Thames & Hudson strana 36 z 126

A new edition of this classic survey on the life and work of Spanish surrealist, Joan Miro, by his close friend, historian and fellow artist Roland Penrose. Among the great 20th-century masters, the surrealist painter Joan Miro stands out for the atmosphere of wit and spontaneity that pervades his work. Miro's art went through many phases, and its major features - his signs and symbols, his series of anguished peintures sauvages in the 1930s, his lyrical, poetic gouaches, his monumental sculptures and ceramics, his unprecedented use of poetic titles, and his attachment to nature and to the night - are discussed here by Roland Penrose, a friend of the artist for almost five decades. A brief epilogue by Eduardo de Benito, London correspondent of the Spanish art periodical Lapiz, illustrates the developments of Miro's last years. This new revised edition, now illustrated in colour throughout, includes a foreword by Antony Penrose, outlining the relationship between his father and the artist, as well as updates to the Bibliography.

The first substantial book on the French Neo-Romantics, a cosmopolitan group working in 1920s Paris who turned against modernist abstraction in favour of a new form of figurative painting. In 1926, the Galerie Druet in Paris made waves presenting a group of young painters who had spurned modernist abstraction and returned to a form of figurative painting. For most of them this was the first time they had exhibited, but their impact was considerable. Art critic Waldemar George baptized them the 'Neo-Romantics' or the 'Neo-Humanists'. They were influenced by Picasso, in particular his Blue and Rose periods, but went beyond him to forge new ways of painting. These were artists who liked to play with forgotten references and obsolete visual devices such as trompe l'oeil. They produced work for secondary art forms including the theatre, set design and ballet. In some ways they were the first post-modernists in the history of art, yet until now there has only ever been one book about them, After Picasso, published ten years after their exhibition. Only more recently has their influence on contemporary artists and thinkers including Max Jacob, George Hugnet and Gertrude Stein been recognized. Though friends, these painters never formed a formal group or movement. The Second World War sent them on different paths, with the Berman brothers and Tchelitchev moving to the United States. Before their departure, however, their activities attracted the attention and admiration of a cosmopolitan group of characters, including Gertrude Stein, Alfred Barr, Lincoln Kirstein, George Balanchine and many others including leading fashion figures of the day, Christian Dior and Elsa Schiaparelli.

With Charlotte Coote's confidence in colour, texture and pattern pairings, a whole new way of approaching design is revealed. In this way, the story of the house can be told. In this gorgeously inspirational and effortlessly practical book, Charlotte guides readers through the process of designing a space, from creating the original design brief through to the finished room. Using her five principles of design - timelessness, authenticity, lifestyle, scale and quality - Charlotte shows how to balance comfort and style, light and shadow, colour and neutrals, old and new. Charlotte's bold and decisive style is like a breath of fresh air, with easy-to-follow tips and ideas for wall colours, kitchen finishes, furniture and fabrics to achieve rich and layered interiors. Colour Is Home is the essential stylebook to create a home that will stand the test of time.

Art meets food in this sublime celebration of thirty years of cooking and hosting at The Arniano Painting School in Tuscany 'A peculiar attribute of the landscape surrounding Arniano is the ever-changing light. Early in the morning, there is an extraordinary mist that sits in the valley and interweaves through the hills, allowing just the tops to show above the smoky clouds. These changes bring with them new moods and shadows, drawing our painters to different views and areas of the garden throughout the day. By the evening, everything has altered again, and there are often intense sunsets, bringing silhouettes from the trees and much darker, richer, olive colours.' There are many farmhouses in Tuscany, but few are quite so magical as Arniano. It is here, in this 18th-century podere, that Amber Guinness grew up and learned to cook. And it is here that she established The Arniano Painting School, a residential painting course and immersive art and food experience. 'As I look through the recipes and think about the common thread that binds them, I realise that they all exemplify a fundamental principle of Italian home cooking. Which is that simplicity - and keeping ingredients as close to their original form as possible - leads to the most delicious and rewarding food. The beauty of Italian cooking is that it is not about fancy sauces or preparation techniques. Rather, it is about bringing out the best in what you are cooking, through patience, constant tasting and the development of flavour - sometimes using nothing but some olive oil and salt.' Filled with recipes for classic dishes and cocktails, feast curation, seasonal menu suggestions and notes on an Italian pantry and wines, A House Party in Tuscany will transport you to the Tuscan countryside and bring the conviviality of Arniano to your table.

A sophisticated look into the eight Greek myths that remain the most relevant to us today, exploring their powerful cultural impact from their ancient origins to the present. The Greek myths have been retold countless times, first by the conquering Romans, then through the medieval and Renaissance eras of Europe, and finally finding new expression in masterworks of art, literature and cinema on the global stage. Classical scholar Richard Buxton explores the stories at the heart of this ancient mythology and how they have come to influence our society today. The Greek legends seem to speak to us universally, their deities tantalizingly human - often indulging in behaviours morally ambiguous at best and obscene at worst - and their heroes dealing with dilemmas and destinies that echo, if exaggeratedly, conflicts in our own lives. The dramatic choices that such figures as Prometheus, Medea and Oedipus face have resonated with audiences over thousands of years. Each chapter focuses on a mythical character and the powerful stories and interpretations that surround them. Yet the myths' relevance has not been uniform; they shift with the cultural tide. They have endured moments of censure, criticism, and even ridicule, but now their influence can be recognized almost everywhere, from opera to psychology, from fashion to contemporary art. How is it that these tales have retained their power to connect with our own fascinations, fears and desires, though they came from a world very different from our own? Here Buxton charts their cultural impact through a rich variety of re-imaginings, examining the many guises they have taken through the ages and the profound truths that they continue to illuminate.

The story of our Universe, from its beginning in the first milliseconds of the Big Bang right up to our present moment and beyond, told in a gripping narrative. We have entered a new age of exploration and discovery, enabling us to probe ever more distant reaches of space and greatly advance our knowledge of the Universe. Today, telescopes peer not only into outer space, but also into the deep past. Paul Murdin takes us on an original and breathtaking journey across the lifetime of the Universe, from the first milliseconds of the Big Bang right up to our present moment and even beyond. Murdin draws on the latest discoveries in astronomy to describe the most important characters and events in the life of our Universe: the most powerful explosions, the most curious planets, and the most spectacular celestial bodies. He charts our developing understanding of the cosmos, showing how thinkers have deduced profound truths from even the simplest observations - everyone can see that it is dark at night, but only recently have we understood this as proof that the Universe has not been the same forever. Since then, the Universe has grown up from childhood: astronomers have tracked it as it passed through maturity and as it now moves into middle age. Murdin shows how our own lives were seeded from the Big Bang, galaxies, stars and planets. He considers some of the key questions: how did structures like galaxies and ourselves emerge from the dense maelstrom of the Universe's birth? How did the 'dark matter' that we can't even see speed up the development of galaxies, and how does 'dark energy' work to speed up the expansion of the Universe? Why hasn't the Universe collapsed in on itself - and will it one day? And finally, he offers a glimpse into the future old age of our Universe, and what it means for us all.

Internationally renowned artist Yuki Kihara - the first Fa'afafine and Pacific artist to represent Aotearoa New Zealand at the Venice Biennale - reframes history through a contemporary queer, Indigenous lens. Interdisciplinary artist Yuki Kihara is the first Pasifika and first Fa'afafine artist to be presented by New Zealand at the prestigious 59th International Art Exhibition? La Biennale di Venezia, with a ground-breaking exhibition of new work that addresses some of the most pressing issues of our time. Kihara's work interrogates and dismantles gender roles, consumerism, (mis)representation, and colonial legacies in the Pacific. Edited by Natalie King who has commissioned provocative essays from contributors from around the world, this publication contextualizes Kihara’s lifetime of works, which puncture and expose queer and question dominant narratives, turning so-called history on its head.

A lavishly illustrated look at the sources behind the paintings of Francis Bacon. Francis Bacon famously found inspiration in photographs, film-stills and mass-media imagery. In this new, updated edition of In Camera, Martin Harrison reveals how these sources informed some of Bacon's most important paintings and triggered decisive turning points in the artist's stylistic development. Key influences, including the masters Velazquez, Poussin and Rodin, the photographer Eadweard Muybridge and the film director Sergei Eisenstein, are given close consideration. Bacon's work is examined in relation to the precedents set by other artists working in the tradition of making use of mechanical reproductions, including Pablo Picasso and Walter Sickert, and in the context of his contemporaries Lucian Freud, Mark Rothko, Graham Sutherland and Patrick Heron. With the aid of over 270 illustrations, including valuable source images and documents, In Camera is a bravura accomplishment of original research, addressing important questions about Bacon's painting practice and shedding fresh light on his life and work.

A step-by-step guide to styling the home with houseplants that promote health, happiness, and well-being. It’s no secret that time spent in nature is good for us. Nature helps us thrive: it improves our health and well-being and can decrease our stress. But if you don’t have the luxury of a forest at your doorstep, bringing the outside in can provide an immediate connection to the natural world and the many benefits that come with it. From the founders of the botanical emporium Ivy Muse and the authors of Plant Style comes a practical guide to styling the home for health and harmony using indoor plants. With expert advice on houseplants and how to style and care for them, as well as tips on de´cor, finishes, and furnishings, this book shows how natural elements can be incorporated into almost every room in the house. Nature Style is a beautiful and helpful guide to creating a natural and nurturing home environment where houseplants are the heroes.

A revelatory biography of Karl Lagerfeld, introducing readers to the public and private life of the charismatic designer Karl Lagerfeld lived a very public life. He shaped the Chanel and Fendi brands for decades, and his wit and wisdom amused and informed the world. Yet despite a massively public persona, his hinterland remained unknown. What is the truth behind this larger-than-life but enigmatic figure? The journalist and fashion specialist Alfons Kaiser met Lagerfeld on numerous occasions. He has now written the first authoritative biography on this fascinating character, whose life has always been marked by elements of secrecy. From his parents' links with the Nazi regime to Lagerfeld's last days in the company of only his closest friends, this book - the result of unprecedented archival and field work - divulges all the facets of a passionate artist and workaholic: the precocious boy who preferred to draw in the attic rather than play with his peers; the son who quarrelled with his parents but never got away from them; the competitor of Yves Saint Laurent, whom he outshone in the end; the brother, uncle, friend; and finally, the partner of Jacques de Bascher, the great love of his life.

A celebration of the richness of figurative painting over the last 100 years and a passionate critique of the accepted history of art in the 20th century. Figurative painting is due a reappraisal. In this passionately argued volume the distinguished writer and artist Timothy Hyman cuts a new path through the tangle of twentieth-century art. The World New Made explores the work of more than fifty individual painters, presenting a collective 'Resistance' who together offer a human-centred alternative to the dominance of the Abstract or the Conceptual in conventional narratives of modern art. Structured not as a survey but as in-depth studies of more than 130 specific artworks, this lavishly illustrated book brings these often marginalized artists centre-stage: not just Alice Neel and Balthus, Max Beckmann and Frida Kahlo, but also Marsden Hartley and Charlotte Salomon, Bhupen Khakhar and Jacob Lawrence. A rich cast is brought to life, partly through their own writings. As the author argues, 'All across the world, isolated artists found new idioms for human-centred painting in the midst of modern life.'

A substantial retrospective on one of the world's most remarkable and critically acclaimed art photographers. Separated into four parts, Ballenesque takes readers on a visual, chronological journey through Roger Ballen's entire oeuvre, including both iconic images and previously unpublished photographs. Part I explores his formative artistic influences and his later rediscovery of boyhood through photography, culminating in his first published monograph, Boyhood, in 1979. Part II then charts the period between 1980 and 2000, during which time his deeper search for the elemental self found its way into the 'Dorps', or small towns, of South Africa and concluding with the release of his seminal monograph Outland. Part III covers the years 2000-2013, when Ballen achieved global recogition with Shadow Chamber and Boarding House and his work began to veer away from portraiture altogether. Finally, in Part IV, Ballen reflects upon his career in its entirety. With over 300 photographs and an introduction by eminent academic Robert J. C. Young, this book provides both an entirely new way of seeing Ballen's work for those who already follow his career and a comprehensive introduction for those encountering his photographs for the first time.

John Julius Norwich presents a sweeping tour of forty great cities that shaped the ancient world and its civilizations - and which in turn have shaped our own. The cities of the ancient world built the foundations for modern urban life, their innovations in architecture and politics essential to cities as we know them today. But what was it like to live in Babylon, Carthage or Teotihuacan? From the first cities in Mesopotamia to the spectacular urban monuments of the Maya in Central America, the cities explored here represent almost three millennia of human history. Not only do they illustrate the highest achievement of the cultures that built them, but they also help us understand the rise and fall of these ancient peoples. Eminent historians and archaeologists with first-hand knowledge of each site give voices to these silent ruins, bringing them to life as the teeming, state-of-the-art metropolises they once were.

Whether it's horror at plastic littering the world's beaches, or despair at the melting of the polar ice caps, the world is gradually waking up to the impending climate disaster. In The Green Imperative, Papanek argues for design that addresses these issues head on. This means using materials that can be recycled and re-used, no more pointless packaging, thinking about how products make us feel and engage all our senses, putting nature at the heart of design, working at a smaller scale, rejecting aesthetics for their own sake, and thinking before we buy. First published at the close of the 20th century, the book offered a plethora of honest advice, clear examples and withering critique, laying out the flaws and opportunities of the design world at that time. A quarter of a century on, Papanek's lucid prose has lost none of its verve, and the problems he highlights have only become more urgent, giving today's reader both a fascinating historical perspective on the issues at hand and a blueprint for how they might be solved. With 141 illustrations, 26 in colour

Whether it's horror at plastic littering the world's beaches, or despair at the melting of the polar ice caps, the world is gradually waking up to the impending climate disaster. In The Green Imperative, Papanek argues for design that addresses these issues head on. This means using materials that can be recycled and re-used, no more pointless packaging, thinking about how products make us feel and engage all our senses, putting nature at the heart of design, working at a smaller scale, rejecting aesthetics for their own sake, and thinking before we buy. First published at the close of the 20th century, the book offered a plethora of honest advice, clear examples and withering critique, laying out the flaws and opportunities of the design world at that time. A quarter of a century on, Papanek's lucid prose has lost none of its verve, and the problems he highlights have only become more urgent, giving today's reader both a fascinating historical perspective on the issues at hand and a blueprint for how they might be solved. With 141 illustrations, 26 in colour

A new collection of Saul Leiter's work, much of it published here for the first time. Saul Leiter remained relatively unsung until he was rediscovered by curators and critics in his early 80s, and his work has been drastically re-evaluated over the last two decades. Leiter's painterly images evoked the flow and rhythm of life on the mid-century streets of New York in luminous colour, at a time when his contemporaries were shooting in black and white. His complex and impressionistic photographs are as much about evoking an atmosphere as nailing the decisive moment. In recent years, Leiter has been in the spotlight more and more with a series of exhibitions and publications. His studio in New York's East Village, where he had lived since 1952 until his death in 2013, is now the home of the Saul Leiter Foundation. The foundation has begun a full-scale survey and organization of his more than 80,000 works, with the aim of compiling the 'complete' archive. This volume contains works discovered through this process, valuable documents that reveal the secrets of Saul Leiter's creation, unpublished works, popular colour works and black-and-white works that have not been published so far, as well as works that trace the memories of those closest to him taken in private. As Saul Leiter said, 'Photographs are often treated as capturing important moments, but they are really small fragments and memories of the world that never ends.' This is Forever Saul Leiter.