powerHouse Books,U.S.

Please note that all blank pages in the book were chosen as part of the design by the publisher. A good street photographer must be possessed of many talents: an eye for detail, light, and composition; impeccable timing; a populist or humanitarian outlook; and a tireless ability to constantly shoot, shoot, shoot, shoot and never miss a moment. It is hard enough to find these qualities in trained photographers with the benefit of schooling and mentors and a community of fellow artists and aficionados supporting and rewarding their efforts. It is incredibly rare to find it in someone with no formal training and no network of peers. Yet Vivian Maier is all of these things, a professional nanny, who from the 1950s until the 1990s took over 100,000 photographs worldwide--from France to New York City to Chicago and dozens of other countries--and yet showed the results to no one. The photos are amazing both for the breadth of the work and for the high quality of the humorous, moving, beautiful, and raw images of all facets of city life in America's post-war golden age. It wasn't until local historian John Maloof purchased a box of Maier's negatives from a Chicago auction house and began collecting and championing her marvelous work just a few years ago that any of it saw the light of day. Presented here for the first time in print, "Vivian Maier: Street Photographer" collects the best of her incredible, unseen body of work.

Celebrated by "The" "Wall Street Journal," "Vanity Fair," "The New York Times," "American Photo," "Town and Country," and countless other publications, the life's work of recently discovered street photographer Vivian Maier has captivated the world and spawned comparisons to photography's masters including Diane Arbus, Helen Levitt, Lisette Model, Walker Evans, and Weegee among others. Now, for the first time, "Vivian Maier: Self-Portraits" reveals the fullest and most intimate portrait of the artist to date with approximately 60 never-before-seen black-and-white and four-color self-portraits culled from the extensive Maloof archive, the preeminent collector of the work of Vivian Maier and editor of the highly acclaimed "Vivian Maier: Street Photographer" (powerHouse Books, 2011)--bringing us closer to the reclusive artist than ever before.

"Paris in Winter" combines fanciful ink and watercolor drawings by American artist and writer David Coggins with charming vignettes about his family's annual New Year's sojourns to Paris, which, because of their unending love for the city, they've been taking together for almost 20 years. This memoir of poetic, lighthearted stories highlights the family's passion for art and food, fashion and social life. Family rituals--from having lunch each January at the delightful Le Grand Vefour to haunting favorite antique shops and seeking out-of-the-ordinary spots, like a little known garden or a gypsy circus--are interspersed with serendipitous moments: hearing Bono sing "Happy Birthday" to a friend in a bistro, adopting an abandoned lap dog, and the simple pleasures of Parisian street life. Coggins's delicate and intimate drawings capture classic Parisian scenes as well as family and friends against the backdrop of the elegant City of Light under the cloak of winter. Across cafes and hotels, apartments and galleries, the family mixes with a lively group of Parisian and international actors, designers, writers, and students. Furthermore, Coggins weaves in fascinating bits of the city's history and artistic lore, from Victor Hugo's interior designs to the painting that legend has it started Impressionism, to delight Francophiles all over."

baby's first year is filled with an endless stream of new experiences, contributing profoundly to their physical, mental, and emotional development. Typically at the age of one-year an infant has the motor skills and ability to sit on their own for the first time and their uninhibited gaze provides a window into a distinct personality that will endure throughout their lifetime. It is these individual natures that photographer Edward Mapplethorpe expertly captures. The culmination of a twenty-year project by one of today's top-commissioned and internationally-recognized photographers of baby portraits, "ONE"features a series of 60 photographs that catch the fleeting, yet universal, moment of life when a child reaches one year of age. There is something remarkable in the innocent faces of the children portrayed in this book that serves to underscore our common humanity. The luxuriously printed duotone photographs in"ONE"are accompanied by essays from esteemed contemporary authors Adam Gopnik, Susan Orlean, Francine Prose, and Andrew Solomon. Patti Smith contributes the book's foreword while Dr. Samantha Boardman writes the introduction. Contributions from such diverse luminaries emphasize the widespread appeal such innocent, unguarded beauty has for so many people."

At the very apex of David Bowie's spectacular rise to rock n' roll fame and glory, photographer Steve Schapiro seized a rare invitation from Bowie's manager for a private photo session with the pop star in Los Angeles in 1974. Bowie, by 1974, was a man of many faces and as many albums, had already lived the life of Ziggy Stardust and launched Alladin Sane with albums Pin Ups and Diamond Dogs soon to come. A musical force to be reckoned with, Bowie was also widely regarded as a fashion icon, pushing the envelope of sexuality and style and having created an internationally renowned persona. The mostly never-before-published images in Schapiro's rare collection represent Bowie at his most creative and inspired self and present a glimpse into the intimacy that Schapiro and Bowie shared during their time together. As Schapiro tells it: "From the moment Bowie arrived, we seemed to hit it off. Incredibly intelligent, calm, and filled with ideas, he talked a lot about Alistair Crowley whose esoteric writings he was heavily into at the time. When David heard that I had photographed Buster Keaton, one of his greatest heroes, we instantly became friends." The first photo session started at four in the afternoon and went through the night till dawn. Bowie went through countless costume changes, each more incredible than the last and each seemed to turn him into a totally different person. Bowie relentlessly created these unique characters, each seemingly alive in their own charismatic space for Schapiro to create visual images to complement their very existence and turn them into iconic images for all time. Bowie and Schapiro kidded and laughed about shooting a series of close-up portraits on a putrid green background because they felt it was the worst possible background color for a magazine, and so they did on this lark - with the image eventually becoming a People magazine cover. The last image they made was at four in the morning to wrap up the marathon session when they went outside to shoot Bowie on his motorcycle - the sun hadn't yet risen and the shot was lit dramatically by only the headlights of a car. This image remains one of Schapiro's favorites of all time and is certain to live on in posterity.

The Artists? and Writers? Cookbook is a collection of personal, food-related stories with recipes from 76 contemporary artists and writers. Inspired by a book from 1961, The (original) Artists' & Writers' Cookbook included recipes from the likes of Marcel Duchamp, Man Ray, Marianne Moore, and Harper Lee. This new, vibrantly illustrated version includes stories and recipes from Anthony Doerr, Leanne Shapton, Joyce Carol Oates, John Currin and Rachel Feinstein, Ed Ruscha, Neil Gaiman, Edwidge Danticat, Aimee Bender, Gregory Crewdson, James Franco, Francesca Lia Block, Swoon, Nelson DeMille, Rick Moody and Laurel Nakadate, Nikki Giovanni, T.C. Boyle, Lev Grossman, Roz Chast, Heidi Julavits, Marina Abramovic, Curtis Sittenfeld, Julia Alvarez, and many others. In The Artists? and Writers? Cookbook, Anthony Doerr lures us out into the wild to find huckleberries and happiness, while Paul Muldoon and Aimee Bender conjure food-related apocalyptic visions. Neil Gaiman makes a perfectly eerie cheese omelette while Ed Ruscha makes his cactus omelette in times of doom. Marina Abramovic shares ?fire food.? Nelson DeMille reminisces about a meal he ate 40 years ago when serving in Vietnam. Sanford Biggers updates a soul food classic??something tasty to lessen the bitter taste of consistent, systematic oppression, unequal distribution of wealth and resources, and long-term disenfranchisement throughout U.S. history.? Amber Dermont cracks open, disassembles, and then perfectly reassembles a lobster with her bare hands, and Padgett Powell discovers a food that he will ?read about, track down, travel for, presume to criticize others for liking poor executions of?and that he will learn to make.? Daniel Wallace woos with an eggplant sandwich. Francesca Lia Block tells us how to fall in love. The essays are at turns comedic and heart-wrenching, personal and apocalyptic, with recipes that are enchanting to read and recreate. One part cookbook and one part intimate self-portrait, The Artists? and Writers? Cookbook is a portal into the kitchens and personal lives of an unmatched collection of contemporary artists and writers.

Meet the Mokomaki, a group of adorable little birds who cavort playfully through the pages of this picture book while teaching the basics of numeracy to preschoolers. A mommy fox is searching for her lost baby, and asks the Mokomaki for help as she looks--the little birds cheerfully mount a search through the forest, where they meet lots of other creatures, who helpfully join in--and kids can, too! As they search, readers practice sequencing, sorting and classifying, comparing, and grouping while looking for the missing fox.

In June, 1963, on assignment from Sports Illustrated, peerless portrait photographer Steve Schapiro traveled to Louisville, Kentucky to spend some time with the young Olympic champion boxer Cassius Clay, and accompany him on a road trip to New York City. At 21, Clay was yet to adopt the mantel of Muhammad Ali, but his boastful persona, intelligence, black pride, and sharp tongue were already fully formed. Over the course of their five days together, Schapiro—a master at developing trust and capturing unguarded intimacy on film—revealed both sides of the young Ali: the one side posing and preening for the camera, ever conscious of his image; the other, unguarded and unselfconscious, in candid images of the young fighter at home with his family and immersed in his community and neighborhood. Ali collects the best of Schapiro's images of the late fighter; many in print for the first time ever. They offer a glimpse of a star on the rise. It is an indelible portrait of the early life of one of the most talented, graceful, controversial, athletic, and influential American figures of the 20th century.

This monograph on the work of Gideon Lewin, master printer and assistant to Richard Avedon, revealsmoments never told, stories never heard, and a life that only a few ever experienced. It is a story of a close working relationship and collaboration with a master. Avedon: Behind the Scenes, 1964-1980 relates Lewin's personal experiences working with Richard Avedon for 16 years. It is about the hard work, the intrigues, the energy, the mysteries, the humor, and the commitment to creating images that were larger-than-life and will last for generations. This book illuminates many details about preparations for Avedon's major exhibitions, the master classes he was a part of, and many behind-the-scenes stories working on fashion collections in Paris and in New York for Harper's Bazaar and Vogue, photographing the world's most famous personalities and most beautiful women: Sophia Loren, Audrey Hepburn, Catherine Deneuve, Cher, Jean Shrimpton, Veruschka, Twiggy, Rene Russo, Patti Hansen, and Lauren Hutton. Finally, this book opens a window on the lighter side of Richard Avedon, as well as his total dedication to the art of photography in his determination to leave a legacy unlike that of any other photographer. With about 200 photographs Avedon: Behind the Scenes, 1964-1980 is a singular and remarkable journey.

Leonard Bernstein is internationally renowned as one of the greatest conductors, composers, musical inspirations, and creative minds of our time. He is also legendary for his extreme passion, raw charisma, and powerful convictions, with a brash, insatiable lust for life that became etched more clearly into the lines of his face with each passing year. As with many celebrities, Leonard Bernstein was constantly being photographed, but unlike most, he was photographed by some of the greatest visual masters of the 20th century, including Richard Avedon, Henri Cartier-Bresson, Alfred Eisenstaedt, Ken Heyman, Yousuf Karsh, Stanley Kubrick, Gjon Mili, Arnold Newman, Ruth Orkin, Irving Penn, and W. Eugene Smith. To mark his centennial, curator and photographer Steve J. Sherman and Jamie Bernstein, Lenny's eldest daughter, present this remarkable collection of 100 iconic images, which tell the Maestro's life story through the unique vantage point of these image-makers and their revelatory (and sometimes never-before-seen) photographs. A foreword by Bernstein's three children, along with a selection of Bernstein's handwritten music sketches, letters, speeches and poems, further enhances this intimate journey into the life of an artist who changed the face of the 20th century.