University of Minnesota Press

The complex and dramatic history of an illegal teachers’ strike that forever altered labor relations and Minnesota politics   When viewed from our turbulent times, the Minneapolis of fifty years ago might seem serene, but Minneapolis schoolteachers of the day remember it quite differently. It was, author William D. Green said of their recollections, as if they’d been through war. This book recreates twenty days in April 1970 when a then-illegal strike by Minneapolis’s public school teachers marked a singular moment of cultural upheaval-and forever changed the city’s politics, labor law, educational climate, and the right to collective bargaining. Since the inception of public education in Minnesota, teachers were expected to pursue their vocation out of civic spirit, with low wages, no benefits, and no job security. Strike! describes the history and circumstances leading to the teachers’ extraordinary action, which pitted the progressive and conservative teachers’ unions against each other-and both against the all-powerful school district, a hostile governor and state legislature, and a draconian Minnesota law. Capturing the intense emotions and heated rivalries of the strike, Green profiles the many actors involved, the personal and professional stakes, and the issues of politics, law, and the business of education. Informed by interviews, firsthand accounts, news reports, and written records, Strike! brings to life a pivotal moment not just for Minneapolis’s teachers but for the city itself, whose government, school system, and culture would, in a complex but inexorable way, change course for good.

A poignant resource for helping children and families through the loss of a siblingSalome was going to be a big sister. Her brother, Gerald, told her so. They watched Mama's tummy grow rounder and rounder, and their excitement grew, too. But then Mama went to the hospital, and she came home without a baby. The smiles stopped, and the house grew quiet except for Mama's tears. "Where is my sister?" Salome asks. Mama gathers her and Gerald onto her lap and tells them that baby Toni is in the cemetery, but she'll always be their sister. Gerald says that she's in the spirit world. Salome looks for her all over. Is Toni's spirit in Mama's tears? Is she in the family's stories about her? Is she between Salome and her brother at the dinner table, or beside Salome's favorite tree in the backyard? As her family begins to find peace, Salome understands something important: "My sister is everywhere."In Where Is My Sister? Shannon Gibney's poetic voice captures the heartbreak of losing an infant and the love that joins family members together. Huy Voun Lee's tender illustrations guide readers with quiet grace, honoring all those who passed from this world too soon. A resource for children and the parents, teachers, and community members who care for them, this book offers a powerful reflection for those who often feel alone during the painful and transformative experience of infant and sibling loss.

Rethinking life, justice, and the biosphere through the sharp edges of jagged ontologyIn this groundbreaking book, Cary Wolfe dismantles some of the most entrenched assumptions in contemporary interdisciplinary thought, foremost among them the idea that "flat" ontologies are adequate to the challenge of a robust, posthumanist pluralism. Against the fantasy of nature as an interconnected, egalitarian web, Wolfe proposes a "jagged ontology" in which species and systems intersect not through seamless cooperation but through friction, contestation, and uneven exchange. Wolfe pushes back equally, however, against the reductive tendencies of neo-Darwinian competitive individualism, insisting that what separates us from the world is also what binds us to it – a paradox at the core of all living systems, where autopoietic closure unexpectedly creates environmental openness. Through a combination of systems theory, deconstruction, theoretical biology, and biopolitical philosophy, Wolfe develops a radically posthumanist framework for addressing the ethical, social, and political stakes of life in the biosphere. Extending his approach across disciplines and practices—from ecological theory and continental philosophy to law, public policy, and contemporary art—he lays bare the contradictions embedded in even the most progressive attempts to account for the imbrication of the human and the more-than-human. Through a detailed and long-overdue examination of the popular notion of sympoiesis and a skeptical reading of the anthropomorphism of the "new forestry," Wolfe reveals how well-intentioned theories can undermine the very posthumanist pluralism that they claim to champion. More than a critique, Jagged Ontologies opens onto new philosophical terrain for understanding multispecies justice, environmental responsibility, and the structural dynamics of individuation and creativity in the biosphere. Here, Wolfe offers a crucial rethinking of what it means to live and think ethically in a shared yet jagged world. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Salt Lake City, 1881: Brigid Reardon is again on the case when her new employer - a leader in the Church of Latter-day Saints - is murdered in his homeStill reeling from the violence she encountered in Cheyenne, Wyoming, Brigid Reardon presses on alone to Salt Lake City, where she decides to settle down in what she hopes is a safe community. Things look promising when she's hired to work at the Deseret Bookstore and offered a room in the home of her employer, Mr. Cutter, a high-ranking member of the Church of Latter-day Saints, and his five wives. Despite Brigid's conflicting feelings about polygamy, she finds the Cutter wives warm and welcoming, and she thinks she may finally be happy here. As she settles in, Brigid learns that Mr. Cutter wants yet another wife, and he is set on Amelia, the daughter of one of his wives from a previous marriage. When Mr. Cutter is found apparently murdered in the women's sewing room, each of the wives (plus Amelia and Mr. Cutter's son) is a suspect, and Brigid knows it's up to her to figure out just who did it. As she continues to work in the bookstore and live with the grieving family, Brigid teams up with the local coroner to investigate - and with her undeniable knack for detection, it's not long before she discovers a telltale clue. A Wasp in the Beehive continues Brigid's trek west in the United States after immigrating from Ireland with her brother, following her time in Deadwood, South Dakota, in The Streel and in Cheyenne in The Big Sugar. But with everything that has happened, will she stay in Salt Lake City, or will she move on agai? etail e-book files for this title are screen-reader friendly.

A manifesto for liberating desire from the grip of capital and colonial violence in PalestineCould a psychoanalytic theory of masochism help us to understand the politics of protest? A socially engaged psychoanalysis of 2024's widespread student uprisings in support of Palestine, Divest posits that masochism, as theorized by Freud in his later years, is a fundamental structure at the heart of anticapitalist and anticolonial resistance. Conceptualizing masochism as a radical form of divestment, Steven Swarbrick theorizes the affective economies of solidarity, self-sacrifice, and collective struggle. Through vivid film readings and sharp critique of state and university violence, Swarbrick explores the emancipatory potential of masochism in the protest movement and the sadistic machinery of capitalist governance it has laid bare. Divest is both a politically urgent manifesto and a theoretical companion to the global movement for Palestinian liberation. Asserting that the politics of left-wing solidarity must reckon with the libidinal investments that sustain both power and resistance, this bold volume argues that divestment from global capitalism may begin with a revolution in our psychic attachments. Retail e-book files for this title are screen-reader friendly with image accompanied by short alt text and/or extended descriptions.

A robust ethnography of Islamic Relief explores difficult questions about the extensive reach of white supremacyAn ethnography of Islamic Relief (IR), the largest Islamic NGO based in the West, Racializing the Ummah explores how a Muslim organization can do good in a world that defines Muslimness as less than human. Rooted in more than a decade of international research, Rhea Rahman's study on the organization's projects, methods, and limitations reveals how racial capitalism permeates all aspects of humanitarianism. Beginning with a counterhistory of Muslims in the United Kingdom following World War II, Rahman analyzes IR's mission and transnational activities in and across places including the UK, South Africa, and Mali in the broader context of global white supremacy. She shows how IR's approaches often effectively secularize Islam to evade anti-Muslim racism and Islamophobia, implicating concepts such as the "good" Muslim aid worker, who complies with War on Terror surveillance while attending to victims of Western colonialism. Meanwhile, Rahman theorizes the tactics of aid workers on the ground, who creatively draw on an Islamic Black radical tradition to drive real change. Through her engagement with IR and other organizations, Rahman paints a frank, nuanced portrait of the constraints Islamic aid entities face in the effort to disentangle themselves from neocolonialism and Western hegemony. Yet she also locates the possibility of escape from the all-encompassing dictates of racial capitalism in alternative visions of doing good—ones that are grounded in Islam as the foundation of a revolutionary praxis. Retail e-book files for this title are screen-reader friendly.

A uniquely structured collection of essays from one of today's most esteemed scholars of black studiesA thoughtfully curated selection of texts by preeminent black feminist scholar Katherine McKittrick, Heartbreak and Other Geographies showcases the remarkable depth of inquiry she has generated over twenty years. Edited by Brittany Meché and Camilla Hawthorne, this collection highlights McKittrick's enduring commitment to ideas around radical placemaking and the creative articulations of and within the black diaspora. McKittrick's work is marked by a recurring engagement with anticolonialism, practices of liberation, and radical methodologies of black cultural production. Through discussions of figures such as Toni Morrison, Jimi Hendrix, Édouard Glissant, Paul Gilroy, Nina Simone, and Sylvia Wynter, the writing in Heartbreak and Other Geographies spans the author's investigations into scientific method, liberal modernity, the cycles that perpetuate racial violence, and the poetics and sonics of black livingness. Bringing together recent texts, influential pieces, and lesser-known essays, the unconventional format of Heartbreak and Other Geographies includes an introductory conversation with McKittrick as well as a series of creative interludes from the editors throughout the book. Innovative in both form and content, this wide-ranging volume invites us to rethink the boundaries between disciplines and the ways that scholarship can embody a more collaborative form of worldmaking. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Essential writings by this icon of the silent era – rereleased in print and now available as an e-book 100 years after Louise Brooks arrived in HollywoodLulu in Hollywood is an intimate collection of eight autobiographical essays by Louise Brooks, silent film darling and icon of the flapper era. Ranging from her childhood in Kansas and her early days as a Denishawn and Ziegfeld Follies dancer to her friendships with Martha Graham, Charles Chaplin, W. C. Fields, Humphrey Bogart, William Paley, G. W. Pabst, and others, Brooks's writing offers a rare glimpse into her extraordinary life. Including her revelatory "Why I Will Never Write My Memoirs," Lulu in Hollywood also features Kenneth Tynan's 1979 essay "The Girl in the Black Helmet," which revived interest in Brooks's work and was the best discussion of her film work to appear in her lifetime.

A Hmong girl tells the story of her beloved aunt and uncle’s first home in America – long gone, but still alive in the family’s memories The Blue House I Loved centers on a family of newly arrived Hmong refugees who move into the lower level of a duplex in St. Paul, Minnesota. The narrator loves her aunt and uncle’s home with its mismatched furniture, but it is too small for the large family. The boy cousins sleep in the three-season porch, where their wet hair freezes in wintertime, and the rest of the family crowds into two bedrooms. Yet this is the cherished home where they live and love, their own small corner of a very large and unfamiliar place, and in this blue house a young girl learns about her new country. Eventually, the family moves in search of more space, and years later the house is torn down. Where it was, green grass now grows. But for this girl and her family, the ghost of the house remains, its memories a strong thread that holds time at bay and hearts close together. Combining Kao Kalia Yang’s lyrical prose with ethereal illustrations by artist and architect Jen Shin, The Blue House I Loved speaks to the multitude of refugee experiences around the world, honoring the challenges they face and the homes they create together.

A bold new understanding of montage and French cinematic historyAmid the tumult of change that swept through French society in the wake of World War II, a trio of visionary filmmakers sought to make meaning of the chaos by revitalizing a common method: montage. Revealing Nicole Védres, Alain Resnais, and Chris Marker as more than just groundbreaking auteurs, Ivan Cerecina shows how their collective infusion of montage with avant-garde aesthetics renewed the art of cinema while helping France reckon with its past and imagine its future. Assembly Lines challenges a dominant story of postwar French film, championed by critics at important film journals like Cahiers du cinéma, that has generally centered realist film aesthetics. Working against this tendency, Cerecina shows how Védres, Resnais, and Marker revitalized montage as a technique in response to the crises of the times, using it to process the ravages of the recent past, expose hidden connections, and uncover signs of coming catastrophe. Wedding insightful analyses of films and French cultural history with writings from lesser-heard voices like André Malraux, Jacques Brunius, and Henri Langlois, Assembly Lines illuminates obscured networks of critics, filmmakers, and historians to reshape our conception of French film and documentary. Meanwhile, Cerecina's in-depth archival research unearths vital documents, including correspondence and production notes on Védres's Paris 1900 and Resnais's Night and Fog. More than a cinematic retrospective, Cerecina's investigation of montage is also a call to action today as contemporary crises prompt reevaluation of our cultural histories. Assembly Lines exemplifies a powerful, future-oriented practice of historical reflection with implications that go well beyond the study of film. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

A whimsical journey into the realm of off-duty literary characters - and an ode to the power of reading At twenty-four, Marina is at a crux in life. "I'm just at the age when time speeds up in an odd way. . . . The winters come closer together and you begin to accept that you're not special anymore." She's cautious of her imaginative tendencies, unsure how she might make a difference in a world that feels increasingly big and small at the same time. At this uncertain precipice, nothing could come as a stranger surprise than waking up one sunny morning on a park bench in an entirely different world. Yet that's where Marina finds herself: at a place called In The Beginning, populated by characters from literature waiting to be read - or, in some cases, written. Although Marina is bewildered by her sudden and unexpected arrival in this bustling realm of overlapping possibilities, she soon learns that In The Beginning is facing an existential threat, and she is uniquely positioned to help. So begins her quest to find Pearl, the one person who may hold the key to saving everyone. Delving deeper into this unusual world in pursuit of answers, Marina's journey leads her into the heart of herself and to a shocking truth. Ann Druyan packs this compelling adventure story with characters both familiar and new, offering a profound testament to the cosmic powers of imagination and curiosity. First published in 1977, A Famous Broken Heart resounds with wit and wisdom that continue to connect with readers.

The original story that hatched Mothra, one of the most beloved monsters in the “kaijuverse”—available in English for the first time Mystical and benevolent, the colossal lepidopteran Mothra has been one of the most beloved kaiju since 1961, when The Luminous Fairies and Mothra was originally published in Japanese. Commissioned by Toho Studios from three of Japan’s most prominent postwar literary writers (Shin’ichiro Nakamura, Takehiko Fukunaga, and Yoshie Hotta), the novella formed the basis for the now-classic monster film Mothra, with a protagonist second only to Godzilla in number of film appearances by a kaiju. Finally available in its first official English translation, The Luminous Fairies and Mothra will captivate ardent, longtime fans of the films as well as newcomers. Written just months after the largest political demonstrations Japan had ever seen, The Luminous Fairies and Mothra reflects the rebellious spirit of the time. In this original story, explorers visit a South Pacific island and capture a group of fairies, inciting the fury of the goddess Mothra, who sets out for Japan on a mission of rescue and revenge. Expressing a powerful social stance about Japan’s need to chart its own foreign policy during the Cold War, the novella’s political message was ultimately toned down in the Toho Studios film. Through this translation, Anglophone audiences will discover Mothra as a figure of protest fiction intricately reflecting the complex geopolitical situation in early 1960s Japan. The Luminous Fairies and Mothra is translated into lively prose by Jeffrey Angles, who also wrote an extensive afterword about the novella’s cultural context, the unusual story of its composition, and the development of the 1961 film. Following Angles’s best-selling translation of the original Godzilla novellas, this new work will once again delight kaiju fans everywhere. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

The first English-language translation of Vilém Flusser's final series of lectures: the definitive introduction to his methods and ideas in new media theoryIn summer 1991, shortly before his death, Vilém Flusser gave a series of lectures as guest professor at Ruhr University Bochum at the invitation of Friedrich Kittler. Flusser intended for these lectures to be the definitive introduction to his "communicology," the study of human communication and the means by which acquired information is saved, processed, and passed on. In Thinking Further, Aaron Jaffe and Michael F. Miller have curated "fragments" from these lectures – first published in German in 2008 – to present the most exciting and timely parts of Flusser's foundational contributions to what is now known as media studies. These fragments capture Flusser's engagements with a wide range of theories, approaches, and interventions, including ecocriticism, posthumanities, game theory, cybernetics, and translinguistic exchanges. Offering sustained engagements with the ideas of Walter Benjamin, Michel Foucault, Michel Serres, and Jean Baudrillard, Thinking Further models possibilities for thinking through and clarifying the most obscure and obdurate implications of technology and modernity. As they demonstrate Flusser's contextual positionality and antiuniversalism, the writings presented here also underscore the pleasures and the power of his aphoristic style. Focusing less on Flusser-as-philosopher and more on his role as wry sage at the end of history, Thinking Further is a comprehensive but approachable introduction to his boundary-transcending exploration of the possibilities for communication, writing, and the human condition. Retail e-book files for this title are screen-reader friendly.

A multifaceted portrait of the great Japanese director For years, Akira Kurosawa resisted writing about himself. “It would turn out to be nothing but talk about movies,” he said. “In other words, take myself, subtract movies, and the result is zero.” The memoir he finally started serializing in 1978, Something like an Autobiography, ended with Rashomon, the film that launched him on the world’s stage in 1950. Long Take, first published in Japan shortly after Kurosawa’s death in 1998, at last tells the story of the rest of his life. By turns intimate, provocative, and revealing, Long Take creates a dynamic portrait of Kurosawa from his own writings; his conversations with writer Inoue Hisashi and director Yamada Yoji; and essays by his daughter and colleague Kurosawa Kazuko, who details the collaborative history of the “Kurosawa crew.” It features a wealth of industry lore, cultural reference points, inside jokes with other filmmakers and writers, and backstories for his own productions, from the earliest to the last. Of particular interest to all cinephiles is an annotated list of Kurosawa’s 100 favorite films. A survey of Kurosawa’s prodigious career, this book situates the visionary in the media milieu of his youth, in the literature and performing arts of twentieth-century Japan and Hollywood, and among the myriad films he loved, admired, and referenced, including Japanese silent film and comedy as well as productions from India, Iran, and Soviet-era Russia. Now available to English readers for the first time, Long Take offers a lasting picture of the peerless filmmaker in his element.

How twentieth-century developments in science influenced the aesthetics of the burgeoning American cartoon What do technical renderings of plant cells in trees have to do with Disney’s animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an important inspiration for Disney’s groundbreaking animated realism. In Drawn to Nature, Colin Williamson presents a vivid portrait of how developments in biology, physics, and geology between 1900 and the long 1960s influenced not just Disney but the American cartoon industry as a whole. Drawing on original research on the scientific appetites of animators and studios such as Winsor McCay, the Fleischer Brothers, Walt Disney, and United Productions of America, Williamson opens new avenues for understanding the history and aesthetics of cartoons. Interrogating the differences between art and science and reconsidering the realms of dream, magic, and fantasy as they pertain to pop culture, he yields novel proposals for bridging longstanding divides between animation, live-action cinema, and the history of science. Drawn to Nature not only illuminates the extent to which animators have drawn on scientific insights, it also considers seriously how commercial animations themselves participate in scientific discourse. It revises and revitalizes our existing narratives about the history of American animation to uncover the many ways science informs our collective cultural imagination.

The spellbinding initial exploits of detective Shadwell Rafferty—now available in paperback Shadwell Rafferty’s last case may have led to his murder, but naturally—and fortunately, for followers of the indefatigable St. Paul detective—there’s more to the story. Mysterious Tales of Old St. Paul gathers three novellas from Larry Millett, casting back to Rafferty’s beginnings to recount a trio of intriguing cases that honed his skills before he joined forces with Sherlock Holmes. In “Death in the News,” St. Paul citizens wake one morning to find that the sign on downtown’s tallest building that reads PIONEER PRESS has been altered—at considerable effort—to LIARS. An elaborate prank, yes, but it foreshadows a far worse crime, and Rafferty is on the case. In “The Birdman of Summit Avenue,” cats are turning up dead in the yards of St. Paul’s prominent citizens, and suspicion swiftly falls on the wealthy avian enthusiast Ambrose Harriman, but the case turns darker still when a neighborhood boy is found murdered in Harriman’s yard. In “The Gold King,” an enigmatic stranger arrives in town, calling himself the Gold King and announcing his plans to unearth hidden treasure, which eventually leads to a shocking conclusion. Steeped in the mystery and history of nineteenth-century St. Paul, these interlocking detective stories feature the characters—and the local character—that have made the Shadwell Rafferty series irresistible. Spellbinding as ever, these stories also afford the curious pleasure of watching Rafferty find his footing on his way to becoming the consummate detective whose exploits have delighted readers again and again.