Rutgers University Press strana 2 z 2

Fantasies of Hong Kong Disneyland: Attempted Indigenizations of Space, Labor, and Consumption examines the attempt to transplant Disney''s "happiest place on Earth" ethos to Hong Kong-with unhappy results. Focusing on the attempted localization/indigenization of this idea in a globalized transnational park, the book delves into the three-way dynamics of an American culture-corporation''s intentions, Hong Kong, China''s government investment and Hong Konger audience, and the Hong Kong Chinese locale. The triple actors introduce an especially complex case as two of the world''s most powerful entities, the nominally Communist state of China and corporate behemoth Disney, come together for a project in the third space of Hong Kong. The situation poses special challenges for Disney''s efforts to manage space, labor, and consumption to achieve local adaptation and business success.

Undocumented in the U.S. South is a rare look into the everyday realities of undocumented youth in K-12 public schools. In an anti-immigrant policy context, youth and their families navigate historical and current legacies and realities of segregation, racial discrimination, and inequality. With a deep three-year ethnographic study, hundreds of hours of observational research, interviews, and policy analysis, Sophia Rodriguez traces the lives of undocumented youth across multiple public school settings. Her research underscores how these youth are racialized through state policies, school and organizational practices, and everyday interactions with educators and peers. As the first study of its kind to combine this unique framework for analysis, Undocumented in the U.S. South sheds light on the challenges youth face in their everyday struggle to belong. Rodriguez invites us to consider youth experiences as central knowledge for improving educators’ awareness and school practice, while promoting policies that are humanizing and rooted in youth experience.

The narrow DariÉn Gap, the only land bridge connecting South and Central America, encompasses a spectacularly hostile jungle, covered in steep mountains, dense rainforests, and flood-prone marshes. Known in Spanish as el infierno verde, or “the green hell,” it is one of the most inhospitable places in the world. Its terrain is too treacherous for roads, yet hundreds of thousands of refuge seekers contend with its horrors every year in the hopes of reaching the United States, still some three thousand miles away. And of the countless who set out for the border, an untold number never arrive.   In this book, journalist BelÉn FernÁndez visits the DariÉn Gap to report on the dehumanizing and deadly stretch of land that has become a mass graveyard for migrants. FernÁndez’s travels bring her into contact with refuge seekers, people smugglers, law enforcement officials, and many more whose stories bring life to a place overwhelmingly associated with death. Combining history, on-the-ground reporting, travelogue, memoir, and searing politico-economic analysis, she shines light on a largely made-in-the-USA crisis that has come to define our modern era.   Engrossing and heartrending, The DariÉn Gap is a poignant and compassionate indictment of structural inequality and institutionalized inhumanity in a world where the have-nots must risk death for a chance at a better life-or any life at all.

Films That Spill is a comprehensive study of the Cinema of Transgression, a hitherto underexamined moment in US underground film culture. Reconsidering the concept of transgressive cinema not only as a description of the intentionally provocative content of the films but also as a feature of a cross-disciplinary practice, Marie Sophie Beckmann explores how filmmaking in the context of the vibrant and intermingling art, music, performance, and film scenes in 1980s Lower Manhattan spilled over the boundaries of artistic disciplines, media formats, and content concepts. This study not only provides a microhistory of these scenes and insight into their afterlife in archives and exhibitions but also represents an innovative contribution to debates within film, media, and visual culture about the methodological and historiographical challenges posed by the expansion of film beyond the discursive boundaries of cinema.

Today, the Ludovisi district is one of Rome’s most luxurious neighborhoods, home to famous restaurants and some of the most expensive shops in the city. But it was once private property, part of an eighty-six-acre villa owned by the Boncompagni Ludovisis, an ancient noble family with close ties to the papacy. The story of how the palazzo fell out of the family's hands reveals the tremendous social upheavals that Italy underwent following its mid-nineteenth-century unification.   First privately published in 1921, The Twilight of Rome's Papal Nobility provides an intimate look at a family who grew up accustomed to almost unimaginable wealth, power, and glamour. A descendant of two popes, Ugo Boncompagni Ludovisi recounts the life story of his mother Agnese, who was raised in a palace full of priceless artwork, including pieces by Caravaggio and Michelangelo. We get a window into Agnese's private life-her girlhood, marriage, and raising of several children-as her public life becomes increasingly tumultuous amid the family’s struggles to retain its property. A tender elegy to a bygone era, Boncompagni Ludovisi's story provides a unique perspective on Italian history and Rome’s urban redevelopment.

Islamists in a Zionist Coalition: The Political and Religious Origins explores the decision made in 2021 by the United Arab List, the political arm of the Southern Branch of the Islamic Movement in Israel (SIM), to join the Israeli Zionist coalition for the first time, and specifically how and why it was possible for an Islamist movement to become the enabler of a Zionist government without losing the support of its religious scholars or political base. Through analyses of hundreds of books, columns, fatwas, media interviews, and posts on social media, as well as interviews conducted by the author with all the living leaders of the SIM and the United Arab List, Uriya Shavit demonstrates that the Islamic premises on which the SIM operates, rather than limit the party's flexibility, made it possible for the United Arab List to advance a pragmatic political agenda. This book argues that while the decision of the United Arab List to join a Zionist coalition led to dramatic consequences, it was grounded in decades of religious writings that prepared the ground for its legitimization, and aligned with a political orientation with which significant segments of the Arab population identified since the founding of the modern state of Israel.