Thames & Hudson strana 9 z 102

Selected by the world's most knowledgeable and well-connected graphic design commentator, Steven Heller, this survey gets into the minds of designers who create typefaces, word-images and logos through their private sketchbooks. Arranged by designer, it reveals how nearly 120 of the world's leading designers and typographers continually strive to find new and exciting ways of communicating through letters and words, and provides fascinating insights into their work. Aimed at all those who use type, whether by hand or on screen, this revealing compendium stresses the importance of good typography at a time when reading habits are changing, and celebrates a craft that has endured for centuries.

The 20th century was that of the image, and the legendary photographer Henri Cartier-Bresson, born in 1908, was the eye of the century. He focused on the fascination of Africa in the 1920s, the tragic fate of the Spanish Republicans, the Liberation of Paris, the weariness of Gandhi a few hours before his assassination, the victory of the Chinese communists, and much more besides. Cartier-Bresson was always on the spot, the great opportunist, seizing lifes historic events as they happened. An intensely private individual, Cartier-Bresson nonetheless took Pierre Assouline into his confidence over a number of years, discussing such subjects as his youthful devotion to surrealism, his lifelong passion for drawing, his experience of war and the prison camps, his friends and the women in his life. He even opened up his invaluable archives. This sensitive biography is the result of the meeting of two minds, revealed in much the same way and with the same truth as one of Cartier-Bressons outstanding, inimitable photographs.

Literature about Durer fills library shelves. Does this mean everything has already been said about the artist? Far from it, according to the scholars at the Germanisches Nationalmuseum and their international partners in the Early Durer Project. This book deals with the core phenomena of Durers early work, ranging from the artists biography and surroundings to the question of Durers role as the archetype of the modern artist. New sociological approaches allow us to interpret Durers ideal neighbourhood as a source of inspiration for the artists work, resituating Durer in the artistic context of his time, at an exciting crossroad between the imitation of traditional painting and the self-conscious renewal of his profession. Photographs of Durers early work, many of which are new and published here for the first time, complete the publication, which will establish a new basis for a modern understanding of Germanys most famous artist.

"Photography: The Whole Story" is a celebration of the most beautiful, meaningful and inspiring photographs that have arisen from this very modern medium. The book begins with a succinct overview of photography, placing it in the context of the social and cultural developments that have taken place globally since its arrival. Organized chronologically, the book then traces the rapid evolution of photographic style, period by period and movement by movement. Illustrated, in-depth essays cover every photographic genre, from the early portraits and tableaux to the digitally manipulated montages, splitsecond sports images, and conceptual photographs of today. The ideas and works of key photographers are assessed to reveal what motivated them, who influenced whom, and what each was striving to achieve. Detailed cultural and individual artist timelines clarify historical context. If you love photography and would like to know more, "Photography: The Whole Story" is for you.

Interviews with leading contemporary designers, including Paul Smith, Stephen Jones, and Maria Cornejo and education professionals, including Willie Walters, Course Director at Central St Martins, Andrew Groves from the University of Westminster and a Foreword by Shelley Fox, the Donna Karan Professor of Fashion, Director of the MFA Fashion Design and Society Program at Parsons, New York, will enable all readers both to understand the vital role of research and to discover the techniques the designers have adapted for themselves, while a richly illustrated profile of the major themes of fashion is both a highly original resource and a mine of information about each theme for readers to draw on in their own research.

Tucked away between China and India in the heart of the Himalayas, Bhutan remains a relatively little-known country. Few photographers have been granted permission to enter this obscure and long-inaccessible kingdom, where life quietly unfolds to the rhythm of traditions amidst the magnificent, unspoilt landscape. Nearly twenty-five years ago, Matthieu Ricard, a monk and photographer, went to Bhutan to study with Dilgo Khyenste Rinpoche, a highly revered Tibetan Buddhist master and teacher, with whom he spent nearly eight years. During this time, he also came to know Bhutans royal family. He has continued to return to the land of the dragon or Druk-yul as Bhutan is known in Tibetan throughout his life, discovering on each occasion another of its invaluable treasures. As a Buddhist monk, he has not only witnessed religious ceremonies, the life of a great Buddhist master, and exceptional works of art, but has also participated in the daily lives of local villagers. His encounters and experiences are recorded here in this exceptionally beautiful book.

Tibet is the Roof of the World, a place where you feel that you are in the sky just as much are you are on the earth. The intense blueness of space contrasts sharply with the deep green of eastern Tibets rolling grasslands and the mineral colours of the west with its expanses of barren rock. For over a thousand years, Buddhist culture has been at the heart of Tibetan society, and anyone who has travelled across these high plateaux will understand how this contemplative civilization flourished in a landscape of such vastness. This book seeks to bear witness to all that survives of that ancient world a world capable of making a valuable contribution to contemporary life. It also aims to provide a glimpse of a unique culture that is desperately trying to preserve its authenticity, despite the major upheavals that have shaken the land of its birth. May the images that follow serve as an homage to inner beauty Matthieu Ricard, from the Introduction.

This cornerstone of the "World of Art" series is a succinct, vivid and authoritative guide to the rich history of western dance in all its incarnations from 16th-century court ballet to the genre-shattering contortions of 21st-century theatrical dance. Updated for the new millennium to feature the latest styles, performers and technology, this third edition reaffirms its status as the essential introduction to the subject.

This concise survey showcases the work of Australia's indigenous artists from all parts of the continent. From Arnhem Land and the desert, the Kimberley and northern Queensland, to modern towns and cities, Aboriginal artists have built on traditions that stretch back at least 50,000 years, working in a variety of contexts from the sacred and secret realm of ceremony to more public spheres. Work across all media is included, from painting, sculpture, engraving, constructions and weaving to the most recent work in photography, printmaking and textile design. The story of Aboriginal art is brought into the 21st century in this revised and expanded third edition with a new chapter that maps the latest developments across each of Australia's geographical regions. Updated information and more than twenty-five new illustrations highlight, among other things, the impact of urban living, the growth of local art centres which support the work of indigenous artists, and the rise of women artists all testifying to Aboriginal arts continued dynamism and vitality.

This expanded and fully revised fifth edition of Mary Ellen Millers classic book features a completely new chapter on Teotihuacan discussing the rulership and ethnicity of that powerful yet enigmatic city. Exciting new discoveries and ongoing research help clarify the links between the Olmecs and the Maya, while newly revealed paintings at Calakmul show Maya artists to have been both masters of convention and ready innovators. Vital new finds at the heart of the Aztec capital are still astounding students of Mexico, even as the meaning of works from the Early Colonial period continue to reveal the complexity of the first decades under Spanish rule. With many new illustrations and analysis of recent discoveries, "The Art of Mesoamerica" remains an ideal companion for the art historian, student and traveller.

In this lively and up-to-date analysis of the history of film, David Parkinson traces the evolution of the moving image from the earliest shadow shows to the digital film-making of the 21st century. Engaging text is supplemented by 156 illustrations to give a stimulating account of both aesthetic and technical changes in film since its invention. A new final chapter maps developments in form and technology across the world from the mid-1990s to today, examining experiments in three-dimensionality, the revival of animation and the democratization of film-making following the digital revolution. Well-known films such as "Slumdog Millionaire", "House of Flying Daggers" and "The Lord of the Rings" trilogy are considered alongside lesser-known releases, placing each film within the broader context of cinematic history. Alongside the film trends in the US, UK, France and Germany, Parkinson highlights the best work to have emerged globally, from Poland and the Czech Republic to Iran and Israel, from India and South Africa to China, Korea, Mexico and New Zealand. With a fully updated glossary and bibliography, "History of Film" continues to be the definitive survey of this most dynamic and popular art form.

This wide-ranging survey, now established as the best single-volume introduction to Andean art and architecture on the market today, describes the strikingly varied artistic achievements of the Chavin, Paracas, Moche, Nasca, Chimu and Inca cultures, among others. For this fully revised third edition, Rebecca Stone has rewritten and expanded the text throughout, touching on many of the recent discoveries and advances in the field. These include new work on the huge stone pyramids and other structures at Caral; continued excavations of Inca child sacrifices perched on mountaintops throughout the empire, with their perfectly preserved clothing and miniature offerings of metal, ceramics and shell; spectacular murals and the remarkable burial of a tattooed female warrior-leader at the Moche site of Huaca Cao Viejo; and many new finds of high-status textiles, along with fresh analyses of weaving technology and new interpretations of designs and motifs.

Twenty years in print, "The Thames & Hudson Dictionary of Graphic Design and Designers" contains around 750 entries offering detailed information on every important graphic designer, movement, agency, practice and publication from 1840 up to the present day. The dictionary gives clear and accessible definitions, from technical minutiae of typography to computer-aided design and printing. Cross-references make navigating between entries simple. The endmatter contains a handy bibliography of key texts and recommended reading, as well as a timeline that puts the most influential individuals, developments and movements in chronological order. This third edition contains over 200 new, updated or expanded entries (as well as 45 new illustrations, 22 in colour) on the latest designers, terms and influences; content that ranges from Adobe InDesign to Manga, and from Chip Kidd to Marian Bantjes. Redesigned and re-typeset throughout, the book remains an indispensable reference tool to all students and practitioners of graphic design.

Pascale Estellons whimsical artwork provides a high-quality base for creative fun in this beguiling book, which is guaranteed to entice kids away from the screen. Use the 128 pages of photographs and suggested activities to draw, colour and paint your own personal album paint the missing half of a portrait, fill a vase with flowers, help the potatoes escape the pot, give a dog his dinner, draw heads inside hats and helmets, and teach fish to talk - the possibilities are endless.

Atlantis, the island continent that vanished under the sea, is one of the most haunting themes of legend. It has preoccupied thinkers for more than two thousand years, from Plato to Rudolf Steiner. Prehistorians have seen Atlantis as the fountain-head of all civilization; mystics have had revelations about it; archaeologists have claimed to locate it sometimes in surprising places. Bringing together Greek myth, Theosophy, science fiction, painting, literature, poetry and film, this is a compelling account of a perennially intriguing topic. "The Art & Imagination" series casts fresh light onto art, archetypes, cosmology and sacred traditions. It offers the perfect introduction to the world's great esoteric traditions.

The idea of the temple the holy precinct, the dwelling place of the gods is central to all religions. The site of ritual and initiation, the mountain, the waters of generation, the pillar joining heaven, earth and the underworld, the path to the innermost sanctuary: these concepts are universal and eternal in many faiths around the world. "The Temple" is a wide-ranging study of sites of worship, from the tomb-temples of Ancient Egypt, to Jerusalem, Mexico, Greece, and the great Buddhist shrine at Borobudur. "The Art & Imagination" series casts fresh light onto art, archetypes, cosmology and sacred traditions. It offers the perfect introduction to the world's great esoteric traditions.