Princeton University Press strana 4 z 7

The intellectual biography of a Victorian Liberal polymathJames Bryce (1838–1922) was a leading figure in Britain’s Liberal Party and a distinguished historian, a versatile scholar-politician who moved seamlessly between academia and politics. He was, among many other things, a cabinet minister and a popular ambassador, an expert on American politics and on Roman law, an advocate for the Armenian people and an architect of the League of Nations, a world traveller and a climber of Mount Ararat. In Liberal Worlds, Stuart Jones offers an intellectual biography of Bryce, tracing a Scots-Ulster Presbyterian’s assimilation to the increasingly multiconfessional Victorian state, and a late Victorian Liberal’s encounter with the wider world. Jones shows how a polymathic intelligence grappled with a dizzyingly wide range of concerns and issues, including the challenges of democracy and race relations, the rise of modern universities and the reconstruction of the international order after World War I. In mapping the evolution of Bryce’s thought, Liberal Worlds illuminates the international intellectual networks and the many places across the globe that shaped his thinking. Jones considers, for example, why a man who had a lifelong revulsion against slavery seemed to accept racial segregation in the American South; how a vigorous activist for girls’ and women’s education became a tenacious parliamentary critic of women’s suffrage; and why, over the objections of his Ulster Presbyterian family, he backed Irish home rule. Above all, Jones rescues Bryce—immensely influential in his time, now little remembered—from being consigned to a historical pigeonhole, restoring him to the centre of late nineteenth- and early twentieth-century debates over the nature of democratic politics.

How late medieval Middle Eastern peasants adopted Arab cultural identities and formed village clansDuring the later Middle Ages, peasants in Egypt and Greater Syria came to view themselves as members of Arab clans that had originated in the Arabian Peninsula. They expressed their Arab identity by wearing Arab headgear, adopting an Arab dialect, and circulating a new genre of popular epic that told heroic tales of pre-Islamic Arabia. In Becoming Arab, Yossef Rapoport argues that this proliferation of Arab village clans did not come about through mass migration and displacement but reflected an internal transformation. Drawing on extensive documentary, literary, administrative, and material evidence, Rapoport shows that the widespread formation of Arab village clans in late medieval Egypt and Greater Syria was a gradual process, the result of mass rural conversion to Islam and a new landholding regime in which peasants shifted from being landowners to being tenants. After the eleventh century, Rapoport contends, Middle Eastern villagers were turning Arab. These Arab village clans were not merely administrative regimes imposed from above; villagers enthusiastically embraced their new identities. New converts to Islam adopted Arab lineages to claim status and as a counter-identity to urban-based Turkish elites. Arab identity was used by clans to mobilize rural uprisings against the ruling sultans and to resolve disputes among villagers. Challenging traditional historiography of the Middle East, which views Arab clansmen as pastoralists whose identity separated them from that of the wider peasantry, Rapoport argues that the pervasive establishment of Arab village clans was the most important development in the history of the Middle Eastern countryside in the Islamic era.

An investigation of what it means to have children—morally, philosophically and emotionally“Do you want to have children?” is a question we routinely ask each other. But what does it mean to create a child? Is this decision always justified? Does anyone really have the moral right to create another person? In Begetting, Mara van der Lugt attempts to fill in the moral background of procreation. Drawing on both philosophy and popular culture, van der Lugt does not provide a definitive answer on the morality of having a child; instead, she helps us find the right questions to ask.Most of the time, when we talk about whether to have children, what we are really talking about is whether we want to have children. Van der Lugt shows why this is not enough. To consider having children, she argues, is to interrogate our own responsibility and commitments, morally and philosophically and also personally. What does it mean to bring a new creature into the world, to decide to perform an act of creation? What does it mean to make the decision that life is worth living on behalf of a person who cannot be consulted? These questions are part of a conversation we should have started long ago. Van der Lugt does not ignore the problematic aspects of procreation—ethical, environmental and otherwise. But she also acknowledges the depth and complexity of the intensely human desire to have a child of our own blood and our own making.

Shortlisted for the Financial Times and Schroders Business Book of the Year Award How 1,000 years of global history show why technological and economic progress is often followed by stagnation and even collapse In How Progress Ends, Carl Benedikt Frey challenges the conventional belief that economic and technological progress is inevitable. For most of human history, stagnation was the norm, and even today progress and prosperity in the world's largest, most advanced economies-the United States and China-have fallen short of expectations. To appreciate why we cannot depend on any AI-fueled great leap forward, Frey offers a remarkable and fascinating journey across the globe, spanning the past 1,000 years, to explain why some societies flourish and others fail in the wake of rapid technological change. By examining key historical moments-from the rise of the steam engine to the dawn of AI-Frey shows why technological shifts have shaped, and sometimes destabilized, entire civilizations. He explores why some leading technological powers of the past-such as Song China, the Dutch Republic, and Victorian Britain-ultimately lost their innovative edge, why some modern nations such as Japan had periods of rapid growth followed by stagnation, and why planned economies like the Soviet Union collapsed after brief surges of progress. Frey uncovers a recurring tension in history: while decentralization fosters the exploration of new technologies, bureaucracy is crucial for scaling them. When institutions fail to adapt to technological change, stagnation inevitably follows. Only by carefully balancing decentralization and bureaucracy can nations innovate and grow over the long term-findings that have worrying implications for the United States, Europe, China, and other economies today. Through a rich narrative that weaves together history, economics, and technology, How Progress Ends reveals that managing the future requires us to draw the right lessons from the past.

Killing the Dead provides the first in-depth, global account of one of the world's most widespread yet misunderstood forms of mass hysteria-the vampire epidemic. In a spellbinding narrative, John Blair takes readers from ancient Mesopotamia to present-day Haiti to explore a macabre frontier of life and death where corpses are believed to wander or do harm from the grave, and where the vampire is a physical expression of society's inexplicable terrors and anxieties. In 1732, the British public opened their morning papers to read of lurid happenings in eastern Europe. Serbian villagers had dug up several corpses and had found them to be undecayed and bloated with blood. Recognizing the marks of vampirism, they mutilated and burned them. Centuries earlier, the English themselves engaged in the same behavior. In fact, vampire epidemics have flared up throughout history-in ancient Assyria, China, and Rome, medieval and early modern Europe, and the Americas. Blair blends the latest findings in archaeology, anthropology, and psychology with vampire lore from literature and popular culture to show how these episodes occur at traumatic moments in societies that upend all sense of security, and how the European vampire is just one species in a larger family of predatory supernatural entities that includes the female flying demons of Southeast Asia and the lustful yoginis of India. Richly illustrated, Killing the Dead provocatively argues that corpse-killing, far from being pathological or unhealthy, served as a therapeutic and largely harmless outlet for fear, hatred, and paranoia that would otherwise result in violence against marginalized groups and individuals.

With Seekers of Wonder, Elena Sottilotta offers the first comparative study of women's manifold roles in the collection of Italian and Irish folklore and fairy tales between 1870 and 1920. Sottilotta views the often-overlooked work of these women from an interdisciplinary perspective, considering both the politics and poetics of seeking wonder. In so doing, she centers women's influence on the preservation and dissemination of oral traditions, bringing work that was once relegated to the margins into dialogue with work long regarded as canonical. After mapping sidelined, marginalized, and forgotten women folklorists, Sottilotta narrows the focus onto four writers and collectors who were inspired by Italian and Irish insular contexts: Laura Gonzenbach, who collected Sicilian wonder tales; Grazia Deledda, who wrote Sardinian ethnographic sketches, legends, and fairy tales; Jane Wilde, who published anthologies of Irish folklore; and Augusta Gregory, who collected traditional narratives in the west of Ireland. Situated within an ongoing process of rediscovery of lesser-known collectors, tellers, and tales in the European tradition, Sottilotta relocates these figures within a broader transcultural framework. Throughout, Sottilotta emphasizes the role of women as crucial intermediaries between different cultural groups-in particular, between the world of the "folk" and the world of scholarly folklore studies. Unearthing rare archival material and reading these writings from the perspective of gender, Sottilotta sheds light on the identity dynamics that animated the cultural phenomenon of collecting folk and fairy tales in this era.

A beautifully illustrated guide to over seventy-five important journeys in world literature, spanning more than thirty countries and twenty-five hundred years From Homer's Odyssey, Chaucer's Canterbury Tales, and Cervantes's Don Quixote to Melville's Moby-Dick, Kerouac's On the Road, and Chimamanda Ngozi Adichie's Americanah, some of the most powerful works of fiction center on a journey. Extending to the ends of the earth and spanning from ancient Greece to today, Literary Journeys is an enthralling book that takes you on a voyage of discovery through some of the most important journeys in literature. In original essays, an international team of literary critics, scholars, and other writers explore exciting, dangerous, tragic, and uplifting journeys in more than seventy-five classic and popular works of fiction from around the world. Chronologically arranged and gorgeously illustrated throughout with paintings, engravings, photographs, and maps in full color, this captivating book will appeal to readers who have travelled widely, who are planning a trip, or who love armchair travel. Contributors include Robert McCrum, Susan Shillinglaw, Maya Jaggi, Robert Holden, Suzanne Conklin Akbari, Alan Taylor, Michael Bourne, Sarah Mesle-and dozens more.

At the end of the acclaimed history 1177 B.C., many of the Late Bronze Age civilizations of the Aegean and Eastern Mediterranean lay in ruins, undone by invasion, revolt, natural disasters, famine, and the demise of international trade. An interconnected world that had boasted major empires and societies, relative peace, robust commerce, and monumental architecture was lost and the so-called First Dark Age had begun. Now, in After 1177 B.C., Eric Cline tells the compelling story of what happened next, over four centuries, across the Aegean and Eastern Mediterranean world. It is a story of resilience, transformation, and success, as well as failures, in an age of chaos and reconfiguration. After 1177 B.C. tells how the collapse of powerful Late Bronze Age civilizations created new circumstances to which people and societies had to adapt. Those that failed to adjust disappeared from the world stage, while others transformed themselves, resulting in a new world order that included Phoenicians, Philistines, Israelites, Neo-Hittites, Neo-Assyrians, and Neo-Babylonians. Taking the story up to the resurgence of Greece marked by the first Olympic Games in 776 B.C., the book also describes how world-changing innovations such as the use of iron and the alphabet emerged amid the chaos. Filled with lessons for today's world about why some societies survive massive shocks while others do not, After 1177 B.C. reveals why this period, far from being the First Dark Age, was a new age with new inventions and new opportunities.

A powerful case for democracy and how it can adapt and survive?if we want it to Is democracy in trouble, perhaps even dying? Pundits say so, and polls show that most Americans believe that their country’s system of governance is being “tested” or is “under attack.” But is the future of democracy necessarily so dire? In The Civic Bargain, Brook Manville and Josiah Ober push back against the prevailing pessimism about the fate of democracy around the world. Instead of an epitaph for democracy, they offer a guide for democratic renewal, calling on citizens to recommit to a “civic bargain” with one another to guarantee civic rights of freedom, equality, and dignity. That bargain also requires them to fulfill the duties of democratic citizenship: governing themselves with no “boss” except one another, embracing compromise, treating each other as civic friends, and investing in civic education for each rising generation. Manville and Ober trace the long progression toward self-government through four key moments in democracy’s history: Classical Athens, Republican Rome, Great Britain’s constitutional monarchy, and America’s founding. Comparing what worked and what failed in each case, they draw out lessons for how modern democracies can survive and thrive. Manville and Ober show that democracy isn’t about getting everything we want; it’s about agreeing on a shared framework for pursuing our often conflicting aims. Crucially, citizens need to be able to compromise, and must not treat one another as political enemies. And we must accept imperfection; democracy is never finished but evolves and renews itself continually. As long as the civic bargain is maintained?through deliberation, bargaining, and compromise?democracy will live.

A critical history of the social media influencer’s rise to global prominence Before there were Instagram likes, Twitter hashtags, or TikTok trends, there were bloggers who seemed to have the passion and authenticity that traditional media lacked. The Influencer Industry tells the story of how early digital creators scrambling for work amid the Great Recession gave rise to the multibillion-dollar industry that has fundamentally reshaped culture, the flow of information, and the way we relate to ourselves and each other. Drawing on dozens of in-depth interviews with leading social media influencers, brand executives, marketers, talent managers, trend forecasters, and others, Emily Hund shows how early industry participants focused on creating and monetizing digital personal brands as a means of exerting control over their professional destinies in a time of acute economic uncertainty. Over time, their activities coalesced into an industry whose impact has reached far beyond the dreams of its progenitors—and beyond their control. Hund illustrates how the methods they developed for creating, monetizing, and marketing social media content have permeated our lives and untangles the unforeseen cultural and economic costs. The Influencer Industry reveals how, in an increasingly fractured and profit-driven communications environment, the people we think of as “real” are merely those who have learned to exploit the industry’s ever-shifting constructions of authenticity.

A revealing collection of quotations from world-renowned artist Damien Hirst Hirst-isms is a collection of quotations?bold, surprising, often humorous, and always insightful?from celebrated artist Damien Hirst, whose controversial work explores the connections between art, religion, science, life, and death. Emerging in the 1990s as a leading member of the Young British Artists (YBAs), Hirst first became famous and gained a reputation as a provocateur with a series of artworks featuring dead and sometimes dissected animals (including a shark, sheep, and cow) preserved in glass tanks filled with formaldehyde. Gathered from interviews and other primary sources and organized by subject, these quotations explore Hirst’s early years, family life, and the beginnings of his fascination with art; the major themes of his work; his influences and heroes; his motivation; his process and the boundary-pushing production of his work; and his thoughts on the art world, fame, and money. The result is a comprehensive and nuanced book that sheds new light on a fascinating and important contemporary artist. Select quotations from the book: “The less I feel like an artist, the better I feel.” “I like it when people love my art. I like it when people hate my art. I just don’t want them to ignore my art.” “Painting’s like the most fabulous illusion, because there’s nothing at stake. Except yourself.” “I’m interested in the confusion between art and life, I like it when the world gets in the way.” “Sometimes you have to step over the edge to know where it is.”

A savory account of how the pursuit of delicious foods shaped human evolution Nature, it has been said, invites us to eat by appetite and rewards by flavor. But what exactly are flavors? Why are some so pleasing while others are not? Delicious is a supremely entertaining foray into the heart of such questions. With generous helpings of warmth and wit, Rob Dunn and Monica Sanchez offer bold new perspectives on why food is enjoyable and how the pursuit of delicious flavors has guided the course of human history. They consider the role that flavor may have played in the invention of the first tools, the extinction of giant mammals, the evolution of the world’s most delicious and fatty fruits, the creation of beer, and our own sociality. Along the way, you will learn about the taste receptors you didn't even know you had, the best way to ferment a mastodon, the relationship between Paleolithic art and cheese, and much more. Blending irresistible storytelling with the latest science, Delicious is a deep history of flavor that will transform the way you think about human evolution and the gustatory pleasures of the foods we eat.

A fascinating account of the growing "Yes in My Backyard" urban movement. The exorbitant costs of urban housing and the widening gap in income inequality are fueling a combative new movement in cities around the world. A growing number of influential activists aren’t waiting for new public housing to be built. Instead, they’re calling for more construction and denser cities in order to increase affordability. Yes to the City offers an in-depth look at the “Yes in My Backyard” (YIMBY) movement. From its origins in San Francisco to its current cadre of activists pushing for new apartment towers in places like Boulder, Austin, and London, Max Holleran explores how urban density, once maligned for its association with overpopulated slums, has become a rallying cry for millennial activists locked out of housing markets and unable to pay high rents. Holleran provides a detailed account of YIMBY activists campaigning for construction, new zoning rules, better public transit, and even candidates for local and state office. YIMBY groups draw together an unlikely coalition, from developers and real estate agents to environmentalists, and Holleran looks at the increasingly contentious battles between market-driven pragmatists and rent-control idealists. Arguing that advocates for more housing must carefully weigh their demands for supply with the continuing damage of gentrification, he shows that these individuals see high-density urbanism and walkable urban spaces as progressive statements about the kind of society they would like to create. Chronicling a major shift in housing activism during the past twenty years, Yes to the City considers how one movement has reframed conversations about urban growth.

A unique collection of brilliant quotations from the legendary Pop artist One of the most influential artists of his time and ours, Andy Warhol is nearly as renowned for what he said as for what he did. Indeed, he is so quotable that things he never said are endlessly and plausibly attributed to him, including, fittingly, the most celebrated fake Warhol saying-"In the future, everyone will be world-famous for 15 minutes." Warhol-isms separates legend from fact to present a unique and comprehensive collection of authentic quotations from the Pop artist. Gathered from interviews and other primary sources, these deadpan, droll, ironic, and sincere gems-in which a superficial embrace of superficiality often disguises provocative, unconventional ideas-provide compelling insights into the life and work of an artist who has left an indelible mark on art and popular culture.

What a rare mushroom can teach us about sustaining life on a fragile planet Matsutake is the most valuable mushroom in the world-and a weed that grows in human-disturbed forests across the northern hemisphere. Through its ability to nurture trees, matsutake helps forests to grow in daunting places. It is also an edible delicacy in Japan, where it sometimes commands astronomical prices. In all its contradictions, matsutake offers insights into areas far beyond just mushrooms and addresses a crucial question: what manages to live in the ruins we have made? A tale of diversity within our damaged landscapes, The Mushroom at the End of the World follows one of the strangest commodity chains of our times to explore the unexpected corners of capitalism. Here, we witness the varied and peculiar worlds of matsutake commerce: the worlds of Japanese gourmets, capitalist traders, Hmong jungle fighters, industrial forests, Yi Chinese goat herders, Finnish nature guides, and more. These companions also lead us into fungal ecologies and forest histories to better understand the promise of cohabitation in a time of massive human destruction. By investigating one of the world's most sought-after fungi, The Mushroom at the End of the World presents an original examination into the relation between capitalist destruction and collaborative survival within multispecies landscapes, the prerequisite for continuing life on earth.

A collection of compelling quotations from a rising star in contemporary art, architecture, and design The work of renowned contemporary artist Daniel Arsham blurs the lines between art, architecture, archeology, and design. In his distinctive style, he takes ancient art works and objects from twentieth-century pop culture and casts sculptures of them in geological materials such as quartz or volcanic ash, colliding past, present, and future in haunted yet playful visions that prompt viewers to question their everyday surroundings. Gathered from interviews and other sources, Arsham-isms is a collection of lively, thought-provoking, and memorable quotations from this exciting young creative talent on a wide range of subjects?including art, architecture, film, design, pop culture, the art world, and what it means to be a globally recognized artist today. Select quotations from the book: “Art needs to be a little dangerous.” “You don’t have to own the thing to be part of it.” “This work for me is not about progress. It is about destruction and growth and where they are able to meet in the middle.”