Strandberg Publishing

Surveying humanity's impact on the planet, with contributions from Donna Haraway, Bill McKibben, Greta Thunberg, Bruno Latour, Alice Waters and others This timely book, in the form of an encyclopedia, considers the totality of issues surrounding the Anthropocene, that geologic era characterized by humanity's vast impact on the Earth. Connectedness acknowledges the incomplete nature of its project seeing as how this riotous era is not yet finished. With contributions by Greta Thunberg, Bill McKibben, Alice Waters, Tomás Saraceno, Björk and many others, this publication consists of approximately 100 entries, arranged alphabetically, each reflecting on questions, phenomena, terms, possibilities and theories associated with the Anthropocene. Examples of entries include Air, Borders and Coexistence, as well as more complex subjects such as Donna Haraway on the Chthulucene or Anders Blok on Climate Risk Communities. The content ranges from scientific to cultural-theoretical and artistic contributions featuring a wide span of scholars, philosophers, anthropologists, scientists, authors, artists and others. The book accompanies the exhibition at the Danish Pavilion at the 2020 Venice Architectural Biennale.

An updated, rewritten and expanded edition of the cult classic exploring Jacobsen's midcentury design through the microcosm of a single hotel room In the center of Copenhagen, on the sixth floor of the Royal Hotel, Room 606 preserves the definitive masterwork of the Danish architect and designer Arne Jacobsen, in microcosm. Room 606 is the only surviving interior of the SAS House; the combined luxury hotel and satellite air terminal that Jacobsen designed for the Scandinavian Airlines System (SAS) and completed in 1960. The SAS House was the most complete commission of Jacobsen’s career, in which he exercised the full range of his talents as a designer of furniture, lamps, textiles, gardens, tableware and graphics. As the fragment that encapsulates the basic ideas of the whole building, Room 606 provides a lens for reconstructing Jacobsen’s vanished masterwork in words and images. Richly illustrated with nearly 500 photographs and drawings, this book guides the reader on a virtual tour through the Royal Hotel and SAS Air Terminal as they stood in 1960. Along the way, the author reveals the connections between the SAS House and Jacobsen’s earlier buildings and objects. As a result, the tour that begins in Room 606 provides a general introduction to Jacobsen’s career. Based on his ongoing study of modern Nordic architecture, Michael Sheridan has developed ideas established in his 2003 cult classic?also titled Room 606 and long out of print?to arrive at a fresh perspective on Arne Jacobsen’s life’s work. Using new text and images, Sheridan reveals the essence of Jacobsen’s creative practice, in which he employed technology to heighten the presence of nature. New York–based architect Michael Sheridan is an internationally recognized authority on modern Danish architecture and design. His earlier books on those subjects include Landmarks: The Modern House in Denmark (2014) and Louisiana: Architecture and Design (2017).

With playful and funny labelled cans and bottles the Danish brewery Mikkeller has captivated the Danish beer drinkers and introduced a more open and curious approach to various types of beer and flavour combinations. This fall the inspiring history of one of the world’s leading craft beer companies will be unfolded through a richly illustrated book taking us on a visual and comprehensive journey through the holistic universe of Mikkeller.

Hailed as one of the most significant figures of early Modernism and at the same time condemned for his work and his morals – the discussion about Gauguin, his art and his character is still relevant today. Especially at a time where #MeToo is shedding new light on Gauguin’s relationship with adolescent girls and his share in colonialism in French Polynesia. Gauguin – The Master, the Monster and the Myth is the first in-depth biography about the artist written by a Danish writer. The publication shares new insights about Gauguin – about his complex character as an artist and a human being. It challenges the traditional ideas we have about his life and work. Flemming Friborg unfolds the fascinating story about Gauguin’s life and the millieu of Impressionism that he was a part of but also at the same time distinguishing himself from. The book shows how his method and moral was bound in a carefully maintained, personal brand and therefore the master and the monster must be seen as inseparable – and therefore, as a result of this, Gaugain’s legacy and status as a genius artist remains unclear.