Viking Press USA

Others make war; you, happy Austria, marry.' For three centuries, the astute positioning of their many princesses and princes had kept the Habsburgs at the peak of European power. By 1764, after a generation of costly war, confronted by shaken alliances, immense debts, and restive subjects, the Empress Maria Theresia was seeking once again to assert the dynasty's power through strategic marriages. Her arsenal was full: her seven daughters were to serve as her pawns in the ruthless game of eighteenth-century dynastic politicking. Delivered to the grandest or dingiest courts in Europe, they made their difficult and even dangerous ways: Marianna the seeker; the grande dame Marie Christine; Elisabeth, the malicious, disfigured beauty; fractious and wayward Amalie of Parma; the tragic bride Josepha; Carolina of Naples, Napoleon's relentless enemy; and Antonia, youngest of the seven, sacrificial offering to the gods of revolution, better known to history as Marie Antoinette. Meticulously researched and animated by the sisters' own diaries and the almost daily letters traversing the continent, Seven Sisters reveals the drama, tragedy and comedy of these exceptional yet all too human lives. It is a vivid portrait of a brilliant world collapsing in a fearful time.

Over the past twenty-five years, pop culture has suffered from a perplexing lack of reinvention. We’ve entered a cultural “blank space”—an era when reboots, rehashes, and fads flourish, while bold artistic experimentation struggles to gain recognition. Why is risk no longer rewarded, and how did playing it safe become the formula for success? Acclaimed cultural historian W. David Marx sets out to uncover the answers. In this ambitious cultural history, Marx guides us through the blur of the twenty-first century so far, from the Obama era to the rise of K-pop, from Paris Hilton to the Marvel cinematic universe, from Beyoncé and Taylor Swift to . . . Beyoncé and Taylor Swift, whose enduring influence highlights both their adaptability and the broader shifts in pop culture. Combining sociological, economic, and political insights with a deep dive into art, street culture, fashion, and technology, Blank Space dissects the rise of profit-driven, formulaic trends and the shifting cultural norms that often prioritize going viral over innovation. He reveals how backlash against indie snobbery and nineties counterculture gave rise to a “counter-counterculture”—one marked by antiliberal sentiment, the celebration of business heroes, and the increasing influence of industry plants and the elite class. In a world of crypto bros, nepo babies, and AI-driven art, Marx offers readers a much-needed dose of clarity and context. Vibrantly narrated and sharply argued, Blank Space is an essential guide for anyone looking to understand the chaos of the twenty-first century, the trends, tastemakers, and icons who shaped it, and how we might push our culture forward over the next quarter century—through renewed emphasis on creativity, community, and the values that transcend mere profit.