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The Many and the Few reconstructs a pattern of recurring populist themes in the writings of Francesco Guicciardini and Niccolo Machiavelli. These two pioneering thinkers of the late Renaissance are almost always presented in terms of dramatic contrasts – while Machiavelli's violent populism and scorn for aristocratic culture is well established, many consider Guicciardini the most influential Renaissance advocate of narrow, elitist regimes. In The Many and the Few, Mark Jurdjevic challenges these pre-existing beliefs and argues that Guicciardini was a vastly more complex thinker who subjected his own aristocratic ideals to devastating scrutiny. From his very first to very last texts, Guicciardini consistently embedded an alternate narrative in which he thoroughly embraced, and arguably exceeded, Machiavelli’s view of the innately positive qualities of the people and destructive qualities of the elites. Subsequent "republican" writers, such as Jean-Jacques Rousseau and James Madison, all claimed Guicciardini as one of the chief Renaissance exemplars of a longstanding tradition of aristocratic, senatorial politics, but The Many and the Few demonstrates that Guicciardini’s contribution was a Trojan horse: it appeared to confirm this tradition even while affirming every aspect of Machiavelli's critique.

In Zaidy’s Band, Aron Heller chronicles his extensivejourney with his grandfather Mickey Heller – his Zaidy – to uncover Mickey’s mysterious wartime past and the untold stories of his Jewish Canadian band of brothers. Through many trips, calls, and emails to his Zaidy, Heller uncovers dozens of previously unknown stories of lost friendships, personal tragedies, acts of heroism, and emotional reunions. These men played key roles in the defining events of their time – fighting against Nazism and contributing to the establishment of Israel. Their voices, however, are not mere relics of the past. The dilemmas they faced – faith, belonging, courage, and sacrifice – continue to resonate today. Part memoir, part historical biography, and part mystery, Zaidy’s Band reveals how even the humblest acts of World War II service shaped a generation of men and left a lasting impact on their families for years to come.

Telling Tales explores the lived experiences of Christian women, parish clerics, and church officials in Italy during the later Middle Ages through one previously unpublished historical source – a register prepared in 1421/1422 for a Dominican inquisitor in the northern Italian city of Ferrara that includes interrogations about the lives, work, and domestic arrangements of otherwise-obscure women. The book provides both a translation of the source from the original Latin and a critical examination of its content from two distinct analytical perspectives. Cossar and Brown also illuminate the workings of an inquisitorial investigation, with details about how the inquisitor gathered information and worked both with, and against, other local authorities. Telling Tales invites readers to explore the tools of the historian's craft, illustrating how different analytical approaches to the same historical source can yield rich – and sometimes contradictory – conclusions.

Scholar and philosopher Jeffrey Reid's latest monograph, Reason and Revelation in Hegel, offers a new understanding of Hegel's metaphysical thought, centring on the Absolute's self-revelatory agency – its unfolding through nature, human thought, and history. Structured in four sections, the book explores absolute agency and the relationship between eternal truth and historical temporality. How does absolute presence take place in art, religion, and philosophy? Finally, questions of systematicity and meaning are engaged with reference to the Big Bang universe, our experience of music, and the question of what Hegel’s Science leaves behind. Reason and Revelation in Hegel stands out in the landscape of Hegelian studies, where dominant trends often downplay metaphysical dimensions in favor of analytic, materialist, and secular interpretations. Rather than reducing Hegel’s religious ideas to cultural phenomena or aspirational human consciousness, Reid argues that the Absolute is not a distant metaphysical object but an active, performative force within rational human striving itself. In this view, the failures of historical actuality become openings for philosophical truth – shaped by, and inseparable from, eternal revelation.

Insight Studies emphasizes the importance of understanding the operations that generate and verify the knowledge we rely on in our daily lives. Grounded in the philosophy of Bernard Lonergan, the book employs a practice-based approach similar to learning a musical instrument, fostering critical thinking skills through engaging learning modules. The book features modules that include puzzles with detailed instructions to help learners focus on their own cognitive processes and operations of knowing. This approach broadens the scope of critical thinking to encompass the operations of questioning, understanding, verifying, valuing, and cooperating. Each chapter illustrates the relevance of these skills across various fields, including ethics, conflict resolution, psychology, sociology, philosophy, politics, and personal relationships. Structured as a nine-module course text, Insight Studies can be adapted for in-class, online, or self-directed learning. Designed to be learner friendly, this book equips readers with transformative skills that are applicable to everyday life.

Karen Bermann grew up in the mad orbit of her father, Fritz, the rebellious child of a Viennese Orthodox Jewish family who fled Europe alone as an adolescent in the late 1930s. An irreverent, comic, rageful man with three names, who spoke three languages, lived on three continents, and always kept his papers in order, Fritz lived a life shaped by survival. In this memoir, told in alternating voices in brief, lyrical episodes, Bermann explores not only the mystery of her father but also the inheritance he passed on: intergenerational trauma, fragile familial bonds, and a fraught sense of belonging. The Art of Being a Stranger is a darkly funny narrative told in poetry, prose, and mixed-media drawings. While her father taught her how to save herself, Bermann realized early on that what she truly needed was to be saved from him. Set against the backdrop of 1960s and 1970s New York City, The Art of Being a Stranger is a poignant comic-drama that offers an intimate, layered exploration of parents and children in the shadow of history.

Local Campaign Behaviour in Canadian Elections investigates the relationship between the local and national components of Canadian political parties. Jacob Robbins-Kanter emphasizes the significance of local campaigns – often overlooked by scholars, voters, and the media – and examines when and why these campaigns deviate from national directives during federal elections. Grounded in original data, the book explores the intricate dynamics between local campaigns and central party headquarters during Canadian elections, highlighting their cooperation, clashes, and divergences. It reveals the prevalence of undisciplined local campaign behaviour and the underestimated agency of local actors. The book argues that local campaigns retain meaningful agency to make critical decisions, influence election outcomes, and articulate local interests.Drawing on nearly 100 interviews, primary source documents, and data collected as an embedded researcher during the 2019 federal election, Robbins-Kanter delves into the practice of undisciplined local campaign behaviour, which often challenges or diverges from central party directives. Local Campaign Behaviour in Canadian Elections presents a nuanced portrayal of local actors, positioning them as neither entirely autonomous nor merely instruments of a central party apparatus.

Volume 79 in the Collected Works of Erasmus series presents two works written by Erasmus in a controversy with the Carthusian monk Pierre Cousturier. Erasmus had ignited controversy throughout Europe with his criticisms of the Vulgate in current use and his attempts to produce better texts and better Latin translations of Scripture, as well as a new version of the Greek New Testament. Erasmus’s work came under the scrutiny of the Paris faculty of theology. The resulting controversy between Erasmus and various Paris theologians culminated in a formal censure of both vernacular translations of the Bible and new Latin translations from Hebrew and Greek sources. In 1522, Pierre Cousturier began to attack humanist translators in a series of publications, arguing for the accuracy and divine inspiration of the commonly used Latin Bible, which rendered further Latin translations unnecessary, even dangerous. The fact that Cousturier had a doctorate in theology from Paris and was highly regarded in the Paris basin as a reformer prompted Erasmus to reply in order to clarify his textual and theological principles and their implications. In his Apologia against Cousturier and the subsequent Appendix, Erasmus offers some of his most important reflections on his aim to cultivate humanistic and linguistic expertise in the service of advancing the Gospel.

In the early 1850s, John Ruskin published The Stones of Venice, a history of Venetian architecture. He asserted the moral and aesthetic superiority of Venice's medieval buildings over structures from the Renaissance period. Ruskin's engaging and beautifully crafted prose inspired his Anglo-American readers to travel to Venice, to construct Gothic Revival buildings in their own cities, and to critically examine the moral virtues of modern society and how those principles are reflected in modern architecture. Since 1904, only abridged editions of The Stones of Venice have been published – all of which sacrifice Ruskin's didacticism in favour of the aestheticism of a few select passages. As the first unabridged edition in over a century, this book restores the context for those selections. It retains Ruskin's tripartite history of Venice and includes material omitted from abridged versions, including Ruskin's supplementary folio. It features reproductions of many of Ruskin's original sketches, which in previous editions appeared only as engraved copies. This edition includes his list of Venice's most important buildings, with endnotes updating their contemporary status, as well as an appendix with selections from other Venetian-themed texts by Ruskin. Introducing new readers to an important literary figure, this book also features an introductory essay that situates The Stones of Venice within John Ruskin's life and writings.

Music was an integral part of statecraft and identity formation in the Third Reich. Structured thematically and semiotically around the Wagnerian tetralogy of the Ring cycle, Hitler’s Twilight of the Gods provides a sonic read of the Second World War and the Holocaust. Alexandra Birch sheds light on the specific type of music promoted under Nazism, linked to larger Teutonic mythologies and histories espoused in rhetoric and personal styling. The book explores the musical fixation of the command as it was extended to the ordinary troops of the Wehrmacht and SS in instances of musical sadism and destruction during the Holocaust. It reveals how, in constructing what was "German," this process also intentionally fashioned a subaltern other with an assigned set of music and aesthetics. The book draws on analysis of testimony and perpetrator documents to reveal the execution of this binary identity and the inclusion of music even in extreme genocidal conditions. From drinking games in the interwar period, to musical sadism in the Holocaust, to the final delusions of the command in collapse, Hitler’s Twilight of the Gods illuminates how music was a component of camaraderie, identity, masculinity, and warfare.