Verlag der Buchhandlung Walther Konig

In the age of ubiquitous design, why shouldn't sex be designed as well? The Archisutra, expanding the meaning of the term "graphic" design, runs with that notion. The Archisutra presents architectural designer Miguel Bolivar's erotic guide of designed sex positions, all described in succinct yet explicit prose. The bodies in the book arch, vault and cantilever over drafting tables, Eames lounges and Barcelona chairs, connecting their configurations to the designs that inspired them. The Archisutra imagines the sexual spirit of classical, neoclassical, brutalist and other styles of architecture. Further, keeping in mind the concerns of our time, the book documents the "sustainability" of each position, that is, how long each position can be maintained over time. Or, drawing from the language of architecture, each sex position is accompanied by its typical location, whether "residential," "commercial" or "mixed use." A long history of attempts to quantify the human form and organize architecture accordingly, from Vitruvius' schema of the ideal mathematical proportions of the human body to Le Corbusier's Modulor system, now culminates in this most pleasurable and elemental of human activities: sex. Miguel Bolivar encourages fans of architecture to redesign their sex life with guide in hand or, perhaps more realistically, propped up nearby.

The Book of Images tells the story of 310 scenography produced by Images Vevey from 2008 to 2018. Throughout 400 pages and almost 1000 pictures, the reader finds monumental and unexpected installations on façades, underwater, on roofs, in gardens, basements, churches, prisons or luxury hotels of the town of Vevey. Featuring 299 contemporary artists and photographers such as John Baldessari, René Burri, Christian Marclay, Lee Friedlander, Graciela Iturbide, JR, David Lynch, Daido Moriyama, Arnold Odermatt, Martin Parr, Alex Prager, Andres Serrano, Cindy Sherman, Laurie Simmons, Roman Signer, Erwin Wurm, etc.

The ultimate edition of Helen Levitt's classic of New York City street photography, with new high-quality reproductions Ever since it was first published in 1965, Helen Levitt's collection of photographs taken on the streets of 1940s New York City has been revered as a classic of its genre. Made in collaboration with writer James Agee, who provided the book's introduction, A Way of Seeing was published twice more with modifications during Levitt's lifetime. This volume seeks to provide a definitive edition of the book with oversight from Levitt's former assistant Marvin Hoshino, who has taken pains to include the best available prints and negatives of Levitt's images. Returned to its original compact size, this edition contains all 50 original photographs in addition to several other images meant to represent Levitt's later understanding of herself as an artist and visual storyteller. Levitt's photography has stood the test of time and now provides compelling insight into the daily lives of New York's youngest denizens long after they have grown up. Helen Levitt (1913-2009) learned the art of film development as a teenager working for a commercial portrait photographer in the Bronx. In the mid-1930s, she began to establish her own style of street photography, taking a particular interest in children who turned city sidewalks into their own personal playgrounds and art studios. A lifelong New Yorker, Levitt continued photographing urban life for nearly 70 years, during which she garnered attention from the Museum of Modern Art and the Guggenheim. In addition to her photography, she worked for many years with James Agee and Janice Loeb on documentary films.

A graphic-novel guide to the demented present from the authors of the bestselling The Age of Earthquakes If you're wondering why the inside of your head feels so strange these days, this book has the answers. The Extreme Self is a new kind of graphic novel that shows how you've been morphing into something else. It's about the remaking of your interior world as the exterior world becomes more unfamiliar and uncertain. Basar, Coupland and Obrist's cult prequel, The Age of Earthquakes: A Guide to the Extreme Present, was hailed as "a meditation on the madness of our media" (Dazed) and "an abstract representation of how we feel about our digital world" (Hello!). Like that book, The Extreme Self collapses comedy and calamity at the speed of swipe. Dazzling images are sourced from over 70 of the world's foremost artists, photographers, technologists and musicians, while Daly & Lyon's kinetic design elevates the language of memes into a manifesto. Over 14 timely chapters, The Extreme Self tours through fame and intimacy, post-work and new crowds, identity crisis and eternity. Crazed, hilarious, unsettling, true. No other book today so presciently predicts how the present and the future have become the same thing. The Extreme Self is an accelerated tale for an even more accelerated culture. Welcome to the Age of You. Cultural critic Shumon Basar (born 1974) is the author of Do You Often Confuse Love with Success and with Fame? (2012). Canadian novelist and artist Douglas Coupland (born 1961) is the author of Girlfriend in a Coma: A Novel (2008), Life After God (1994) and Generation X: Tales for an Accelerated Culture (1991). Swiss art curator, critic and art historian Hans Ulrich Obrist (born 1968) is the artistic director at the Serpentine Galleries in London and the author of numerous books, including Hans Ulrich Obrist: Infinite Conversations (2020), Ways of Curating (2014) and A Brief History of Curating (2008).

The first overview in a decade on Kubin's gothic pageant of dreamworld menace The art of the great Austrian draftsman, illustrator and author Alfred Kubin (1877-1959) appears more current today than ever before; wartime destruction, pandemics, natural disasters and the manipulation of the masses pervade his highly narrative works. Kubin's nightmarish oeuvre extends Symbolism and the fantastical art of the 19th century and may be considered a precursor to French Surrealism, with its syntheses of actual and imaginary reality, its bleak realms that Kubin often seasoned with humor, irony and exaggeration. Published for an exhibition at the Leopold Museum in Vienna, Alfred Kubin: Confessions of a Tortured Soul offers an exploration of Kubin's oneiric worlds in terms of their relation to the unconscious. Through this lens, psychoanalyst and psychiatrist August Ruhs addresses pieces by Kubin selected by curator Hans-Peter Wipplinger. In addition, Kubin's works are placed into a dialogue with works by artists of the 19th century and of the classical modernism from which Kubin derived inspiration.

A massive appraisal of a hitherto little-known aspect of Kapoor’s prodigious output This 400-page volume is the first publication to explore in depth the painting of British artist Anish Kapoor (born 1934). It offers a unique insight into a language that has increasingly been a focus over the last 10 years, but which has also been an integral part of his studio practice since his career began in the late 1970s. In works that sit on the cusp between abstraction and figuration, Kapoor reveals a desire to go beyond the surface that has been so famously explored in his international beloved sculptural works. Image, surface, space and time appear in sometimes delicate but often violent symmetry. With essays from such as acclaimed thinkers as Julia Kristeva and Homi K. Bhabha, with whom the artist has collaborated in articulating his distinctive visual language, this extensive survey traces the trajectory that has led Kapoor to his boldest body of work to date.