University of Wisconsin Press

As gay men and lesbian women increasingly gained recognition and acceptance in twentieth-century literature and film, and subsequently in social and political movements, the Catholic Church reacted by subtly moving away from its overt condemnation of homosexuality as an urgent moral problem and toward tacitly shunning homosexuality as an “unspeakable vice.” In this revealing history, Francesco Torchiani reconstructs the Catholic Church’s shifting attitudes toward homosexuality during this period by drawing on a vast array of internal documents and external accounts. This monograph expands the scholarship on the relationship between Catholicism and homosexuality in terms of both method and content, ultimately concluding that the Catholic Church continues to wholeheartedly condemn homosexuality despite making genuine efforts to reflect on and understand its social and cultural impact. The Unspeakable Vice therefore sheds new light on and places into historical perspective the questions the Catholic Church continues to reckon with regarding its role in contemporary society.

Walace Weiss, a famous fantasy novelist struggling with drug addiction, sets himself on a twofold quest: to finish his first book in more than a decade and, like the immortal elves of his stories, to try to remember what, in his long life, he should not have forgotten. While many have come to view Walace as a bad influence on children, literature, and himself, his impact sweeps across worlds both fantastic and real, leading to his establishing a new kingdom in his neglected McMansion, Summerheim. The result is a mock-epic in rehabilitation, starring such friends and enemies as Cal, Walace’s dealer and private jester; Dragon, a porn star turned guidance counselor; Epiphany, a lunch lady and stripper in recovery; her son, Tuffy, planning everyone’s funerals at age nine; Jackal, newly sober and in touch with his emotions for the first time; and Wolf, Walace’s socially withdrawn twin brother and reluctant doppelgÄnger. Brian Bouldrey piles on the laughs and absurdity alongside dollops of humanity. With brilliant recklessness, he praises and pokes fun at genres, conventions, fandoms, and critics, offering a Deadpool-like exploration of an upside-down world filled with epic quests, epic mistakes, and epic characters.

On August 2, 1943, prisoners at the Nazi extermination camp Treblinka, located in occupied Poland, launched an uprising against their captors, during which hundreds successfully escaped while guards killed as many in the process. In this groundbreaking work, Chad S.A. Gibbs draws upon recently discovered sources and novel research methods to fundamentally reassess Jewish resistance at Treblinka—both before and during the revolt. Using the testimonies of revolt survivors, prior escapees, those who passed through the camp, and a handful of bystander witnesses and former SS guards, Gibbs sheds new light on the events of August 2 as well as many prior acts of resistance. Critical to these new interpretations of the revolt are the actions of women prisoners, who here assume a central place in this story for the first time.

Alessandra Tarquini, an expert in Italian Fascism, untangles the complicated relationship between the Italian Left and Jews since the late nineteenth century. Due largely to indifference, and sometimes to antisemitism, Italian leftists consistently overlooked Jews in their visions for a collectivist future. Yet, from the birth of the Socialist Party in 1892 until 1992, when the heirs of the Marxist tradition dispersed or set out on a new path, questions continually arose in revolutionary efforts to remake the Italian state: Should Jews be seen as oppressed, and therefore welcome to participate in the struggle that would lead to the advent of a new civilization? Or might they hinder the realization of socialism because of their attachment to a religious identity? Tarquini’s research fills an important lacuna by analyzing the antisemitism of twentieth-century socialist movements. Crucially, however, Tarquini makes important distinctions between antisemitism on the Italian Left and Right, and identifies the relationship between leftism and antisemitism as a distinct formation.

The revised and updated edition of a seminal text, Europe in the Sixteenth Century weaves the distinct histories of various European states into a vivid and complex tapestry. Focusing on similarities of experience across borders, including the centralization of town life and development of market economics, the authors reexamine familiar subjects of the era—from religious upheaval to imperial conflict to artistic revolutions—creating a dynamic, unified narrative of change. This third edition features a new introduction by Magda Teter, tracing the influence of H. G. Koenigsberger, George L. Mosse, and G. Q. Bowler’s work on the historiography of Europe well into the twenty-first century.

American Fantastic challenges readers to recognize an organizing myth in America’s perception of its imperialist past, “the myth of redemptive violence.” Derek J. Thiess persuasively argues that this myth serves to obscure the deep thread of Christian supremacy that underwrites America’s colonial and imperial impulses, from the early colonial period to westward expansion to the contemporary global order. This American imaginary, which enmeshes religion with violence, is constructed in multiple contentious and productive contact zones: between genres, between cultures, and between past and present. Thiess’s interdisciplinary study examines America’s past and present imperial projects, from the Hawaiian Islands to the Eastern Seaboard, as they proliferate in popular story forms. By interrogating American myths, legends, and fantastic narratives across an impressive array of genres, including folk narratives, science fiction, movies, and more, Thiess exposes how the “myth of redemptive violence” manifests in contemporary constructions of America’s fantastic imaginaries.

In 1939, the Soviet Union and Germany agreed to a nonaggression treaty named for its signatories, foreign ministers Vyacheslav Molotov and Joachim von Ribbentrop. Kept hidden from the public was an addendum to the Molotov-Ribbentrop Pact, a “secret protocol” whose existence was denied by the Soviet Union until 1992. It defined new borders for German and Soviet spheres of influence, effectively preparing for the partition of Poland, the Baltic states, and Bessarabia. Shortly after signing on August 23, 1939, both the USSR and Nazi Germany invaded Poland. In this volume, Antonella Salomoni scrutinizes this consequential document and its afterlives, focusing predominantly on the discourse that surrounded it. From the moment of the secret protocol’s inception—and the near-instantaneous rumors of its existence—it generated friction and competing narratives. The document became public during the Nuremberg trials, but the USSR declared it a fabrication evidencing the West’s willingness to falsify history. It continues to be relevant to the reconfiguration of history currently advanced by Vladimir Putin. By centering the rumors, accusations, and propaganda the pact precipitated, Salomoni illuminates how political actors can use and abuse history, how they create and disseminate truths and falsehoods, and how they can blur the boundary between facts and fictions even in the glaring face of black-and-white documentation.

In The Work of Music, Celia Applegate examines the cultural history of Austro-German music through the lens of labor from the 1648 Peace of Westphalia to the Third Reich. She explores the working world of music and musicians, the various jobs they performed, the work music did in society, the observations and commentaries of contemporaries on the shape and function of musical life, and the work of organizing music making, both amateur and professional. At a time when ideas of absolute music and music-as-leisure were both on the rise, writing about music tended to obscure these practical matters. Here, Applegate reflects on how an intensely musical society organized and understood the ubiquitous activity that underpinned it.