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Australian BookTok star Stacey McEwan's stunning new slow-burn romantasy duology traces a fated pair who stumble upon a world-changing secret in youth and are catapulted into a violent class war in adulthood, finding each other amidst love, loss and devasting betrayals. Nina Harrow and Patrick Colson are only twelve years old when they are whisked from their disenfranchised mining towns to dazzling Belavere City to test for magical abilities. Nina's lifelong dream is to become an Artisan, a powerful elemental mage who fulfills the city's grand ambitions, while Patrick wants only to reunite with his family of Craftsmen in the mines. But together, they discover a devastating secret: Artisans aren't born, they're chosen. With this information, they part ways. Patrick returns home, while Nina finds her place as one of the rarest, most coveted types of Artisan. When a Craftsman revolution ignites years later, Nina is captured by Patrick's rebel group - and he hasn't forgotten her. In fact, he needs her help for a mission that could shift the tides against Belavere City. She reluctantly agrees to aid him, battling the sparks between them. But when Nina's first love reappears, asking her to betray Patrick for the Artisans, she faces an impossible choice that will determine the fate of their world. A concoction of all the best romantasy tropes: Elemental magic Found family Tension & Slow burn Political Intrigue / Class War

All aboard for this bold and graphic visual history of trains and railroads by award-winning author-illustrator Lynn Curlee—now with a new look!A symbol of adventure and possibility, trains have been getting people and things to where they need to go for almost two centuries! First, steam engines hissed billowing clouds into the air, then gleaming diesel locomotives pulled boxcars, freight cars, and sleek passenger cars north, south, east, and west. The story of how trains began barreling across the landscape is one of new machines, new inventions, new jobs, and new hopes. Railroad travel started with steam-powered wagons on a tramway and developed into a technology that would change the day-to-day life of Americans in the nineteenth and twentieth centuries—and forever connect one coast to another.

Two orphan siblings with truly terrible luck battle an evil celebrity chef in this “bitingly humorous and appealingly weird” (Publishers Weekly) illustrated middle grade romp in the vein of A Series of Unfortunate Events.It’s hard to imagine things could get worse after one’s parents die in a greenhouse explosion. But that is precisely what happens to Basil and his younger sister, Dahlia. They escape from the social worker who wants to split them up to different foster homes by jumping off a moving train, only to find themselves wounded (Dahlia) and bedraggled (Basil) and without a soul to care for them. What’s more, they’re lost in the wilds of New York City. Famished and alone, they wander into Cravings, the delectable bakery owned by Laurel Fox, disgraced celebrity chef with a soft spot for poor, hungry orphans. When she offers them luxurious accommodations and all the éclairs they can eat, Basil and Dahlia dare to hope their luck has changed at last. But the savvy reader will know it can’t be as simple as all that! Laurel Fox is out for redemption, and she’ll do anything to get the sinister secret ingredient she requires.

When Hanna "Ziggy" Bergstrom moves to New York City for graduate school, Will Sumner thinks his responsibilities to his best friend''s nerdy little sister will be limited to the occasional dinner and check-in. Little does he know that Ziggy is ready to break out of her bookworm academic shell and move more into bombshell territory. Of course she figures the gorgeous womanizing venture capitalist Will is the best person to help mentor her in this new field of study: dating. Will takes on the challenge with more than a healthy dose of scepticism and humour, but soon finds that Ziggy just needed a tiny push, not a world of change, to reveal a woman every man seems to notice. Soon "Ziggy" is gone and the unfiltered, innocently seductive Hanna Bergstrom is hijacking his dreams, his moods, and even his orderly no-strings-attached dating life-beginning the night his mentoring activities move between the sheets.

A young girl does whatever’s necessary to take back her agency when she is sent to live with her controlling grandfather in this atmospheric novel from the #1 New York Times bestselling author of Flowers in the Attic and the Landry series—now popular Lifetime movies.With her mother deceased and her father remarried, Caroline is forced to live with her domineering grandfather. But having endured so much loss and cruelty in her young life, she is determined to not let her suffering to have been in vain. Soon, Caroline embarks on a campaign to reclaim her own power and win over the most influential person in her family. She will stop at nothing to build the life—and the independence—she so desperately dreams of.

“An exciting mystery-adventure story that packs a punch” (Kirkus Reviews) and is Crouching Tiger, Hidden Dragon meets Stand Up, Yumi Chung as a young Taekwondo artist uses an ancient book to help save her dreams—and her father.Twelve-year-old Modesty “Mo” Seto dreams of being a Taekwondo champion. Even though her mom disapproves, Mo can always count on her dad, who is her number one fan and biggest supporter. Lately, Mo has been on a losing streak, and it doesn’t help that she keeps losing to her archnemesis, Dax, who’s much bigger than her. If only she were faster, stronger, not so petite. Mo can’t even lean on her dad like usual with how distracted he’s been lately. When Mo learns about the chance to audition to star alongside her idol and legendary martial artist and movie star Cody Kwok, she knows this her chance to prove to her dad, to the world, and to herself that she can compete with anyone, no matter her size. Unfortunately, Dax is auditioning, too. As Mo and her nemesis progress to callbacks, someone attempts to sabotage the movie set and Mo’s dad disappears—and both events seem linked to a mysterious book, the Book of Joy. The book contains information on Xiaoxi Fu, a secret dance-like martial art developed by Mo’s ancestral grandmother. Armed with these secret moves and an unexpected ally, Mo embarks on a high-octane adventure to rescue her father, save the movie, and discover an unexpected joy in being small.

New York Times bestselling author and first black female American Ballet Theatre principal dancer Misty Copeland offers advice for on and off the dance floor to young readers based on letters she’s received over the years from fans.As the first African American principal female dancer at American Ballet Theatre, Misty Copeland has spent most of her career navigating a white-dominated industry that puts many barriers in her path. Through it all, Misty has credited the many mentors who have helped her become the dancer and person she is today. With Misty’s profile now at peak heights, she has now found herself in a mentor role herself, often asked for advice on everything from dance-specific questions to life lessons about being the “other” in certain spaces by her fans. As Misty herself has said, “I think it’s really important to have a community around you, a support system, mentors, people that are going to be there for you on those days when you just aren’t strong enough to do it yourself.” Given that philosophy, Misty is thrilled to bring this book of advice to life, covering everything from body confidence to balancing various commitments and how to break out of your comfort zone. Each section includes personal anecdotes from Misty about the topic that bring her perspective to life.

Mo travels to Hong Kong to shoot her movie and unexpectedly comes across another ancient book of martial arts secrets in this fast-paced, high-kicking sequel to The Legendary Mo Seto.After rescuing her dad, martial arts film star Cody Kwok, and the ancient Book of Joy from a big player in the notorious Five Claw crime organization, Mo is on to her next challenge: filming a movie with Cody! Mo and Dax are whisked away to Hong Kong to start work on The Protégés. It’s Mo’s first overseas trip, and she is awestruck by the glitz and glamour of the international film experience. Soon after they arrive, they attend a party at Cody’s house, where Mo and Dax meet Cody’s younger sister, Fiona, who appears snobby and cold. Mo is shocked when Cody’s father gives Cody a familiar-looking book: the Book of Sorrow, a piece in the trilogy of books that holds ancient techniques that have been passed down for generations. She is even more shocked when a thief steals it while the party is in full swing and not even her martial arts skills can stop them! With no leads on the identity of the mysterious thief, Mo recruits the help of a reluctant Fiona, dons her detective hat, and, in between filming, sets out on a mission to find her ancient ancestors’ Book of Sorrow. Can she find and protect the book and make her martial arts movie dreams come true?

From “one of the best new voices in horror fiction” (Brian Keene, Bram Stoker Award–winning author), this darkly satirical supernatural thriller follows a would-be influencer whose dreams of online fame spiral into nightmare territory when she encounters a mysterious and dangerous social media platform—perfect for fans of Grady Hendrix and Joe Hill.When a video depicting the brutal murder of a former classmate leaks online, Kylie Bennington’s—whose dreams of becoming a successful influencer remain frustratingly elusive—curiosity gets the better of her, leading to the discovery of an off-the-grid social media app called MonoLife. As it turns out, there are certain cryptic rules in the user agreement that must be adhered to, such as interacting with other users at least twice daily or risk losing it all…and never, ever speaking of MonoLife’s existence to non-users or risk dire consequences. For this is a platform that primarily rewards the worst in human behavior, and which begins chipping away at Kylie’s sanity across post after post for an ever-increasing audience of immoral fans. Now Kylie’s going to find out just how far she’s willing to go on her unyielding rise to the top—even if that means coming face-to-face with the frightening and ruthless forces behind MonoLife, who see all from deep within the shadows…

From the award-winning author of Amina’s Voice and Amina’s Song comes a “nuanced and quietly powerful” (Kirkus Reviews, starred review) middle grade novel about a young Pakistani American artist determined to manage her anxiety and forge her own creative path. Deena’s never given a name to the familiar knot in her stomach that appears when her parents argue about money, when it’s time to go to school, or when she struggles to find the right words. She manages to make it through each day with the help of her friends and the art she loves to make. While her parents’ money troubles cause more and more stress, Deena wonders if she can use her artistic talents to ease their burden. She creates a logo and social media account to promote her mom’s home-based business selling clothes from Pakistan to the local community. With her cousin and friends modeling the outfits and lending their social media know-how, business picks up. But the success and attention make Deena’s cousin and best friend, Parisa, start to act funny. Suddenly Deena’s latest creative outlet becomes another thing that makes her feel nauseated and unsure of herself. After Deena reaches a breaking point, both she and her mother learn the importance of asking for help and that, with the right support, Deena can create something truly beautiful.

A dazzling and infuriating portrait of fifty years of corporate influence in Washington, The Wolves of K Street is a “not-so-guilty pleasure” (The New York Times): irresistibly dramatic, spectacularly timely, explosive in its revelations, and impossible to put down.In the 1970s, Washington’s center of power began to shift away from elected officials in big marble buildings to a handful of savvy, handsomely paid operators who didn’t answer to any fixed constituency. The cigar-chomping son of an influential congressman, an illustrious political fixer with a weakness for modern art, a Watergate-era dirty trickster, the city’s favorite cocktail party host—these were the sort of men who now ran Washington. Over four decades, they’d chart new ways to turn their clients’ cash into political leverage, abandoning favor-trading in smoke-filled rooms for increasingly sophisticated tactics, such as “shadow lobbying,” where underground campaigns sparked seemingly organic public outcries to pressure lawmakers into taking actions that would ultimately benefit corporate interests rather than ordinary citizens. With billions of dollars at play, these lobbying dynasties enshrined in Washington a pro-business consensus that would guide the country’s political leaders—Democrats and Republicans alike. A good lobbyist could ghostwrite a bill or even secretly kill a piece of legislation supported by the president, both houses of Congress, and a majority of Americans. Yet nothing lasts forever. Amid a populist backlash to the soaring inequality these influence peddlers helped usher in, DC’s pro-business alliance suddenly began to fray. And while the lobbying establishment would continue to invent new ways to influence Washington, the men who’d built K Street would soon find themselves under legal scrutiny, on the verge of financial collapse or worse. One would turn up dead behind the eighteenth green of an exclusive golf club, with a $1,500 bottle of wine at his feed and bullet in his head. An “absorbing” (The Atlantic), “engrossing” and “meticulously researched” tale (The Guardian)—brought to life with “novelistic detail” and “considerable narrative skill” (The New York Times)—The Wolves of K Street is essential reading for anyone looking to understand how corporate interests are undermining American democracy.

A USA TODAY bestseller The Hating Game meets Alex, Approximately in this “incredibly engaging, funny, and sweet” (School Library Journal, starred review) teen rom-com about two rival journalism students competing for the same position on their university newspaper.Wyn is going to beat Three even if it kills her—or, preferably, him. Being freshmen staffers on the university newspaper puts them at the bottom of the pecking order—until a rare reporter spot opens up. Wyn and Three are both determined to get the position, starting a game of sabotage that pushes them to do their worst, from stealing each other’s ideas to playing twisted mind games. No road is too low when it comes to winning. As Wyn’s search for the perfect story leads her to an anonymous, campus-wide dating app, she hits it off with a mystery man she thinks might be the cute RA from her dorm. But Wyn is all too familiar with being rejected because of her weight, and she’s hesitant to reveal her identity, even as she grows closer with someone who might be the guy of her dreams. When Three breaks a story that’s closer to home than he or Wyn expects, the two must put aside their differences to expose the truth—and face their real feelings for each other, which threaten everything Wyn has built with her anonymous match.

From a longtime Vanity Fair writer and editor, a delightfully entertaining, intelligent, and illuminating history and tribute to teen movies—from Rebel Without a Cause to Fast Times at Ridgemont High, and on to John Hughes, Mean Girls,The Hunger Games, and more. What influence did Francis Ford Coppola have on George Lucas’s American Graffiti? And Lucas on John Singleton’s Boyz n the Hood? How does teenage sexuality in Fast Times at Ridgemont High compare to Twilight? Which teen movies pass the Bechdel test? Why is Mean Girls actually the last great teen film of the 20th century? In the same way that Peter Biskind’s Easy Riders, Raging Bulls connects the films of the 1970s to the period’s cultural upheaval, and David Hadju’s Positively 4th Street tells the story of the sixties through the emergence of folk music, Bruce Handy’s Hollywood High situates iconic teen movies within their times and reveals the intriguing stories, artists, and passions behind their creation. These films aren’t merely beloved stories; they reflect teens’ growing economic and cultural influence, societal panics, and shifting perceptions of youth in America. Much more than a nostalgia trip, Hollywood High is a lively, provocative, and affectionate cultural history, spanning nearly one hundred years. Handy, an acclaimed journalist and critic who spent two decades at Vanity Fair, examines the defining films of each generation and builds connections between them. From the Andy Hardy classics (1937–1946) to the iconic Rebel Without a Cause (1955); Beach Party series (1963–1968); American Graffiti (1973); Fast Times at Ridgemont High (1982); the John Hughes touchstones Sixteen Candles, The Breakfast Club, Pretty in Pink, and Ferris Bueller’s Day Off (1984–1986); Boyz N the Hood (1991); Mean Girls (2004); the Twilight saga (2008–2012); and The Hunger Games series (2012–2015); this is a captivating deep dive into the world of teen movies that captures their sweeping history and influence. We’ll hear from icons James Dean, Annette Funicello, George Lucas, Amy Heckerling, John Hughes, Molly Ringwald, John Singleton, Tina Fey, and Kristen Stewart, and discover why the most timeless teen movies resonate across generations.

Renowned naturalist Kenn Kaufman examines the scientific discoveries of John James Audubon and his artistic and ornithologist peers in this fascinating “blend of history, science, art, biography, and memoir” (Booklist, starred review) that is “a bird lovers’ delight” (Kirkus Reviews).Raging ambition. Towering egos. Competition under a veneer of courtesy. Heroic effort combined with plagiarism, theft, exaggeration, and fraud. This was the state of bird study in eastern North America during the early 1800s, as a handful of intrepid men raced to find the last few birds that were still unknown to science. The most famous name in the bird world was John James Audubon, who painted spectacular portraits of birds. But although his images were beautiful, creating great art was not his main goal. Instead, he aimed to illustrate (and write about) as many different species as possible, obsessed with trying to outdo his rival, Alexander Wilson. George Ord, a fan and protégé of Wilson, held a bitter grudge against Audubon for years, claiming he had faked much of his information and his scientific claims. A few of Audubon’s birds were pure fiction, and some of his writing was invented or plagiarized. Other naturalists of the era, including Charles Bonaparte (nephew of Napoleon), John Townsend, and Thomas Nuttall, also became entangled in the scientific derby, as they stumbled toward an understanding of the natural world—an endeavor that continues to this day. Despite this intense competition, a few species—including some surprisingly common songbirds, hawks, sandpipers, and more—managed to evade discovery for years. Here, renowned bird expert and artist Kenn Kaufman explores this period in history from a new angle, by considering the birds these people discovered and, especially, the ones they missed. Kaufman has created portraits of the birds that Audubon never saw, attempting to paint them in that artist’s own stunning style, showing how our understanding of birds continues to gain clarity, even as some mysteries persist from Audubon’s time until ours.

A follow-up to the wildly successful What My Mother and I Don’t Talk About, this “moving and deeply relatable” (Qian Julie Wang, New York Times bestselling author of Beautiful Country) collection of essays from sixteen notable writers breaks the silence on the complex—and sometimes contentious—relationships we have with our fathers.What My Mother and I Don’t Talk About is a rare gem in the literary world. Both a viral sensation online and chosen by Oprah Daily as one of the best nonfiction books of the past two decades, it is an essential collection that dives into the topics we struggle to discuss with those who are meant to know and love us best. “With tenderness and aplomb in equal measure” (Kirkus Reviews, starred review), this captivating follow-up tackles the intricate and challenging relationships we have with our dads. Andrew Altschul reflects on the life-altering experience of becoming a father and how it reshaped his view of his own dad’s parenting. Isle McElroy revisits weekends spent tagging along as their father fixed up the homes of his wealthier colleagues. Jaquira Díaz delves into her father’s history in 1970s Williamsburg, uncovering the roots of their shared restlessness. Tomás Q. Morín paints a raw portrait of an absentee father, while Kelly McMasters portrays her father’s love and dedication. Maurice Carlos Ruffin insightfully captures a father who communicated through his integrity rather than words. Jiordan Castle reveals how we can love our fathers from a distance and Susan Muaddi Darraj’s “Baba Peels Apples for Me” explores the similar burdens placed on immigrant fathers and their eldest daughters. With moments that are both humorous and deeply moving, “these fearless essays, each one unputdownable, are likely to reassure readers that whatever relationship they have or don''t have with their own fathers is just right” (Booklist). Contributions by Michele Filgate, Andrew Altschul, Alex Marzano-Lesnevich, Maurice Carlos Ruffin, Dylan Landis, Jaquira Díaz, Kelly McMasters, Isle McElroy, Susan Muaddi Darraj, Tomás Q. Morín, Robin Reif, Heather Sellers, Jiordan Castle, Nayomi Munaweera, Joanna Rakoff, and Julie Buntin.

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