Windmill Books

On the eve of her ninth birthday, unassuming Rose Edelstein, a girl at the periphery of schoolyard games and her distracted parents' attention, bites into her mother's homemade lemon-chocolate cake and discovers she has a magical gift: she can taste her mother's emotions in the slice. She discovers this gift to her horror, for her mother - her cheerful, can-do mother - tastes of despair and desperation. Suddenly, and for the rest of her life, food becomes perilous. Anything can be revealed at an y meal. Rose's gift forces her to confront the secret knowledge all families keep hidden - truths about her mother's life outside the home, her father's strange detachment and her brother's clash with the world. Yet as Rose grows up, she realises the re are some secrets that even her taste buds cannot discern. "The Particular Sadness of Lemon Cake" is a luminous tale about the heartbreak of loving those whom you know too much about. It is profound and funny, wise and sad, and Aimee Bender's dazzl ing prose illuminates the strangeness of everyday life.

Leonard and Rosemary Cannon summon their middle-aged offspring, along with partners and children, to the family home in the Welsh Marches for the Christmas holiday. As the gathered family settle in to their first Christmas together for some years, the grown siblings - Rodney, Jonny and Gwen - are surprised when they are invited to each put stickers on the furniture and items they wish to inherit from their parents. "Disputed Land" is narrated by Leonard and Rosemary's thirteen-year-old grandson, Theo, who observes how from these innocent beginnings age-old fissures open up in the relationships of those around him. Looking back at this Christmas gathering from his own middle-age - a narrator at once nostalgic and naive - Theo Cannon remembers his imperious grandmother Rosemary, alpha-male uncle Jonny, abominable twin cousins Xan and Baz; he recalls his love for his grandfather Leonard and the burgeoning feelings for his cousin Holly. And he asks himself the question: if a single family cannot solve the problem of what it bequeaths to future generations, then what chance does a whole society have of leaving the world intact?

There is more information in the world than ever before - but who's in control? At the centre sits the Establishment: governments, corporations and powerful individuals who have more knowledge about us, and more power, than ever before. Circling them is a new generation of hackers, pro-democracy campaigners and internet activists who no longer accept that the Establishment should run the show. Award-winning journalist and campaigner Heather Brooke takes us inside the Information War and explores the most urgent questions of the digital age: where is the balance between freedom and security? In an online world, does privacy still exist? And will the internet empower individuals, or usher in a new age of censorship, surveillance and oppression?

The year is 1985 and twenty-two-year-old Galen lives with his emotionally dependent mother in a secluded old house with a walnut orchard in a suburb of Sacramento, California. He doesn't know who his father is, his abusive grandfather is dead, and his grandmother, losing her memory, has been shipped off to a nursing home. Galen and his mother survive on old family money - an inheritance that his Aunt Helen and seventeen-year-old cousin, Jennifer, are determined to get their hands on. A bulimic vegetarian who considers himself an old soul, Galen is a New Age believer on a warpath toward transcendence. He yearns for transformation: to free himself from the corporeal, to be as weightless as air, to walk on water. But he's powerless to stop the manic binges that overtake him, leading him to gorge on meat and other forbidden desires, including sex. A prisoner of his body, he is obsessed with thoughts of the boldly flirtatious Jennifer, and dreams of shedding himself of the clinging mother whose fears and needs also weigh him down. When the family takes a trip to an old cabin in the Sierras, tensions crescendo. Caught in a compromising position, Galen will discover the shocking truth of just how far he will go to attain the transcendence he craves. A powerful and shocking account of a family imploding: a story of hatred, sex and violence, "Dirt" will cement David Vann's reputation as one of the most original and powerful writers of his generation.

1922. The spectacular year that F. Scott Fitzgerald chose as a backdrop for his most famous novel The Great Gatsby. It was also the year where James Joyce's Ulysses and T. S. Eliot's The Waste Land were published, Alfred Hitchcock directed his first feature, the Ottoman Empire collapsed, Louis Armstrong took the train from New Orleans to Chicago and made Jazz the defining music of the age, and Hollywood transformed the nature of fame. Constellation of Genius is the gloriously entertaining journey through the diaries of the actors, anthropologists, artists, dancers, designers, film-makers, philosophers, playwrights, politicians and scientists whose lives and works collided over twelve months, creating a frenzy of innovation and the beginning of a new era.

Cult horror director Stanislas Cordova hasn't been seen in public since 1971. To his fans he is an enigma. To journalist Scott McGrath he is the enemy. To Ashley he was a father. On a damp October night the young, beautiful Ashley Cordova is found dead in an abandoned warehouse in lower Manhattan. Her suicide appears to be the latest tragedy to hit a severely cursed dynasty. For McGrath, another death connected the legendary director seems more than coincidence. Driven by revenge, curiosity and a need for the truth, he finds himself pulled into a hypnotic, disorientating world, where almost everyone seems afraid. The last time McGrath got close to exposing Cordova, he lost his marriage and his career. This time he could lose his grip on reality.

This is a superb account of complex psyche of Eastern Europe in the wake of the revolutions of 1989 and the opening of the communist archives. In the tradition of Timothy Garton Ash's The File, Yale historian and prize-winning author Marci Shore draws upon intimate understanding to illuminate the afterlife of totalitarianism. The Taste of Ashes spans from Berlin to Moscow, moving from Vienna in Europe's west through Prague, Bratislava, Warsaw and Bucharest to Vilnius and Kiev in the post-communist east. The result is a shimmering literary examination of the ghost of communism - no longer Marx's 'spectre to come' but a haunting presence of the past. Marci Shore builds her history around people she came to know over the course of the two decades since communism came to an end in Eastern Europe: her colleagues and friends, once-communists and once-dissidents, the accusers and the accused, the interrogators and the interrogated, Zionists, Bundists, Stalinists and their children and grandchildren. For them, the post-communist moment has not closed but rather has summoned up the past: revolution in 1968, Stalinism, the Second World War, the Holocaust. The end of communism had a dark side. As Shore pulls the reader into her journey of discovery, reading the archival records of people who are themselves confronting the traumas of former lives, she reveals the intertwining of the personal and the political, of love and cruelty, of intimacy and betrayal. The result is a lyrical and sometimes heartbreaking portrayal of how history moves and what history means.

The New York Times bestselling author of The Particular Sadness of Lemon Cake, a Richard and Judy bookclub pick, returns with a wonderful collection of enchanting, strange and magical stories. In this collection, Bender's unique talents sparkle brilliantly in stories about people searching for connection through love, sex and family - while navigating the often painful realities of their lives. A woman plays out a prostitution fantasy with her husband in 'The Red Ribbon' and finds she cannot go back to her old sex life. An ugly woman marries an ogre in 'The Devouring' and struggles to decide if she should stay with him after he mistakenly eats their children. 'Tiger Mending' follows two sisters who travel deep into Malaysia where one learns the art of mending tigers who have been ripped to shreds, and in the title story, 'The Color Master', a company of tailors endeavour to capture the colours of the sun, moon and sky. Evocative, funny, sad and beautifully written, The Color Master cements Aimee Bender's reputation as one of the most imaginative and exciting writers of our time.

A razor-sharp portrait of a morally bankrupt and gleefully wicked modern man, Worst. Person. Ever. is Douglas Coupland's gloriously filthy, side-splittingly funny and unforgettable novel. Meet Raymond Gunt. A decent chap who tries to do the right thing. Or, to put it another way, the worst person ever: a foul-mouthed, misanthropic cameraman, trailing creditors, ex-wives and unhappy homeless people in his wake. Men dislike him, women flee from him. Worst. Person. Ever. is a deeply unworthy book about a dreadful human being with absolutely no redeeming social value. Gunt, in the words of the author, "is a living, walking, talking, hot steaming pile of pure id." He's a B-unit cameraman who enters an amusing downward failure spiral that takes him from London to Los Angeles and then on to an obscure island in the Pacific where a major American TV network is shooting a Survivor-style reality show. Along the way, Gunt suffers multiple comas and unjust imprisonment, is forced to re-enact the 'Angry Dance' from the movie Billy Elliot and finds himself at the centre of a nuclear war. We also meet Raymond's upwardly failing sidekick, Neal, as well as Raymond's ex-wife, Fiona, herself 'an atomic bomb of pain'. Even though he really puts the 'anti' in anti-hero, you may find Raymond Gunt an oddly likeable character.

This book is Shortlisted For Costa First Novel Award and Longlisted For The Desmond Ellot Prize 2015. This is the story of what happens when Issy Bradley dies. It is the story of Ian - husband, father, maths teacher and Mormon bishop - and his unshakeable belief that everything will turn out all right if he can only endure to the end, like the pioneers did. It is the story of his wife Claire's lonely wait for a sign from God and her desperate need for life to pause while she comes to terms with what's happened. It is the story of the agony and hope of Zippy Bradley's first love. The story of Alma Bradley's cynicism and reluctant bravery. And it is the story of seven-year-old Jacob. His faith is bigger than a mustard seed, probably bigger than a toffee bonbon and he's planning to use it to mend his broken family with a miracle. Incredibly moving, unexpectedly funny and so sharply observed it will make you feel as if you could pick the woodchip off the bedroom wall, A Song For Issy Bradley explores the outer reaches of doubt and faith. But mostly it's a story about a family trying to work out how to carry on when their world has fallen apart.

From Neil Smith, author of the award-winning, internationally acclaimed story collection Bang Crunch, comes a dark but whimsical debut novel about starting over in the afterlife in the vein of Alice Sebold's The Lovely Bones. When Oliver 'Boo' Dalrymple wakes up in heaven, the eighth-grade science geek thinks he died of a heart defect at his school. But soon after arriving in this hereafter reserved for dead thirteen-year-olds, Boo discovers he's a 'gommer', a kid who was murdered. What's more, his killer may also be in heaven. With help from the volatile Johnny, a classmate killed at the same school, Boo sets out to track down the mysterious Gunboy who cut short both their lives. In a heartrending story written to his beloved parents, the odd but endearing Boo relates his astonishing heavenly adventures as he tests the limits of friendship, learns about forgiveness and, finally, makes peace with the boy he once was and the boy he can now be.

From the New York Times bestselling author of Rules of Civility. 'Everything a novel should be: charming, witty, poetic and generous. An absolute delight' Mail on Sunday 'A work of great charm, intelligence and insight' Sunday Times 'Winning . . . gorgeous . . . satisfying . . . Towles is a craftsman' New York Times Book Review 'A comic masterpiece' Daily Express 'If we do a better book than this one on the book club this year we will be very very lucky' Matt Williams, Radio 2 Book Club 'Abundant in humour, history and humanity' Sunday Telegraph 'Wistful, whimsical and wry' Sunday Express On 21 June 1922 Count Alexander Rostov – recipient of the Order of Saint Andrew, member of the Jockey Club, Master of the Hunt – is escorted out of the Kremlin, across Red Square and through the elegant revolving doors of the Hotel Metropol. But instead of being taken to his usual suite, he is led to an attic room with a window the size of a chessboard. Deemed an unrepentant aristocrat by a Bolshevik tribunal, the Count has been sentenced to house arrest indefinitely. While Russia undergoes decades of tumultuous upheaval, the Count, stripped of the trappings that defined his life, is forced to question what makes us who we are. And with the assistance of a glamorous actress, a cantankerous chef and a very serious child, Rostov unexpectedly discovers a new understanding of both pleasure and purpose.

What do you do when the life you've carefully built for yourself comes apart?Lydia Smith lives a quiet life, spent in the company of her colleagues and customers at the bookstore where she works. But when Joey Molina, a young and mysterious regular, hangs himself in the bookstore and leaves Lydia secret messages hidden in the pages of his books, her world starts to unravel. Why did Joey do it?What did he know?And what does it have to do with Lydia?

From Guardian writer Paula Cocozza, a debut novel of the breakdown of a marriage, suburbian claustrophobia, and a woman's unseemly passion for a fox You've seen a fox. Come face to face in an unexpected place, or at an unexpected moment. And he has looked at you, as you have looked at him. As if he has something to tell you, or you have something to tell him. But what if it didn't stop there? When Mary arrives home from work one day to find a magnificent fox on her lawn—his ears spiked in attention and every hair bristling with his power to surprise—it is only the beginning. He brings gifts (at least, Mary imagines they are gifts), and gradually makes himself at home. And as he listens to Mary, Mary listens back. She begins to hear herself for the first time in years. Her bullish ex-boyfriend, still lurking on the fringes of her life, would be appalled. So would the neighbours with a new baby. They only like wildlife that fits with the decor, and they are determined to defend the boundary between the domestic and the wild. But inside Mary a wildness is growing that will not be tamed. In this extraordinary debut, the lines between sanity and safety, obsession and delusion blur, in a thrilling exploration of what makes us human.

'This extraordinary book brings to life an astonishing place. Beautiful prose renders brutality vivid' The Times - BOOK OF THE WEEK From Peter the Great to Putin, this is the unforgettable story of St Petersburg - one of the most magical, menacing and influential cities in the world. St Petersburg has always felt like an impossible metropolis, risen from the freezing mists and flooded marshland of the River Neva on the western edge of Russia. It was a new capital in an old country. Established in 1703 by the sheer will of its charismatic founder, the homicidal megalomaniac Peter-the-Great, its dazzling yet unhinged reputation was quickly fashioned by the sadistic dominion of its early rulers. This city, in its successive incarnations - St Petersburg; Petrograd; Leningrad and, once again, St Petersburg - has always been a place of perpetual contradiction. It was a window on to Europe and the Enlightenment, but so much of the glory of Russia was created here: its literature, music, dance and, for a time, its political vision. It gave birth to the artistic genius of Pushkin and Dostoyevsky, Tchaikovsky and Shostakovich, Pavlova and Nureyev. Yet, for all its glittering palaces, fairytale balls and enchanting gardens, the blood of thousands has been spilt on its snow-filled streets. It has been a hotbed of war and revolution, a place of siege and starvation, and the crucible for Lenin and Stalin's power-hungry brutality. In St Petersburg, Jonathan Miles recreates the drama of three hundred years in this absurd and brilliant city, bringing us up to the present day, when - once more - its fate hangs in the balance. This is an epic tale of murder, massacre and madness played out against squalor and splendour. It is an unforgettable portrait of a city and its people.

What do you do when a homeless man knows your name? How about when he turns out to be a friend you haven’t seen in twenty years? Do you treat him to a hot meal and see him on his way? Give him a wad of middle-class guilt money? Or take him in and get him back on his feet? For Alan, there’s no question – only natural that he’d want to see his old mate Craig off the streets, even if only for a few nights, and into some clean clothes. But what if the successful life you’ve made for yourself – good job, happy marriage, lovely kids, grand Victorian house (you did well out of the property boom, thank you very much) – is one that that your old pal would quite like to have too? Even if it means taking it from you? Following the divergent lives of two childhood friends, No Good Deed is a funny and painful examination of friendship, the strange currents of ambition, loathing, pity and affection that flow between people over the decades, and of men getting older as they fail and succeed.