instruct believers and lead them along the path of righteousness. For other artists, such as Hieronymus Bosch, they provided a means of denouncing the moral decrepitude of one s contemporaries. In the same way, literature dealing with the Devil has long offered inspiration to artists wishing to exorcise evil through images, especially the works of Dante and Goethe. In the 19th century, romanticism, attracted by the mysterious and expressive potential of the theme, continued to glorify the malevolent. Auguste Rodin s The Gates of Hell, the monumental, tormented work of a lifetime, perfectly illustrates this passion for evil, but also reveals the reason for this fascination. Indeed, what could be more captivating for a man than to test his mastery by evoking the beauty of the ugly and the diabolic?

This book gives a new analysis of the intersections between graffiti art and the work of Basquiat. Not only are there few existent writings on the subject, but the book will also appeal to a very large public.

Art and Biography of JMW Turner. Beautifully illustrated with rich color plates

Katsushika Hokusai is without a doubt the most famous Japanese artist known in the Western world since the middle of the nineteenth century. Reflecting the artistic expression of an isolated civilization, the works of Hokusai, one of the first Japanese artists to emerge in Europe, greatly influenced Impressionist and Post-Impressionist painters, such as Vincent van Gogh. Hokusai fascinates with the variety and the significance of his work which spanned almost ninety years.

Diego Rivera is celebrated by Gerry Souter as a virtuoso Mexican muralist, where he could express at once his legend and myths, his technical talent, his intense story-telling focus and self-indulgent ideological convictions. His easel paintings and drawings also constitute a large body of both his early and late work and are represented in the book. Gerry Souter, the author of the remarkable Frida Kahlo, overcomes his huge admiration for Diego Rivera to give the artist a human dimension, found in his political choices, his love affairs and his belief that this truth was Mexico, the language of his thoughts, the blood in his veins, the azure sky above his resting place.

Music is not only a pleasure for the ear, it is the echo of the heartbeat, breath and desire. Professor Dpp revisits music as the catalyst for dance, love and sex. From the music sheet to dance and through instruments, music is the expression of our profound desires and most violent passions. The text revisits the history of music and art from the dances of the first men to pop and electronic music and through belly dance.