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  • Počet strán: 304
  • Väzba: tvrdá
  • EAN: 9783836526937
  • Jazyk: anglický
  • ISBN: 9783836526937
  • Dátum vydania: 28. júna 2011
  • Vydavateľstvo : Taschen

50 Photo Icons

Hans-Michael Koetzle

This title presents the stories behind history's most extraordinary photographs. It deals with the most important landmarks in the history of photography under the microscope. Photographs have a strange and powerful way of shaping the way we see the
world and influencing our perceptions of reality. To demonstrate the unique and profound influence on culture and society that photographs have, "Photo Icons" puts the most important landmarks in the history of photography under the microscope. Each
chapter of this special edition focuses on a single image which is described and analyzed in detail, in aesthetic, historical, and artistic contexts. The book begins with the very first permanent images (Nicephore Niepce's 1827 eight-hour-exposure ro
oftop picture and Louis Daguerre's famous 1839 street scene) and takes the reader up through the present day, via the avant-garde photography of the 1920s and works such as Dorothea Lange's "Migrant Mother" (1936), Robert Doisneau's "Kiss in Front of
City Hall" (1950), and Martin Parr's "New European photography".
  • Počet strán: 304
  • Väzba: tvrdá
  • EAN: 9783836526937
  • Jazyk: anglický
  • ISBN: 9783836526937
  • Dátum vydania: 28. júna 2011
  • Vydavateľstvo : Taschen

This title presents the stories behind history's most extraordinary photographs. It deals with the most important landmarks in the history of photography under the microscope. Photographs have a strange and powerful way of shaping the way we see the
world and influencing our perceptions of reality. To demonstrate the unique and profound influence on culture and society that photographs have, "Photo Icons" puts the most important landmarks in the history of photography under the microscope. Each
chapter of this special edition focuses on a single image which is described and analyzed in detail, in aesthetic, historical, and artistic contexts. The book begins with the very first permanent images (Nicephore Niepce's 1827 eight-hour-exposure ro
oftop picture and Louis Daguerre's famous 1839 street scene) and takes the reader up through the present day, via the avant-garde photography of the 1920s and works such as Dorothea Lange's "Migrant Mother" (1936), Robert Doisneau's "Kiss in Front of
City Hall" (1950), and Martin Parr's "New European photography".

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