Particular Books strana 5 z 5

The New Yorker" was launched in 1925, and offers reporting, criticism, essays, fiction, poetry, humour, and cartoons. From the very outset, the founders, Harold Ross and Jane Grant, declared that their sophisticated magazine was 'not edited for the old lady in Dubuque'. "The New Yorker" has also offered great literature in short stories from such acclaimed writers as John Cheever, Roald Dahl, Alice Munro, Haruki Murakami, Vladimir Nabokov, J.D. Salinger, and Shirley Jackson. From the very first issue, the now iconic monocled dandy Eustace Tilley made "The New Yorker's" covers unique and pointed. These signature traits have continued right up to the present day in the striking and sometimes controversial covers from such artists as Peter Arno, William Steig, Saul Steinberg, Jean-Jacques Sempe, and Art Spiegelman. These covers were selected by Francoise Mouly.

Funny and surprising on every page, "Is That a Fish in Your Ear? "offers readers new insight into the mystery of how we come to know what someone else means--whether we wish to understand Asterix cartoons or a foreign head of state. Using translation as his lens, David Bellos shows how much we can learn about ourselves by exploring the ways we use translation, from the historical roots of written language to the stylistic choices of Ingmar Bergman, from the United Nations General Assembly to the significance of James Cameron's "Avatar." "Is That a Fish in Your Ear? "ranges across human experience to describe why translation sits deep within us all, and why we need it in so many situations, from the spread of religion to our appreciation of literature; indeed, Bellos claims that all writers are by definition translators. Written with joie de vivre, reveling both in misunderstanding and communication, littered with wonderful asides, it promises any reader new eyes through which to unders tand the world. In the words of Bellos: "The practice of translation rests on two presuppositions. The first is that we are all different: we speak different tongues, and see the world in ways that are deeply influenced by the particular features of the tongue that we speak. The second is that we are all the same--that we can share the same broad and narrow kinds of feelings, information, understandings, and so forth. Without "both "of these suppositions, translation could not exist. Nor could a nything we would like to call social life. Translation is another name for the human condition."